Produced from 1897
Product number 158
Hand lacquered
Mechanism: Clockwork
Height approx. 13 cm / 5,1 inches
Length approx. 27cm / 10,6 inch

The winding mechanism is placed between the rear wheel of the father and the front wheel of the mother.
This mechanism is with a fixed key
After winding, the whole family starts to ride including the movement of the legs of the father and the mother.
The movement of the mechanism is transferred by means of an axle to the front wheel of the woman’s bike and to the rear wheel of the father’s bike.
By means of a “chain” the legs are moved to suggest cycling.
The “chain” is a string

It is marked on one of the legs of the father with: FM Bt. S.G.D.G. MRe DÉPOSÉE. and that means : (Fernand Martin, Patent without government guarantees and brand name is registered )
FM = Fernand Martin
Bt > Breveté = patent
S.G.D.G. = This owas a common abbreviation for “Sans Garantie Du Gouvernement“ (without government guarantees).
MRe > marque =brand name
DÉPOSÉE. = registered

The transmission of the motion of the mother’s bicycle is accomplished by an axle through the mother’s rear wheel to the child’s front wheel.

The father figure was used more often in his toys at that time:
Old number 41, new number 121 -La bicyclette Martin 1892
156 Le monocycle aérien 1896
159 La pompe 1897
168 Le motocycle (has another hat)1898
And the still unknown toy the three-wheeled bicycle, see blog article: https://fernandmartintoys.nl/did-i-found-an-unknown-martin-toy-or-not/

The pictures of the toy courtesy E.T.

This toy is a delivery man/driver, possibly alleged Félix Potin driver. It is still unclear what number this should have, but we assume it should be one of the numbers 242-243 -244.

Produced from around 1917
Product number probebly 244
Hand lacquered
Mechanism: Clockwork
Height approx. 20 cm / 7,8 inches

At that time, all the big department stores had their own delivery services.
They brought the purchased goods with their trucks to the customers’ homes.
One of these department stores was Félix Potin but there were many at that time.
I started from Félix Potin because the clothes and cap look a lot like those of Félix Potin but it could also have been another department store.
Perhaps this figure was made especially for a customer as an advertising object.

This figure walks by means of two rods that come out of the shoes and go up and down, thus simulating walking.

This principle was applied quite a lot by Martin as can be seen on the Patent sheet below of the distinguished gentleman ( le vieux marcheur from1901 )

Pictures of the toy: thanks to Renaud Fournier

Martin made a special figure for the foreign market more often.
In 1901 he made 3 figures especially for the English market.
Here I present the second one the Englisch policeman ( the Bobby):

Produced from 1901
Product number 181
Hand lacquered
Mechanism: Clockwork
Height approx. 20 cm / 7,8 inches

Below is the only known image of this toy.
Here you can also see the product number 181.
From the text you can see that it was produced especially for the English market.

This box label looks very similar to the catalog page of the French police officer (Les Agents number 178) see below.

Victor Bonnet produced various tin pistols in the period from 1919 to 1933.
The number we know now is 8 pieces but maybe we will discover more.
the list of the pistols known so far is:

The Victor Bonnet list with pistol models with article numbers
Le Pan-Pan 247
Flac 256
Bombarde 257
Le Pétard 258
Tape_Fort 262
Le Sans-Balle 264
Le Costaud 266
Le Corsaire 269 ??

Here we present :

Name: Flac
Number: 256
Year of first production: 1927
Dimensions: 8,5 cm x 7 cm / 3,35 inch x 2,76 inch

The operation is very simple.
You pull the catch back and place a ” pop cartridge ” on the brass plate then aim and pull the trigger.

In an earlier blog ( part-2-martin-toys-used-in-art ) I showed Jacques Milet’s works.
Now it turns out that his daughter is also a gifted artist.
She also made a work of art with Fernand Martin’s toys as the subject.
This work of art has the Martin toy “Le Familie Vélo” as its centerpiece.

This work of art is depicted in Frédéric Marchand’s book “The History of Martin Mechanical Toys” on page 96.

The “la famille vélo” is from 1897 and has product number 158″

More about this toy in another blog is planned in three weeks.

I see them on the market every time, toys that are affiliated with Martin but are not Martins and/or his successors at all.
I already wrote 2 articles about this in 2019, but I think it is time to republish these 2 articles with some adjustments in 1 new article.

Martin himself also happily copied toys, but I will come back to that in a separate blog.
The names of the manufacturers are not always known because they were mostly small firms.

The last known imitations are fairly recent and from the Spanish Paya and are clearly recognizable.
Paya has made 10 imitations, luckily these are very recognizable as being. Example: the hairdresser, the drunkard, the judge, the conductor etc.

But older imitations are more difficult to recognize, are also on the market.

You can see it most clearly in the shape of the key. (see my older blog about the Martin keys : https://fernandmartintoys.nl/different-martin-keys/
But also the location of the key, with Martin the key is usually (not always) on the left side of the toy body, when you look at the toy with the face facing you, so on the right side.
So if there is a key on the other side or at the back then you have to be careful.
And of course the face is not what you can expect from a real Martin toy.

You see above some examples of imitations of the Le Violonist and the Le Pochard.
Look special to the face from these imitations and you can see exactly what I mean by that.
Sometimes these imitations have in the course of time received original parts from real Martins such as the bottle, a head, clothes or the box.
And then the question: What happened to the original production molds, were they destroyed or did they end up in the hands of companies that turned them into “Martins” again?

But there are also various “look a likes” from the fireman, from Günthermann, Gama, and others.

Gama has a very clear connection bar between the hands and a ladder on wheels.
The Günthermann can be recognized by:
-a short tube under his left elbow
-model of the key
-the plate on the ladder with imitation flames
-the shape of the freestanding support of the ladder.

And then there are the incomplete parts used to make a “NEW” toy under the name of Marin and Victor Bonnet.

Exception:
There was a toy maker in Paris that made very nice “Martin” look and likes.
This manufacturer is named S.I.J.I.M. with director Prosper Levi.
He started this factory in 1909 but with the rise of the first world war he disappeared quickly in 1917.
S.I.J.I.M. means: Société Industrielle de jouets et d’inventions mécaniques.
He has not made many pieces but a few very beautiful.
The best seller and known is the organ grinder : le joueur d’orgue, this is often referred to as Martin.

33 Le Joueur d’orgue. (The Organ Player)

But S.I.J.I.M. has also made less well-known pieces.

32 La Poussette. (The Stroller)

34 Les Chevaux Hygieniques

35 L’apprenti Cavalier. ( The Rider Apprentice)

36 Le Livreur Rapide ( The Fast Delivery Man)

Two pages of the 1912 catalog from the department store: Choumara Paris with 6 Fernand Martin toys – 3 S.I.J.I.M. toys and other toys

The likely reason that they look so much like Martins is that the manufacturer, Prosper Levi, would have been a former employee of the Fernand Martin factory, but there is no 100% certainty about this fact that he was a former employee of Martin.
He made his own toys after the good example and style of Fernand Martin.
And not without success because these toys are very beautiful.
Even the key is a copy of a “Martin” key

So stay allert and pay attention.
An imitation doesn’t have to be ugly, if you like it, that’s fine, buy it and enjoy it.

Unless specifically stated all photos are from my own collection or courtesy of Michael Bertoia Auctions

Produced from 1903
Product number 195
Hand lacquered
Mechanism: Clockwork
Height approx. 20 cm / 8 inches

The cake walk was very popular between 1870 and 1910.
There were even dance competitions.
The dancers kicked their legs as high as possible one by one and the winning dancers won a cake as a prize.

The dance was so popular that toys were made about it. In the Concours L’epine in 1903 there were at least two designers/inventors, each with a version of this Cake Walk, see pictures below with toys by Mr. Noguier and Mr. De Champville In the picture of the designs by Mr. Noguier we see another toy that looks very similar to one produced by Martin, the “Le Petit Cuisinier” (The Little Cook) number 198 from 1904, coincidence????

Both black and white images from the magazine: Le Bon citoyen de Tarare et du Rhône. Supplément littéraire September 13, 1903

After winding up, the lady goes forward (with the little wheels you can see on the picture) and throws her legs up in front of her.
At the back under the dress is a counterweight (you can see on the left) so that the dancer does not fall over.

Original page from the 1908 catalog

In his early days of an toy manufacturer Fernand Martin invented a mechanism with a rubber band (elastic) as the drive.

He used his invention on his first piece: the fish (Poisson Nageur) but he discovered that another manufacturer Mr. Fournier used his invention and the Richard brothers sell these toys.

July 5, 1884.
Lawsuit: Fernand Martin versus Mr. Fournier and the Richard brothers.

Mr. Fernand Martin had patented a drive system for children’s toys.
The mechanism consisted of a twisted rubber, intended to turn an eccentric, this successively touched the two prongs of a fork on which he pressed thus made a reciprocating movement, transmitted to the moving part of the toy.
A few days after taking out his patent and without having used it yet, Mr. Fernand Martin discovered an improvement for which he obtained a certificate of addition, which consisted in replacing the eccentric with a gear that acted on the fork, which had the advantage that the number of movements increased significantly.
Mr. Fournier and the Richard brothers claimed that the patented system was already known and after selling toys equipped with a mechanism identical to Martin’s patent, Fernand Martin sued them for counterfeiting in the criminal court of the Seine; the case was referred back to the 10th Chamber on February 6, 1883 and pronounced the following verdict:
After deliberating in accordance with the law.

While Mr. Martin took out a patent on January 14, 1879 to retain exclusive ownership of a propulsion system applicable to children’s toys and especially originally to so-called fishes.
The mechanism he uses to operate his toy consists of three different parts: a twisted rubber band, an eccentric hook, and a fork that is later referred to as the mechanism’s anchor. While this fork plays an important part in the combination of the various parts of the device, it does not exist in the toys previously manufactured according to the patented models of the Société Dandrieux, Gravier et Cie. and the gentleman Mancelin and Duval.
While the description in Martin’s patent shows that the rubber band, returning on itself after undergoing extreme torsion in its movement, takes with it the hook which successively touches the two small tabs, of which the fork or escape anchor to which the tail of the fish is attached and meanwhile moving it back and forth, these beats work from right to left, he works like a roer and produces a forward action. While Martin has obtained propulsion motion through the arrangement of various organs; that he succeeded in putting together an industrial product through the new application of known means. While he has adapted his system to different toys such as boats, swings and others; that, in order to increase the swings of the fork, he replaced the rod with a gear, as evidenced by the certificates of additions and improvements dated February 18 and June 25, 1880, duly taken, while Fournier does not dispute not the manufacture of toys to whereupon he modified the mechanism assembled by Mr. Martin, contenting himself with claiming that the device was not patentable.

While it follows from the confessions of the Richard brothers Ciné and Jeune that they offered and sold toys manufactured by Fournier, knowing that they were counterfeit.
Considering that the tools mentioned in the minutes of Mr. Signorat, judicial officer in Paris, dated December 21, 1882, were wrongly seized.
Whereas the forgery of which Mr. Martin has caused him lifelong damage for which he must be compensated.
The court has sufficient evidence to determine the amount of damages to be awarded.
For these reasons:
Does the court sentence Mr. Fournier and the two Richard brothers jointly and severally to a fine of 100 francs,
Orders them to pay Mr. Martin, namely: Mr. Fournier an amount of 1000 francs and the brothers Richard each to an amount of 500 francs as compensation and also condemns all three to the which ones advanced by Mr. Martin, civil party, to the amount of 43 Fr. 50 and orders the confiscation of the said objects and their delivery to Mr. Martin.

Source Gallica: Annales de la Propriété Industrielle Artistique et Littéraire Jan. 01-1885

From the Pousse-Pousse Annamite from 1889, (for the production number see the Note below) we only knew one model in various colors so far.
The model we know from 1889 has a flywheel drive.

This Pousse-Pousse Annamite was specially made for the 1889 World Exhibition in Paris together with two other toys, Fernand Martin also mentioned this on his gift list in 1908.

I bought one at a French auction house, it was one with a clockwork and with a Martin type key and that was a reason to take a closer look.
I quickly found some notable detail differences.

Note: So far we don’t find a production number yet, in the existing books it was givven number 28 but in an earlier blog I explained that this is not the correct production number, the number 28 was assigned to the toy by the writers.

What to know:
Martin donated a almost compleet toy collection in 1908 to the Musée des arts et Métiers in Paris and to his best friend Henri d’Allemagne.
I don’t know how many were actually made, but I haven’t come across any others yet.

For additional information about the collection at the Musée des arts et Métiers in Paris, see the description on page 74 in the book “Fernand Martin Toymaker in Paris”

The model from 1908 gift to the Musée des arts et Métiers museum is in near mint condition and is better preserved.

Over the years, the colors and especially the yellow stripes and the hat from the overpainted model 1908 has changed to orange, probably due to the effects of time, the poor storage conditions, the overpaint black color and taking the photo with different lighting.

The differences I found:
The first version from 1889, the movement was with a flywheel, the 1908 version had a clockwork with a Martin type of key.
The wheels were first cast with 8 spokes, in the 1908 model wheels were made of tinplate with 10 spokes.
The wheels have a different color than the original, these were neatly painted over on my model in the past.
The 1908 model no longer has an impeller.
The trousers of the 1889 model are wider than those of the 1908 model and the shoes has another model.

When I bought this model from 1908 it had red accents on the jacket, but on the pants there were yellow/orange stripes, which I thought was strange.
After research the male’s coat appeared to have been completely repainted following the example of the model of the first version 1889, i.e. with the red colors.
I started very carefully removing these overpaints and it turned out that yellow/orange details emerged beneath the red and black paint.
It now appears that it is the same version as the 1908 model, with this one and the model in the museum in Paris, only two are known so far.

I suspect that a part of Martin’s donation from 1908 was re-produced in 1908 because not all of the toys were anymore in production and/or were no longer available in the factory warehouse, even loose parts and fabrics to make the clothing could be lost over time are no longer in stock.
One of the reasons is that technology continued to develop and new, often better, more modern and/or cheaper production methods were developed, such as the drives and movements of the toys.
With Martin’s toys you first see the Rubber Band driving, then the flywheel and then the clockwork.
Toys were often produced for years, sometimes even decades, but at a certain point production stopped and after the production stop, loose parts were often used for other models or the production molds were adjusted, but that production also stopped over time, so after for many years, many individual parts were no longer in stock.
A large number of the toys intended for donation were still in production or in stock, but the missing pieces were probably made in very small series (the exact number is not known) and how many copies are still in existence today?
And of course these ‘new’ pieces, produced in 1908, may differ from the original.
There are more objects in the museum’s collection that differ from those we know, especially the clothing and colors of some of them often differ.
The previously used fabrics for clothing were probably out of stock or no longer available.

When you want to visit the site of the Musée des arts et Métiers in Paris, then go to:
https://phototheque.arts-et-metiers.net/?idPageWeb=95
and you can see the pictures of the Martin toys collection.

Victor Bonnet produced this pigeon but at that time it was a fairly common toy and pigeons were sold by many toy manufacturers, also in other countries such as Germany.
It therefore happens quite often that a tin pigeon is called a Martin even though it is made by another manufacturer.

This Victor Bonnet pigeon is produced in several color variations but the most common are light blue/grey and black.

From the moment the old Martin factory ceased to exist at the end of 1933, the production was taken over in 1934 by another Victor Bonnet factory in another building in Paris.
This pigeon was produced from 1919 and presumably until the second world war.
The production number from 1919 till the end of 1933 is 251.
After the take over of the production of various toys that were produced in the old Martin factory like this pigeon toy, Victor Bonnet started to renumber his toy production in 1934, this pigeon got number 3.

Below a few other color variations

If you want to buy one you should pay attention to the following things:
Look at the bottom if there must be a bottom plate that protects the mechanism and there must also be two feet under the pigeon.

When the mechanism is turned up, he moves forward and his head moves up and down.

This “Le Ramier” is found with three different versions of the keys; with a separate key, with a Georges Flersheim type key and with a Victor Bonnet type key.

The logo is on the belly side, he is found with two different bronze colored logo plates used from 1919 till the end of 1933, after the relocation of the factory in 1934 this pigeon get a VEBE logo, this logo was hammered into the sheet metal, , Victor Bonnet used this VEBE logo before in his other factory for household products, he already had this logo captured on April 16, 1929.

In an 11-page document published in LES ANNONCES DE LA SEINE on May 16, 1932 the juridical and legal history of Victor Bonnet’s toy factory from 1919 to 1932 can be found

Establishments V. BONNET Public limited company with a capital of 750,000 francs Headquarters in Paris, boulevard de Ménilmontant, n° 88

TIMELINE:

After having exposed that by deed under private seals, dated in Paris, 23 march 1919, registered, it had been formed between V. BONNET as sole manager and three other people as sponsors, under the name V. Bonnet et Cie, a simple limited partnership, having as its object: the operation of a factory of metal iron toys, automatics’ and articles in Paris, located in Paris, boulevard de Ménilmontant, 88, for a period of fifteen years, nine months and six days from March 23, 1919.

That by another deed under private signature dated in Paris on March 20, 1930, registered, the aforementioned simple limited partnership was transformed into a limited liability company, the effects of which dated back to January 1, 1930 for a duration extended until December 31, 1960.

A NEW NAME AND A NEW LEGAL FORM FROM THE DATE JANUARY 01, 1932

Following deed under private signature, dated in Paris on April 21, 1932. The Limited Liability Company V Bonnet et Cie is transformed from 1e January 1932 in a public limited company which will be governed by the laws in force and by these statutes.

The name of this Company is: Etablissements V. BONNET,  located in Paris, Boulevard de Ménilmontant 88

After this date, bills and checks were stamped (found only in red ink) with this new name: Etablissements Victor BONNET. presumably to use up the old stock.

first production date : 1883
production number unknown, this toy is probably not numbered (In the books known to us, this toy has the Martin product number 07, but that must is incorrecte)
mechanism: rubber band
height: 13 cm / 5,12 inch – length: 17 cm / 6,7 inch
produced by Fernand Martin

The anvil is placed in the middle and on top of this anvil is the Martin mark “FM”

No, this beautiful toy is certainly not Fernand Martin, but what is it….

Le Saute Mouton. (The leap frog)
This toy was depicted in a magazine from the department store Choumara Paris in 1912 togehter with other S.I.J.I.M. , Martin and other toys.

This toy has been offered for sale at auction a few times over the past 10 years.
It is then offered as a “suspected” Fernand Martin toy.
I’ve discovered a few things now.
An old predecessor was presented in the magazine: La science moderne, this toy with a flywheel in 1891.
After that, nothing can be found, including the maker’s name.

This toy was redesigned and now with a wind-up mechanism, the “inventor” was Mr. Noguier from Paris.
He offered the rights to these toys for sale to the prevailing major manufacturers at the Concours Lepine in 1909
There was a Mr Max Dieckmann from Paris who bought the rights to this piece.

Mr Max Dieckmann was originally a toy dealer, importer, freight forwarder with a lot of different articles, I have found many advertisements from him, all with the address: 24 Reu de Paradis Paris with articles like: wall games, tennis rackets, attributes for athletic sports, paper bags for kites, paper airplanes, Steiff toys, puzzles and in 1910 he had a stand at the 2nd aviation exhibition in 1910.

French postcard from Max Dieckmann with Steiff toys. date: July 10th, 1909 Text translation: “Fine toys of all kinds, specializing in animals and fabric dolls. Max Dieckmann, 24 Reu de Paradis, Paris.
Courtesy: Rebekah Kaufman, Steiff Historian, Blogger, and Consultant www.mysteifflife.com

Max Dieckmann applied for the patent for this toy in 1910 stating that the original inventor was Mr. Noguier.
I cannot find anywhere whether Mr. Dieckmann himself had the capacity to produce toys, I found a advertising where he askt to request for offers of services from manufacturers of color letterpresses used for the manufacture of puzzles

So I suspect that he outsourced the production of this tin toy to one of the existing manufacturers, who????

Mr Max Dieckmann sold his toy department 24 Reu de Paradis Paris, on September 9, 1913 to Mr Jules Bernat, after which I have been unable to find anything.

Produced from 1906
Product number 206
Hand painted
Mechanism: spring
Dimensions approx: The frogs are long 4″ and wide 2.5″
Name: Jeu de péche à la grenouille sauteuse

He bought the idea for this toy at the Concours Lepine in 1905 from the inventor Mr. Celestin Gasselin.
This frog game is depicted and described in the French magazine: La Nature on page 581.
Mr. Celestin Gasselin named this toy: La Grenouille Récalsitrante

Invention of Mr. Celestin Gasselin shown at the 1905 Concours de lepine
Pictured and described in La Nature 1905 page 581
Free translation:
Mr. Gasselin, the inventor gives us a frog game that will be extremely cheap and will allow young people and even adults to spend happy evenings with it, it’s a matter of hanging up.
A ring hangs from the end of a wired rod and there is a frog in stamped tin, which you have to pick up with the ring.
But the frog has a hook from which it has to be picked up and on this is a lever with a spring that comes loose with a shock and makes the animal jump before it can be hooked.

The frogs are long 4″ and wide 2.5″
Mister Gasselin designed this toy with a ring on a fishing rod, Martin has pointed this out in a U shape hook on a fishing rod.

Discription on the box lid:
Nothing more amusing than this game which consists in fishing, un the frogs with the hook.
The winner will be the one who succeeds in hook up the greates number of frogs without allowing them to spring up.
INSTRUCTIONS: Set the spring of the frogs.

Martin started in 1880 his first factory at the address 90 Boulevard de Ménilmontant, a L-shaped 6-storey building ( ground floor, 4 floors, attic floor) and a backyard, in the middle of the building is an porch that leads to the backyard, this building was built around 1860

As a starting manufacturer, he must have rented only a small part of the address 90 Boulevard de Ménilmontant.

Due his commercial succes of the “Petit Garçon Livreur” (the delivery boy) in 1888, (we know this toy as the “Le Livreur”) Martin has now the money to acquire a new building to expand his factory.
In 1892 he acquired the adjacent building number 88 with a square form and after a renovation / rebuilding around 1900, the factory was a lot bigger than his old factory and was, for that time, a revolutionary conception.

After Bonnet’s departure, the facade of the building 88 Boulevard de Ménilmontant was adjusted, the old facade was a pointed facade and the new facade suggested a flat roof, but behind this facade there is still a pointed roof.

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Three different manufacturers and the differences between their models

In this article I try to provide some clarity about the various versions of these toys.
Fernand Martin started the first toy with the name La Petite Marchande D’Orange in 1901 and product number 184.
The successor’s of Fernand Martin > Georges Flersheim and Victor Bonnet continued the production but made some changes to this toy.
When you have one or you want to buy one and you want to know more then see this overview with the differences.

OVERVIEW:

Characteristics of the Fernand Martin versions.

• name: La Petite Marchande D’Oranges.
• product number 184.
• first production year 1901
• key model Fernand Martin.
• place key: above the right wheel.
• mechanism placed vertically until “in” the cart.
• cart equipped with oranges.
• two price tags on top of the oranges.
• the lady has a bustle under the skirt.
• hairstyle model.

Characteristics of the Georges Flersheim versions.

• Georges Flersheim used two different names
• name for the model with oranges: La Petite Marchande D’Oranges
• name for the model without oranges: La Petite Marchande.
• product number 184.
• first production year 1912
• key model Georges Flersheim and a few with model Fernand Martin (probably in the first year)
• place off the key: left of the right wheel.
• the mechanism is placed horizontally under the cart.
• hairstyle in two models.

• the lady has no bustle under the skirt only in the first year, after which the “bustle” disappears.
• the oranges are also stacked less high than the first model of Fernand Martin and lack the two price tags.
• the cart up in different models: All models are without a bent edge on top of the card.
  • —Model equipped with oranges has sometimes a green border around the oranges.
  • —Model without oranges.
  • —Model (very rare) with oranges as a candy container.

Characteristics of Victor Bonnet versions.

• Victor Bonnet used two names like George Flersheim and two different product numbers.
• product number: in the catalog of Victor Bonnet from around 1928 this toy is mentioned with two different product numbers; La Petite Marchande D’Orange with number 184 and La Petite Marchande with number 185, this is probably a print mistake in the catalogue, the number 185 on boxes are never found. (Note: that number 185 was used in 1901 for the Le Vieux Marcheur.)

• first production year 1919
• key model Victor Bonnet
• place key: left of the right wheel.
• mechanism placed horizontally under the cart.
• all models are without a bent edge on top of the card.
• models with and without oranges.
• model with the oranges are they equal the model George Flersheim
• the lady has no bustle under the skirt

• hairstyle model.

Various additional images to clarify the text :

Picture courtesy:
PA TOYS OF TIME PAST
BERTOIA AUCTIONS
SPIELMUSEUM SOLTAU GERMANY
AND MY PRIVATE COLLECTION

Fantastic Selection of Mechnical Banks, Still Banks, American Tin And Clockwork Toys, European Aeronautical Toys, and Much, Much More.

​IN THIS AUCTION ARE TWO MARTIN TOYS

There are many more beautiful toys in this auction

For the complete overview, Auction terms & Info, Shipping & Payment look at this site:
https://www.rslauctionco.com

These result price are in US $ and without Buyer’s Premium and subject to errors.
Always check the auction site for the results.

Regarding the objects described in this article, I do not make a statement about authenticity, condition or value.
I advise interested collectors always do to research yourself, to view the object or to contact the seller / auction

Produced from 1908
Product number 213
Hand lacquered
Mechanism: clockwork
Height approx. 19 cm / 7,5 inches

There are currently 4 different box labels known for this toy, I will post about this in another blog.

A free translation from a article in the “La Nature” from 1909

The most curious of all is undoubtedly the clown of figures, two arms and two legs, articulated to a body in which the whole mechanism is located: and this one is simple; a spring that activates a series of gears, ending in 4 pinions attached to each of the members.
Wind up the spring and you will see the clown perform the funniest turns and pirouettes, depending on the reactions he gets on the ground.
This game could be the source of some very nice mechanical issues.
The left figure gives us some examples of mechanical clown dexterity.

Produced from 1908
Product number 209
Hand lacquered
Mechanism: clockwork
Height approx. 21 cm / 8,3 inches

Note: Unfortunately, the fish has often disappeared and replaced by another specimen, the original model can be seen in the museum in Paris where Martin’s gift in 1908 with this “The Perfect Fisherman” is on display.

The French magazine La Nature from 1909 contains an article with the description and two drawings about the technique of this fisherman

Here is the little fisherman: seated comfortably at the edge of an imaginary watercourse, he throws his line to the left, the current, or rather the mechanism, takes him back to the right, along the flow of the water; then suddenly the fisherman picks it up, throws it to the left again and so on. The mechanism is easy to understand: when released, spring A activates a series of gears controlled by an transmission via the connecting rod B and the rod T it gives the fisherman’s body a back and forth movement.

But Martin was already working on an idea for a fisherman in 1906, he has already used a fisherman in his film (see photo below), he took the “Le Pochard” ( the drunk) for it, gave him a sitting position and a fishing rod in the left hand where the drinking cup would normally be.
The entire film can be seen in my blog:

film-from-1906-with-a-lot-of-martin-toys

As is known, in 1908 Fernand Martin made a donation to the museum Cnum in Paris in the form of 100 toys as an overview of his (almost) total production from the beginning of his first piece.

The museum has divided the original enumeration over a number of sections, I have returned it in the overview below to the original numbering as Martin wrote it down. This list is also published in the toy book of Mary Hiller Automata & Machanical Toys from 1976

In 1960, the museum Cnum (Bibliothèque numérique en histoire des sciences et des techniques) made a publication about toys with a chapter about this gift, (all rights reserved – CNAM)

At the end of this overview there are also three pieces that belong to the collection of the Museum but that do not belong to the gift.

Link to the release: https://cnum.cnam.fr/CGI/fpage.cgi?M6136/0002/100/70/0009/0066

See the overvieuw of the Fernand Martin toys in this publication from page 63 up to and including page 66.

Overvieuw gift from Fernand Martin in 1908, a total of 100 toys original numbering as Martin wrote it down:

Date. — Name and number on the gift

1878. — Le poisson mécanique  1

1879. — La balançoire mécanique  2

1880. — Le bateau godilleur   3

1881. — La grenouille nageuse  4

1882. — Le patin mécanique  5

1803. — Le moulin mécanique à tic-tac   6

1883. — la locomotive routière  7

1883. — Les forgerons infatigables   8 

1884. — Le cheval bascule  9  

1884. —  Le vélocipède  10

1885. — Le trapèze   11

1885. — Le sonneur endiablé   12

1885. — Les valseurs   13

1886. — Les courageux scieurs de long   14

1886. — La danseuse de corde   15

1887. — les fameux duellistes   16

1887. — Les pompiers   17

1888. — Le Livreur 18

1888. — Les joyeux danseurs  19

1888. — L’autruche   20

1889. — La grosse caisse  21

1889. — L’écrevisse   22

1889. — Le fauteuil roulant de l’exposition  23

1889. — Le pousse-pousse annamite de l’exposition   24

1889. — La grosse caisse annamite de l’exposition  25

1889. — Le cab  26

1890. — Le lapin vivant   27

1890. — La sauteuse de corde   28

1890. — Don Quichotte  29

1890. — Le diable en boite  30

1891. — Les boxeurs   31

1892. — Le chérif  32

1892. — Le traineau russe au 33

1892 — La charrette anglaise   34

1892. — Le pêcheur à la linge 35

1892. — Le bicyclette Martin 36

1892. — Le courrier parisien   37

1893. — Le perroquet   38

1893. — La chaloupe à vapeur   39

1893. — La perruche 40

1894. — La course de taureau   41

1804. — Le piocheur   42

1894. — L’attelage flamand   43

1894.— Le facteur de chemin de fer 44

1895. — Ma portière 45

1895. — Le treuil   46

1896. — L’araignée et la mouche   47

1896. — La forge.   48

1897. — La famille Vélo 49

1897. — La pompe  50

1898. —  Les Boeufs   51

1898. — Le petit décrotteur  52

1898. — Le motocycle   53

1899. — L’oie 54

1899. — La faucheur 55

1899. — La blanchisseuse 56

1899. — Le pochard  57

1900. — The gentleman khaki   58

1900. — Le vaillant Boer 59

1900. — L’homme de corvée  60

1900. —  Le chinois 61

1901. — Bamboula  62

1901. — L’agent  63

1901. —  God save the king 64

1901. —  The Policeman 65

1901. — Le Marchande  d’oranges 66

1901. — Le garçon de café 67

1901. — L’homme sandwich 68

1902. — La sentinelle française 69

1902. — La sentinelle russe 70

1902. — La sentinelle italienne 71

1902. — Le charcutier  72

1902. —Le vieux marcheur  73

1902. — Le fort de la halle 74

1901. — Le petit pianiste 75

1902. — Le clown 76

1902. — L’artiste capillaire 77

1903. — Le gendarme 78

1903. — L’ours Martin  79

1903. — Le cake walk   80

1904. — La Voiture â bitume   81

1904. — Les pompiers à l’échelle  82

1904. — Le cuisinier   83

1905. — Le joueur de boules 84

1905. — L’hercule populaire  85

1905. — Le gymnaste   86

1905. — L’éminent avocat   87

1905. — Le laboureur   88

1906. — La boule mystérieuse   89

1906. — La course en sac   90

1907.— Chand tonneaux !!!  91

1907. — Le petit diabolo   92

1908. — Le partait pêcheur   93

1908. — Le petit boucher   94

1906. — Le petit écureuil vivant  95

1908. — Le menuisier   96

I908. — Le petit culbuteur     97

Double numbered in the gift with the remark “bis”

1887. — Le jeu de bascule  15 bis 

1897. — Le lapin tambour 49 bis   

1897. — Le gai violoniste  5o bis   

                                          _______________

Total                                            100 objects

Note: On the list in this 1960 edition of the Cnum publication there are three extra toys mentioned, however, these toys are made after 1908 so not included in the gift.

1909. — L’autopatte

1909. — Le singe savant    

1912. — Le petit livreur.

During my search for Martin articles I found this drawing in the French magazine: LE MONDE ILLUSTRÉ Dec 7 -1901. This image shows Fernand Martin with his toys on display. This stand was the first edition of the famous Concours Lepine in Paris in 1901.

The drawing also clearly shows the toys and also shows the name “MARTIN”, on this drawing you can see: Madame Loubet, (the wife of the then President of France) looks at the inventor Mr Martin with the “LE POCHARD” (the drunk man) toy in his hand, at her side M Lepine the organizer of this exhibition / competition in 1901

The Concours Lépine is a French invention competition created in 1901 by Louis Lépine, then police prefect of Paris.
Initiated by Prefect Lépine, the event was called the “Paris Toys and Articles Exhibition” from September 30, 1901, and gave rise to a competition from November 24 to the following December 8, before a jury. This competition became annual and was renamed in 1902 “Lépine competition” and still exists today.

Produced from 1890
Product number 117 (In the books known to us, this toy has the Martin product number 33 which is not correct. )
Hand lacquered
Mechanism: Rubber band

Length approx. 14,8 cm/ 5,8 inches
Height approx. 14 cm/ 5,5 inches

The operation of the mechanism as indicated in the etching above, I have previously written a blog about these four nice etchings, see: https://fernandmartintoys.nl/very-small-etchings-from-1892-with-toys/

Free translation from the article from the magazine: “LA NATURE” page 44 and 45 1892.

The devil in a box mechanism is arranged horizontally, the delicate question with these types of movements is that they must be balanced as precisely as possible so that they can function as regularly as a pendulum.
We see in our drawing the counterweight E used for this balancing, and the oscillating balance D which maneuvers a vertical rod at each of its entrances.
One of these rods F. passing between the man’s legs makes him lean forward to slay the devil as soon as he appears; the other rod serves to alternately open and close the lid of the box to which the devil is connected by a metal plate. As for labor, here is an interesting fact, this toy has a total of 150 different operations.
These operations include cutting, stamping, trimming, bending, stapling and mounting.
As for the cast iron for the counterweight and the broom that moves to defeat the devil (this broom is a counterweight intended to balance the moving bust of the character), which we obtain through the use of molds in which molten metal is poured.
The steps indicated above also require soldering the various parts, decorating and painting, mounting the rubber band, adjusting and packaging.
Finally comes the manufacture of the labels which, although given as an extra, must also have a small example of elegance.

This is one of the rarest Martin toys

Date of first production 1878
Length 26.5cm / 10.43 Inc
Drive: rubber band
Product number: Unknown (In the books known to us, this toy has the Martin product number 02 which is not correct. )
Hand lacquered

Presumably the second toy that Martin has put on the market.
No factory number is known. (a guess: it could be number 101)
The drive is by means of the rubber band mechanism known at Fernand Martin

I found in this French book the patent number of this toy
The patent was published under number 128,445 on Januari 14 -1879 and original for his first toy : the fish
The third addition to his original patent 128,445 was mentioned for a swing toy, any jumping insect and for a boat, this third addition was dated June 24 -1880.

— What we see in the Barracks. — Toys of the day. — What interesting automata. — For the joy of the little ones and the tranquility of the grown-ups.

Paris, December 24 – 1910 La Dépeche – journal quotidien

While the traditional chromolithographs (Chromolithography is a method for making multi-colour prints.) continue to represent to us an icy Christmas where the cottages half disappear under the snow, where the trees with bare branches let stalactites of frost hang down to the ground all white, while the storytellers still speak to us of evenings cold, whistling wind, avalanches of aerial snowflakes, we wade through the warm and humid atmosphere of an absurd month of December when the mercury in the thermometer reached crazy heights for the season. Nothing would remind us of the approaching Christmas if the New Year’s Day barracks weren’t there, faithful to their post, from the Madeleine to the Bastille, spreading out their stalls crying in the wind. Poor sellers! We say a lot of good and a lot of bad. There are people who find them quaint and others who find them cumbersome. It depends on the temperaments. Moreover, in such matters, only point is the children’s point of view, and their point of view is that there are new toys in the little shacks every year. Where are the dolls of yesteryear? Where do the toy soldiers and wooden horses smell? Poor old-fashioned toys, we hardly see any more. They gradually gave way to the invasion of mechanical toys, science toys, animated marvels and prestigious automatons. This year, the airplane is the great winner. You find it everywhere: toys for two pennies or toys for thirty or fifty francs. The automobile, even the catastrophe automobile, is somewhat abandoned. She’s not up to date enough anymore.

As for the automatons, the inventive genius of the builders has, as always, given free rein to them. What do you say to this “shackled” who hops awkwardly in her fashionable skirt? (Fernand Martin number 220 L’entravée)

It is exactly that, as absurd as reality. And it’s a piquant spectacle: on the trestles of the barracks, the tin shackles jump. On the sidewalk of the boulevard, the flesh and blood shackles skip. But here is an organ player (Prosper Lévi S.i.j.i.m. number 33 Le joueur d’orgue ) who actually plays the organ. Listen: Don’t you recognize the tinny sounds of « Si tu veux nous serons heureux » (If you want we will be happy) almost everywhere ?

finally, we find a fight between the two age-old enemies. What am I saying! secular! millennials, rather! That is about the woman and the mouse, ( Martin number 221 La chasse au rat ) these two beings who, since they exist, have been inspire a mutual fright. You know that all it takes is a mouse to put a woman on the run. On the other hand, if a woman starts chasing a mouse (which is rare), the mouse runs away.

But this year, a toy offers you the view of a courageous janitor with a broom in hand, stand up to the enemy. It’s a quaint duel, but the inventor was well advised to choose a concierge. No ordinary mortal of the tenant race, a pusillanimous race, would have dared to engage in battle against such a formidable enemy.

name: Dame de la crois rouge (the red cross nurce)
production number 237
production from: 1913
hoogte 20 cm / 7,87 inch
manufacturer: Georges Flersheim (successor of Fernand Martin)

I have personally seen a total of 6 pieces at auctions and in museums.
What is striking is that the face/head is not always the same, there are versions with a raised edge at her height and without this raised edge, whether both are original or one of these is not original? I don’t know.

This Red Cross sister goes for a walk after the clockwork has been wound.
The walking mechanism is the same as that of the “Le Vieux Marcheur” (the walking gentleman) with number 185 from 1901 with patent number FR 298509.

The Red Cross name and logo was a registered trademark and could not simply be used on products.
It is not known whether Flersheim had permission.

I found an article in an old French technical magazine La Nature from 1894 about a tin boat made by Martin.
This nice piece is put in motion by the well-known Martin “rubber band” method, the motion is done by a winding handle at the front of the boat, under the boat is, in the tube, the “rubber band” that goes to the movement mechanism.

Produced from 1893
Product number 125 (In the books known to us, this toy has the Martin product number 43 which is not correct. )
Hand lacquered
Mechanism: Rubber band

length approx 27.5 cm (10.63) inches

Original article and drawing’s from the magazine “La Nature 1894” Source: (Cnum – Digital Conservatory of Arts and Crafts – http://cnum.cnam.fr)

SCIENTIFIC TOYS
THE THRUST RUDDER
Looking at it closely, or is almost always astonished, and often amazed at the ingenuity displayed in the construction of any toy.
The child who breaks his rattle has no idea that he sometimes destroys a wonder, and Mum is far from even thinking of it. It only cost fifteen sous, they say.
But it is specified by the modieity of its price that the mechanical toy is generally a tour de force of combination.
To reduce everything to the maximum of simplicity from the point of view of the manufacture and assembly of the parts, such is the condition under which a toy will not be sold, because it will be too expensive.
Among the new creations of the last day of the year, we will choose one that is typical: the boat with propellant rudder.
Whoever imagined it must have often observed the fish, seen the way in which they throw right and left a blow of the tail which makes them move forward, and he undoubtedly sought to imitate this movement in the toy of which we speak.

Here is (fig. I) our little boat
At first glance, one thinks to see a boiler and a propeller, with a pill oddly sitting down with his steam engine and holding the rudder ropes. However, that is not the mechanism.
The pilot only serves to amuse baby, the boiler too.
The whole engine is in the keel; it is a simple rubber thread concealed in a channel, and fixed in the center of a toothed wheel; ‘at the other end, it is attached to a lever which rests on the two notches of a ratchet
The toothed wheel is nothing more than an escape wheel, and not the least; it is an anchor escapement of which the rudder head forms the counterpart.
Under the alternating impact of the teeth of the wheel (fig. I detail) between two stops placed to the right and to the left of the axis of the gourernail, the latter begins to perform oscillations which communicate its movement to the boat.
By what mechanism is the thrust carried out?
It is easy to realize this by analyzing the movement of the gourernail. Oscillations around the axis can be likened to periodically interrupted rotation.
However, this rotation results in a centrifugal movement of the water, and, consequently, a reaction on the rudder, the component of which along the axis of the boat is directed forward.
But there is another cause, probably dies effective, of propulsion.
If the rudder were to execute movements with symmetrical speeds, it would experience a thrust forward as it approached its mean position, and a retrograde thrust of the same mean value from that point on.
But this is not the case.
When the rudder leaves the escape wheel, the latter falls back with force on the second stop, and loses part of its kinetic energy there, immediately imparting a certain speed to the rudder; it then acts on the maximum lever arm, but when the rudder passes through its equilibrium position, the stop is already tilted a little; it slips away more and more, until the loose tooth is caught.
The speed of the rudder therefore decreases from the moment it begins to throw water back, until it reaches the end of its course.
However, the resistance of water is roughly proportional to the square of the speed of the moving body; therefore the pressures are stronger from back to front than in the reverse direction.
On average, this results in a propulsive force for progression which makes our little boat move forward.
We compared it earlier to a eur. View ecti.mblo and detail of the fish rudder; the analogy is real, but it is not perfect.
The rigid rudder employed as a propellant is far from being advantageous, since its action depends above all on a difference in speed and can only be very slight, and we know that, in nature, actions are generally very well combined.
If, instead of a rigid rudder, an articulated rudder is adopted (fig. 2), the apparatus becomes more advantageous; attempts in this direction have been made in the past.
The thruster consists, in this combination, of two parts A and B connected by a vertical axis.

Plane A carries, on the right and on the left, two stoppers which limit the movement of B.
As soon as this last plan ceased to act as a propellant.
A goes back, and resumes B in the symmetrical position of the one he occupied.
We can now replace the single joint with a series of hinges, each of which leaves the plane it carries a certain degree of freedom. We thus manage to build a propellant similar to the tail of the fish, of which our small boat shows the mode of action by an elementary mechanism of extreme simplicity.

In one of the previous auctions of the Milestone auction house I found a Le Pochard with a very rare and different box for the Martin number 172.
This box has the name : The Zig-Zag Man.

It is difficult to say where the name comes from but I found a possible option:
The “ZIG-ZAG Man” is based on the story of a French North African soldier (Zouave) aka Captain Zig-Zag, whose smoking pipe was shattered by a stray bullet during the battle of Sevastopol in 1854, so he rolled his tobacco using a piece of paper torn from a musket cartridge.
In 1855 was a French firm that used the name Zig-Zag as a brand of rolling papers, this firm was originated in Paris.
The Zig-Zag brand introduced a new and convenient way to roll up tobacco products with specially designed paper.
Zig-Zag was awarded in 1900 a gold medal at the Universal Exposition in Paris
Perhaps Martin made at the request of this “Zig-Zag” company an advertising figure, but that is unclear.
(Part of the text is from Wikipedia)

The number on the box is 172-bis and the label is the small version, so it was made in a later period than the year 1899 in which the first copies were made.
The figure still has a typical Martin key, so it was made before the takeover in 1912

In 1892 a French newspaper La Petit Presse gave its readers a special advantage to buy products that the newspaper purchased directly from the manufacturers.
The products mentioned also include a number of toys.
On closer inspection of the toys, these are all Fernand Martin products.

The number behind the toy name is the product number from the newspaper and not a Martin number.

We wish everyone a happy and peaceful Easter

One of Fernand Martin’s strengths was that he converted people from everyday life into children’s toys, to give these toys a good likeness and of course to hide the mechanism he gave them clothes.
This has several advantages, the children like this better, you can give a figure a different profession or look very simply and of course cheaper.

Here are some examples I found in my collection of magazines.

In 1905 a world exhibition was held in Liège, Belgium.
France was also represented at this exhibition with the French toy industry in section 100.
In this earlier blog :

original-antique-stereo-glass-plate-of-a-sale-booth-with-martin-toys

I presented a original glass stereo photo that was taken at this exhibition and depicts a counter full of Fernand Martin toys.

I now found in the book: Exposition Internationale 1905 Liege, Section française Class 100 more information and also a photo showing the back of this counter.

In this photo you also see a large white statue, I have already mentioned the existence of this statue in one of my previous blogs.
This colossal statue was personifying “the Toy Fairy distributing toys”.
In the glass stereo photo from my earlier blog and on the first photo above, you can see a part of this image on the left (white part of the image and black part of a cloth over a foot/table).

Fernand Martin was one of the jury members at this exhibition, the jury members can be seen in a photo from that book, in this photo you can also see Martin himself.
Photos of Fernand Martin himself are quite rare.

Reference book: Exposition international 1905 Liege ; Section française Class 100, this book can be found on the CNUM website

Produced from 1885
Product number unknown (In the books known to us, this toy has the Martin product number 13 which is not correct, this trapeze artist has probably not been given a product number.)
Hand lacquered
Mechanism: Rubber band

Length approx. 14 cm / 5.5 inches
Height approx. 17.8 cm / 7 inches

By winding the rubber band, the movement is converted into a pendulum movement that allows the gymnast to do his tricks.

This is a quite rare toy from Fernand Martin.
The column and roof were also used for: Le sonneur endiablé in 1885 number 102, but also much later by the presumed successors/descendants of Georges Flersheim in the toy: Je sonne la paix in 1916 number 246.
The figure of the gynast has also been used more often in other Martin toys.

This is an updated version of a previously posted article because new things have been found.

Until now we know the boxes of many Fernand Martin toys.
The first box label of a toy was designed just before the first production of these toys.
Once on the market, the most toys remained the same box for many years and even decades.
But from the Le Petit Livreur, ( the acrobat ) a tumbling clown, produced from 1908 with Fernand Martin number 213, there are, till now, four box labels known.

In the bottom of the box is one of the narrow upright side a hole in which, the key was attached with a ribbon or rope that goes through that hole in the box.
This ribbon has long disappeared in most cases, I have only seen it a few times.

Three boxes contain a label and one box only a stamp.
It is not known when which label was issued.
You can see that one box has an English inscription, otherwise the box has exactly the same texts and logos as the box for the French market.

Something about boxes in general :

Boxes generally tell a lot about a toy and are therefore very interesting.
The manufacturer’s name.
The factory logo.
The product number.
The manual.
Country of origin.
Sometimes also patent applications and even the patent numbers.
Martin often put there gross and net weights.
And he told everyone which (international) prizes he has achieved and where he was a member or president of the jury.

It even happens that a loose box at auction will yield more than the toy, of course because these are much rarer.
Children threw the box away and a box is also much more fragile and broke and thrown away.

Martin has often accidentally or deliberately forgotten to include a number in his product numbering.
In his period from 1878 to his first Bonshomme de Ma Portiére in 1895 a number of figures without number are known, see my article for this: https://fernandmartintoys.nl/the-numbering-of-the-fernand-martin-first-period-who-can-help-me/

From the Ma Portiére in 1895 to the sale to George Flersheim in 1912, a few figures without numbers are also known.
Starting with two figures featured in the image from the 1904 World’s Fair in St. Louis.

In this image a few are recognizable and the corresponding figures have also been found.

Maybe there are still some figures on this St Louis photo, but the photo is so bad that they cannot be recognized immediately, wait until the actual figure(s) is found.

But there are still a few figures that cannot be found in the well-known catalogs and there are no boxes available.

Another image also shows a few figures whose number is currently unknown.

These two figures are incorrectly numbered in the existing literature, see why in my blog: https://fernandmartintoys.nl/change-of-martin-numbers-for-some-toys/

(both images courtesy Bertoia Auctions)

Martin donated 100 toys to the “Musée Dez Arts Et Métiers” in Paris in 1908, this donation was a good overview of the toys he has produced since the beginning, he also made a list of them.
All the pieces in his donation can be traced back through documentation and old found catalogues.
These four pieces are therefore not only numbered, but are also not included in the donation.
As can be seen above, they are documented.

The Flersheim period

In the Flersheim period from 1912 to 1919 there are still many uncertainties, the photo below shows a Le Petit Livreur with a trunk, on the far right.
This is not mensioned in the numbering known to us.

And one of my collector friends has a version of the L’autopatte with the same trunk on it.

There is a lot of uncertainty about the numbering of the Flersheim period from 1912 to 1919, many figures are known, but the product numbers are often not.
We’ll wait and see and maybe we’ll get this numbering complete one day.

In black the numbers and names known to us, the numbers in red have yet to get their corresponding name, if any of my readers know the correct names of one or more of the missing numbers (with proof like a numbered box) please message me.

List of confirmed numbers :

227: “Chaud les Marrons“
228: “Le Motocycliste Enragé“
229: “Le Petit Patineur“
230: “La Pédalette“
231: “Le Motocycliste“
232: “Soldat Bulgare“
233: “La Casseuse d’Assiettes“
234: “Le Chef d’Orchestre“
235:
236:
237: “Dame de la Croix-Rouge”
238: “Soldat Marocain”
239:
240: “La Guerre Aérienne”
241: “Ma Nounou”
242:
243:
244:
245:
246: “Je Sonne la Paix“

first production date : 1892
production number: 127 (In the books known to us, this toy has the Martin product number 36, but the latest discoveries show that the real number is 127.)
mechanism: clockwork
height: 8,5 cm / 7,87 inch – length: 21 cm / 8,27 inch
produced by Fernand Martin

Around 1912 there were a few toys that differed in detail from the normal models.
This happened just before or just after the takeover from Martin to Georges Flersheim.
A few models were then modified and provided with an open space to put in presumably sweets.
These spaces were created in two ways.
A tin container was placed on the models of the “Le petit Livreur” and the “L’autopatte”.
The model of the “Le petit marchane d’oranges” the top was made so that it could open.

In the Martin “Le petit marchane d’oranges” model, the mechanism is “in” the space between the bottom of the cart and the fruit, in the later model the mechanism has been moved to the bottom of the cat.

So it was three known models with a “temporary” adjustment.
Whether Martin or Flersheim were responsible for this is not entirely known, but they all have clear signs of the Martin models, the later Flersheim models have several specific changes compared to the Martin models, so I think they are models that were produced by Flersheim immediately after the takeover using parts that were still in stock from the earlier Fernand Martin production.

These three models with the candy container are very rare.

In 2023 I published a blog : https://fernandmartintoys.nl/magazine-les-jouets-et-jeux-anciens/ 

That blog mentioned a report about a meeting in 1906, during which a film was published with mainly Martin toys but also toys from Lehmann, among others.

I received a copy of this report from Mr. Claude Lamboley which included the following text:

Translation:
Then the whole series of well-known mechanical toys was paraded before us that are manufactured in the factory of Mr. Fernand Martin. Cinematographic films presented the workshops and the tools of this manufacture; hands showed the toys being made, turning them, turning them over, while the lecturer gave the explanation (very curious effect).
Then, finally, the cinematograph projected amusing and dramatic scenes, the actors of which were Mr. Martin’s’s mechanical little bonshommes.

In that blog from July 18 -2023 I said: Now we have to find that film.

Now I can tell you that I found this film. This film is used by Mr Klaus Lorenz in his lecture : THE MAGIC OF AUTOMATES on June 02 – 2023 This lecture was held in the CINÉMATHÈQUE Paris – Room George’s Franju 

(Wikipedia: The Cinémathèque Française Paris, founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world.The archive offers daily screenings of worldwide films.)

In an old Pathé-Frères catalogue from 1907, this film is listed under number 1356 with the following text:

Bob’s Theater….
Bob’s father was undoubtedly generous, because on the small theater stage we will recognize all the popular types of the latest toys of the year.
Bob, as an excellent director, managed to introduce them to us as an artist, and despite the age it is a pleasure there, it will certainly please everyone.

The hole lecture is about 1 hour and 15 min. , in this compleet lecture you see a lot of other toy automates, this lecture is in French. 

The part with the Martins start on 0.00 min. till 6.35 min. , it is a silent film so no text, music or spoken words. 

Here the link to the complete lecture with the film: Le théàtre de Bob de Gaston Velle.

https://www.cinematheque.fr/video/2082.html

ENJOY…

Name: La Patinette
Produced from about 1929
Produced by Victor Bonnet (VB&Cie)
Production number 263
Movement mechanism: turning key with a loose key
Height: 22.5 cm / 8.86 inch
Length: 23 cm / 9.06 inch

If you look closely at the legs and the shoes you will see that Victor Bonnet has reused them from the boy on roller skates, Le Petit Patineur number 229 from 1914 made by Georges Flesheim.
The movement mechanism is also the same, they make a step movement with their right leg while the other leg is fixed on the roller skate with the Le Petit Patineur and on the step with the La Patinette.

This figure was used years ago by a Dutch investment / mortgage company in one of their advertisements.

In recent months I have presented all till now known Victor Bonnet pistol models.
To make your search a little easier, I have combined them in this blog
Here is an overview of all models with the corresponding link to the relevant blog for each model.

The Victor Bonnet list with pistol models with article numbers and link to the specific blog:
247 le-pan-pan
256 flac
257 bombarde
258 le-petard
262 tape_fort
264 le-sans-balle
266 le-costaud
??? le-corsaire (Product number unknown)

A very early Martin with the name: Le Livreur (the delivery guy)
Made from 1888
Product number 108
Length 15.6cm / 6.14in
This was probably the most successful Martin ever.

The history that preceded this:
Due to an article in the American “The Official Gazette of the United States Patent Office” of October 20, 1885 on page 352, I came across the patent number 6470 of a “mechanical toy animal figure” .
I started searching further and it turned out to be an English patent.
In 1884 there was the Englishman Mr. William Hamilton Hall, 72 Denmark Villas, West Brighton, he was an inventor / toy manufacturer.
He filed a patent in England in April 17, 1884 under number GB 6470
The patent was filed under the name: “Improvements in Mechanical Toy Animal Figures”.
An extensive correction followed on January 26, 1885.
The Complete Specification was dated January 16, 1885, and it contains 7 pages of text and 3 pages of drawings.
The patent was directly applied for in several countries.
Here is an overview of the countries now known:
United States October 20, 1885 patent number 328912
France July 4, 1884, patent number 163149
Belgium March 28, 1885 patent number 68347
Austria December 4, 1884, patent number 34162
Hungary December 4, 1884, patent number 56714
Germany July 1, 1884, patent number 29806
England April 17, 1884, patent number 6470

The British Library Business & IP Center 96 Euston Road London make the patents available with explanation and images.

I found in David Pressland’s beautiful book “Pressland’s Blechspielzeug Der Welt” from 1995 and published by “AS Verlag Zürich” on page 241 a photo of a toy with his original box, the box appears, after further investigation, to have patent number 6470 and this is exactly the toy patent number from William Hamilton Hall produced from 1884, but are the box and toy on the photo from Hall?

I had a toy as on the picture from David Pressland book in my collection myself that looks like Martins “Le Livreur” but until now I do not know who the manufacturer is. As seen on the picture there is no crank-shaft between the wheels of the cart and there are no connecting-rods from the cart to the legs as seen on the Patent drawing above, Martin replaced that with a flywheel. Is this Hall’s “automatic postman” ?

Is it possible that Hall later adapted his toys, because they might have been cheaper and worked better, to Martin’s construction?”, yes that is possible, but he would have infringed Martin’s patent.
Or vice versa, Martin’s patent wouldn’t have been valid, if an instantiation of his invention had been commercially available.

I think that Martin study the Hall patent and he thought this was a wonderful toy and saw the business benefits.
But he had other thoughts about the mechanism and he applied for an “improved” patent for this type of toy.

In the book Fernand Martin Toymaker in Paris 1878-1912 it is stated on page 33 (with the wrong product number 22) that the story of the Le Livreur started with patent 75632 (printing error they meant 15632) on November 15, 1887 (this date will be reflected in the further story) but the story started with the William Hamilton Hill patent 6470 from April 17, 1884 in England so 3 years earlier.

Martin made improvements and on November 15, 1887 applied for a patent in England under the name “Improvements in Device or Mechanism for Communicating to Toys Movements Analogous to those of Human Beings and Animals when Walking.” and it get patent number 15632
The patent was reprinted as it was amended and quotes the following dates:
Date of Application: November 15, 1887,
Complete Specification Left (at the Patent Office,) May 09, 1888
Complete Specification Accepted July 27, 1888.
The patent contains 6 pages and includes 1 page with 4 drawings.

There are notable difference of Hall’s and Martin’s patents.
This is why “improvement” in Martin’s patent title takes its full sense, is that he eliminated the need for the crank-shaft between the wheels of the cart and the connecting-rods from the cart to the legs and replaced that with a flywheel.
He very smartly achieves it with the gripping of the heel of the supporting foot.
It therefore makes the cranked axle-tree easier to bend and the overall toy more reliable and simultaneously less expensive (less parts, less assembly time).

Regarding the Hall and Martin patent, Martin explains a few things on page 5 of his English patent.

Martin wrote the following text:

Having now specifically described and ascertained the nature of my said invention and in what manner the same is to be performed I declare that I am aware of Hall’s Specification No. 6470 AD 1884 and I make no claim to anything described and claimed therein, but what I claim is:
A kind of toy with a miniature figure (preferably of a man) the legs of whitch imitate the natural movements of walking by the combined action of a motor vehicle having a continuous translation motion and abutting point placing itself alternately on any suitable surface, in such manner that retaining one leg an instant on the ground and the movement of translation continuing this abutting point forces the leg in contact with the ground to incline itself thus giving a movement similar but in the reverse sense to the second leg with which it is connected by a bent or cranked axle.

About the same time, Martin also applied on November 12, 1887 for this patent in France, where it was given the number 186948.
See more in my other blog from August 15 2019:

le-livreur-description-of-the-patent-number-186948

But so far, all Martin copies and boxes found have the patent number 15632, so the English patent number.
I have not yet found any copies or a box with the French patent number.
On the top of the cart and on the box is written: “F.M. S.G.D.G. France & Etranger Paris Patent 15632“
France & Etranger meens French and foreign.
I think Martin used the English patent number because it had already been approved and the application for the French patent was still being processed in France.

Martin-Lehmann
Fernand Martin and E.P. Lehmann turned out to be good business colleagues and Lehmann also saw something in this toy.
Lehmann was allowed to use this patent against payment of 5 francs per 144 (12 dozen) pieces sold.
The success was enormous and within 8 months Lehmann came to Martin with a payment of 5000 francs, so 144.000 of the Lehmann “Express” EPL number 140, had already been sold up to that point.

On the back of the Lehmann Express (the copy of the Martin Le Livreur) , the text is Engl.Patent without a patent number.

A toy and his box :

Take a good look at the boxes from Martin, Lehmann and Hall ? , they are very similar.

The success of the collaboration between F. Martin and E.P. Lehmann was expanded with several Martins, of which Lehmann was allowed to use the patents and were also allowed to be manufactured.

With special thanks to:
The British Library. Business & IP Center. 96 Euston Road. London
To make the patents available with explanation and images.

Benjamin was a French newspaper for young people founded by Jean Nohain. First published in January 1929, it ended in 1958. Source gallica.bnf.fr / Bibliothèque nationale de France

A journalist from the magazine “Benjamin” visits M. Bonnet “President of French toy manufacturers…”

-Monsieur Bonnet, see you soon, madam, would you sit down?
The charming secretary who received me is a sociable person, she talks to you with respect.
-It’s because Monsieur Bonnet is very busy…
I know that.
mr. Bonnet honors himself with the admirable title of: President of the Syndicate Chamber of French Toy Manufacturers, but that’s not all, it’s an official title, but that generally means nothing.
-It’s no small feat, you can imagine, continues the dear secretary, to be governor-general of all French toys!
The time has come, now it gets interesting, I no longer wait for the chairman of a union chamber, but for the governor of toys, the king of toys, the Napoleon of toys, a gentleman who only talks and thinks of dolls, soldiers, trains…

—Would you like to go in, ma’am?
Mr. Bonnet stands before me and leads me into his opulent office.
I have to admit right away, Mr. Bonnet didn’t tell me this.
Disappointed and unless you’re unreasonable enough not to let in any toy king other than a six-year-old boy, everyone will agree that Mr. Bonnet is also exactly “the right man”, the type of the real good grandfather and a grandfather who spends his life surrounded by toys, judge a little!
Oh sir, you must know things that no one has the slightest idea!
Surely you can tell me how many toys we make each year?
Now impressive figures on toys come from France and elsewhere
—In France, on average, 70,000,000 are made, that is, for about 300,000,000 francs.
Who would have thought that? Every year, 70,000,000 toys are needed for little French people!

And what kind of toys do we mainly make, dolls and trains?
We can say that dolls alone make up a fifth of this production, the railway industry and the mechanical toy industry are about equally important, the rest of this figure achieved is represented by all kinds of toys.
And find all these dolls, all these trains, all these different toys, buyers?
—Certainly, and we could produce even more, since 20,000,000 pieces of foreign toys flow parallel to ours.
Imported toys then? Ah yes, I know one of the “Made in Germany” toys myself.
So there are so many toys made in Germany that those little Germans can’t destroy everything and that our little French children have to help them?
—We make a lot of them, but in the United States they make a lot more.
Is it the United States that produces the most?
Yes, they can be the main toy producing country classified according to the importance of their production: United States, Germany, France and Japan, where regiments of celluloid babies are born.
But it is Germany that exports the most, isn’t it?
—Yes, at least to France, the United States mainly exports to South America, Japan and to China.

Germany prefers to trade with us, firstly because it is our neighbor and secondly because French industrialists have a reputation for being very good payers.
—In 1930, of the 13,348 quintals (quintal is an old unit for weight of one hundred kilograms) of toys imported into France, 11,217 quintals came from Germany.
—But in Germany everyone has to make toys? You think I’m not telling the truth?
—In addition to the large factories, which are wonderfully equipped for the manufacture of mechanical toys, one can find whole families in small villages, such as in the Black Forest, for example, who are busy assembling small toys at home.
—Their work is paid at the rate of 0 Fr.50 to 2 Fr. per hour, which is too little and not good, as you can expect they work as much as possible.
You haven’t told me about the toy soldiers, sir.
—The toy soldier industry is starting to recover a bit, but each country is enough for its own consumption, other toys are also sold locally because it would be too inconvenient to ship it, for example, these are heavy toys such as wheelbarrows, carts, small furniture, wooden horses…

Here is a statement signed by Mr Bonnet

(translation) The president of the French toys manufacturer is hereby thanking the small junior Benjamin’s for listening to all our discussions.
He is asking them to please children of workmen and French toy makers by prioritizing toys made by their parents .

Sir, I didn’t believe the toy industry was so successful at first
—It is strong, important and also very complete, because it makes almost all crafts work, the little girls and boys want everything they see in the hands of adults in miniature, they have toy cars, sewing machines, bicycles, microscopes, clocks needed and who knows what else?

—On the other hand, some toys require a very diverse workforce.
—Open a box of board games and try to imagine the number of workers from many professions who had to work together to produce all these objects together.
But I think, sir, if the youngest didn’t break their toys, it would be a national disaster! half more unemployed?
—Certainly, ma’am, but thank goodness we’re not there yet and there will be a lot of water flowing under the bridges before the race of the little wrecker dies out, thankfully.
Who tell you, sir? I have a horrible three year old nephew who can bust the hardest toy in five minutes but darling is a good little civilian!
VIOLET-JEAN.

Vrolijk Kerstfeest en een Gelukkig Nieuwjaar
Merry Christmas and a Happy New Year
Fröhliche Weihnachten und ein glückliches Neues Jahr
Joyeux Noël et Bonne Année
Feliz Navidad y Próspero Año Nuevo
Buon Natale e Felice Anno Nuovo
Boas Festas e um feliz Ano Novo
Kala Christougenna Ki’eftihismenos O Kenourios Chronos
God Jul och Gott Nytt År
Glædelig Jul og godt nytår
Geseende Kerfees en ’n gelukkige nuwe jaar
Hyvää joulua ja onnellista uutta vuotta

An overview of the contents of the new Antique Toy World Magazine January 2024:

Antique Toy World is the leading publication for toy collectors worldwide.

Published since 1970.
Antique Toy World is a monthly magazine published in the USA by Dale Kelley, the magazine’s founder, editor and publisher.

To subscribe go to https://antiquetoyworld.com/about-atw/
Email: ads@antiquetoyworld.com

An article with image of the bullfighter from Fernand Martin number 129 ((In the books known to us, this toy has the Martin product number 47, but that is incorrecte).

NEW YEAR’S DAY BARACKS 1894/1895

It seems that this year, the small booths on New Year’s Day have had a real resurgence in success. We don’t want to witness it except the compact crowd that hasn’t stopped crowding the boulevards since Christmas Eve.

During our walk we came across several sensational toys. In the series of mechanical toys, always very successful, here is the Bull race, which buyers have already dubbed the Little Sugar Bowl (explanation see below): two horizontal bars, one ending in a bull, the other in a toreador armed with his muleta, chase each other; the bull, with articulated legs, leaps upon the toreador who flees from him.

Explanation: Le petit sucrier: the sugar bowl. that was the nickname of Max Lebaudy, the son of a very wealthy French sugar manufacturer, who died young in 1895, after wasting millions, much of it in the most absurd way.
1894 is the year when Max fell in love with bullfighting.
He then intends to organize several bullfights on his estate and thus has an arena built for the occasion.
All of Paris and local notables are invited to attend these bullfights, orchestrated down to the smallest detail, even the program which was written in Spanish!
Because Fernand Martin also belonged to the notables of Paris, it is very likely that he also watched one of these bullfights and in an interview for the magazine: Almanach Pratique illustré du Petit Parisien 1913 article: Les jouet mécanique, invention bien Française by Paul Lagarlère page 71-80, Martin told that he was inspired by the Max Lebaudy bullfight’s to design this toy.

You can find another article about this toy in the link below:

 course-de-taureaux-the-bull-fighter

INFORMATION ON AUCTION 278

The auction will be held on December 5^th at 15:00 CEST in Bertolami Fine Art headquarter in Piazza Lovatelli, 1 – Rome.

In this auction there are 4 Martin toys, but there are more beautiful other toys in this auction.

The following methods of participation are available: in person; by telephone; online upon registration on our website www.bertolamifineart.com, or on our partner portals (see list below); by a written absentee bid to be received by 12:00 CEST on Tuesday 5^th November 2023.

List of partner portals:

Drouot – Invaluable – Live Auctioneers – Arsvalue – Bidspirit – One Bid

For more information click on this link: https://www.bertolamifineart.com/uk/special-conditions/informazioni-sullasta-278.asp?layout=0

These prices are in € (Euro) and without Buyer’s Premium and subject to errors.
Always check the auction site for the results.

Regarding the objects described in this article, I do not make a statement about condition or value.
I advise interested collectors always do to research yourself, to view the object or to contact the seller / auction . 

This very beautiful toy was first produced by Fernand Martin’s successor, Mr. Georges Flersheim.
In the late 1920s, approximately around 1928, these toys were produced again in a slightly modified form by Georges Flersheim’s successor Mr. Victor Bonnet
The height of both versions is approximately 19 cm / 7,5 inch

The differences are mainly in:
Georges Flersheim version is named: La Casseuse D’assiettes
Produced from 1913
Product number 233
Hand-lacquered
A characteristic Flersheim key
Produced in a red and blue version

Victor Bonnet version is named: Madelon Casseuse D’assiettes.
Produced from around 1928
Product number 260
The body is no longer hand-lacquered, only her face and hat with bow are hand-lacquered.
A distinctive Victor Bonnet key
Got cloth clothes

The number of dishes and the color of the dishes may differ depending on the version.
Georges Flersheim’s version only had “white” dishes.
Various color versions of the plates were found in the Victor Bonnet version.

• Only “white” dishes.
• “White” dishes with a “red” dish on top attached to the rod
• Dishes in “red” with gold-colored stars as decoration
• Dishes in “red” with gold-colored dots as decoration

The bottom dish that is attached to the hands is colored “white” in the Flersheim version, in the Bonnet version it is “white” and features a red factory logo with the text VB&CIE PARIS MADE IN FRANCE

‘La Casseuse d’Assiettes’ was inspired by a comic strip featuring a girl called Becassine.
The comic strip was first published ‘La Semaine de Suzette’ (February 1905), a weekly edition for girls and very soon Becassine became a French icon.
In 1913 Flersheim made her into a fantastic toy but he was not allowed to use the name Becassine because it had been registered as a trademark in 1910.
I found a book: La Semaine de Suzette with the first 26 weekly numbers of 1914, in this book the publisher placed advertisements, in which he sold ‘Becassine Casseuse d’Assiettes’ at 2.90 Francs, without naming Flersheim.

Book: “la Semaine de Suzette”, from 1914 10-ième année – Premier semestre 
Advertising 1 Bécassine 001 from “la Semaine de Suzette” No. 9 – 2 avril 1914 ( 10-ième annéé)
Advertising 2 Bécassine 001 from “la Semaine de Suzette”No. 11 – 16 avril 1914

Below you can see two patents about this toy, the first is the France patent with number 458560 of Mai 29 -1913 and the second is the German patent with number 270852 of July 13 – 1913, on the patent drawings you can see how complicated and ingenious the mechanism is. If you look at the mechanism from the inside you will also see solidity.

The Box:

The differences between the box of the Flersheim version and the Bonnet version are clearly visible

The operation is as follows: after turning the mechanism, the figure vibrates forward, after a short time the dishes are thrown into the air and the figure falls backwards. Then the dishes must be gathered together again, placed on the support rod and the rod with the dishes must be pushed back into the bottom dish that is fixed between the hands.

Carl Bagessen, born in 1858 in Denmark.
In 1895 he was a contortionist at Cirque Rancy in Lyon, under the name “Corkscrew Man”.
He also had a comedy act very similar to our toy in action where he drops a huge pile of plates on the floor.
For twenty years, Bagessen brought this act to all the variety theaters in the world.

Explanetion of the “triangel” mark sign on toys

On many toys from around 1887 till the thirty’s of the last century, we see a triangular symbol with a number below it on the boxes of toys and even on the toys.
This symbol was once invented by the”La Chambre Syndicale des Fabricants de Jouets Français”, of which Fernand Martin was a board member and even once chairman, in the thirty’s of the last century the triangle probably had lost any meaning and disappeared.

This symbol was a sing of quality from a French manufacturer.

The manufacturer who wishes to make use of this mark only has to justify his quality of French manufacturer, and to pay the registration fee for the serial number of the police in perpetuity, a fee which amounts to a single sum of five francs.

FACTORY BRAND
FRENCH TOY
The Trade Union Chamber of French Toy Manufacturers filed with the Registry of the Commercial Court of the Seine, June 1, 1886, under number 23,795, a trademark of which we give the facsimile.
The Chambre Syndicale, with the aim of developing national industry, grants authorization to use this mark to any French industrialist who so requests.
It is enough to justify its quality as a French manufacturer.
For information, contact the Chambre Syndicale on the third Friday of each month, Hôtel Moderne, place de la République.

Each toy manufacturer that was allowed to use this symbol received a separate number.
Fernand Martin’s factory was registered under number 138

Some examples of the “triangel” mark sign on toys, catalogue or toy box of various manufacturers with their number

Excerpt from the original report: group: Class 100 section Bimbeloterie
There was a colossal statue personifying the Toy Fairy distributing toys.
The French toy exhibition included 63 exhibitors representing a wide variety of branches of the toy industry.
One of them was Mr. Fernand Martin, former president of the Trade union Chamber of the manufacturers of toys and games.
(Reporter, Mr. A. Chauvin.)

Victor Bonnet produced various tin pistols in the period from 1919 to 1933.
The number we know now is 8 pieces but maybe we will discover more.
the list of the pistols known so far is:

The Victor Bonnet list with pistol models with article numbers
Le Pan-Pan 247
Flac 256
Bombarde 257
Le Pétard 258
Tape_Fort 262
Le Sans-Balle 264
Le Costaud 266
Le Corsaire (Product number unknown)

Here we present :

Name: Le Corsaire
Number: Product number unknown
Year of first production: 1932 ??
Dimensions: 18 cm x ?? cm / 7 inch x ?? inch

After the relocation of the production of the Victor Bonnet factory in 1933, we no longer find pistols in the product range.
Probably is that the Victor Bonnet & Cie-in-liquidation, sold the patents and trademarks of guns/pistols to JEP.

In one of my previous blogs I mentioned that the Le Deverseur was only found with a French label on top of the box and for the Englisch market with a Englisch instruction label inside on the bottom of the box..

I’ve seen one now one, with all the labels in English.
Below you can also see on the box label that the name has been changed in : Self Unloading Waggon.

The label on top of the box, the instructions for use picture on the side of box and the separate instructions for use are all in the English language.

The separate user manual card is executed in two languages, French and Englisch, in the right photo you can see that he is not called “Waggon” as on the box label but “Lorry”

This is a very early toy from 1885
Length approx. 17,8 cm/ 7 inches
Height approx. 12,5 cm/ 5 inches

No final product number is known for this toy.
In the book by Lourens Bas : Toymaker in Paris 1878 – 1912 he is listed under number 16 on page 45 but we now know that the numbering of the “first” period is completely different, see my article https://fernandmartintoys.nl/the-numbering-of-the-fernand-martin-first-period-who-can-help-me/

It has long remained unknown how this toy looked like but an article written by Renaud Fournier in the Antique Toy World Magazine of december 2016 mentions that one copy was found at a French auction, but a second copy has since been found at a French auction at Galerie de Chartres January 2022 at Le Coudray.
This toy is very fragile and both found pieces have missing parts such as broken hands, arms and heads.

These toys also appear not to be made of cardboard, as is stated in the book by Lourens Bas: Toymaker in Paris 1878 – 1912, but of tinplate and cast metal.
The front is lithographed and the back is blank tinplate.
The whole rests on two transverse strips.
The three figures are flexibly mounted on a rod.
On the front is written at the top the word Massacre and at the bottom in small FM Bté S.G.D.G. Paris Modele Déposé.

In the past, this toy will have been delivered in a box with one or more small balls to try to knock over one or more of the three figures.
The figures are a devil, a polichinelle and a pierrot made of cast metal.

We are not yet 100% sure from catalog images or the sales box whether this is really a Martin, but there are a few indications that this is a Martin:

• the reuse of the devil figure in the Le Jeu De Force from 1884 and the Le Diable En Boîte from 1890.
• the text : FM Bté S.G.D.G. Paris Modele Déposé, which can also be found practically written in the same way on other toys from that time such as the Les Joyeux Danseurs and the Les Courageux Scieurs De Long….

Photos of the toy: Jeu De Massacre, courtesy Renaud Fournier and Galerie de Chartres

Victor Bonnet produced various tin pistols in the period from 1919 to 1933.
The number we know now is 8 pieces but maybe we will discover more.
the list of the pistols known so far is:

The Victor Bonnet list with pistol models with article numbers
Le Pan-Pan 247
Flac 256
Bombarde 257
Le Pétard 258
Tape_Fort 262
Le Sans-Balle 264
Le Costaud 266
Le Corsaire ??

Here we present :

Name: Le Costaud
Number: 266
Year of first production: 1931
Dimensions: 14,5 cm x 11,5 cm / 5,7 inch x 4,53 inch

Patent number is FR 730.021 d.d. April 04-1931

After the relocation of the production of the Victor Bonnet factory in 1933, we no longer find pistols in the product range.
Probably is that the Victor Bonnet & Cie-in-liquidation, sold the patents and trademarks of guns/pistols to JEP.

first production date : 1912
production number: 227
height: 19 cm / 7,5 inch produced by Georges Flersheim

After winding, his head moves and his right hand goes spinning over the chestnuts, his left hand moves with the lid of the kettle.

Roasted sweet chestnuts were already sold in Rome in the sixteenth century. In Paris they were roasted and sold on the spot on the street, nowadays there are still many European places where they are offered on the street.

This street scene is of course also seen by toy manufacturers and like so many street scenes there was an ingenious inventor who designed a toy out of it.
I found an article in the magazine La Nature from 1911 with a description and picture of a “Le Marchand de Marrons” that looks very much like the Flersheim version.

The original inventor of this toy is Mr. Raoul Maurin from Paris. Source picture : (Cnum – Digital Conservatory of Arts and Crafts – http://cnum.cnam.fr magazine La Nature 1911

As is well known, Fernand Martin has bought many inventions from the small inventors in his career, this toy came from the old Martin portfolios, Martin had bought the design of this toy at the Concours Lepine in 1911 and Flersheim patented them under his name. Note:
Flersheim acquired with the company all Martin’s patents and this one is one of them.

Released with different logos and texts and the winding key at the bottom.

Maker: Fernand Martin

Year: 1897

Number: 159

Dimensions: High 20 cm ( 7,9 inch) Long 15 cm ( 5,9 inch)

This very rare toy is driven by a rubber band, Martin used this rubber band a lot in his first period.
A man pumps water from a village pump.
Many working figures are unknown and this toy had a real working pump.
Water had to be put in the container under the pump and after winding up the rubber band, the man started pumping and the water came out of the pump.

If you look at the drawing you can recognize the working of the pump.

I have seen this toy with the man in two differend colors, yellow en red. This man was also used by Martin in other toys such as the La Famille vélo from 1897, the Le Monocycle aérien from 1896 and with a toy which I previously wrote a piece about but is unknown so far, see my blog: https://fernandmartintoys.nl/did-i-found-an-unknown-martin-toy-or-not/

In the next Ladenburger Toyauction there is one Martin toy with Lot number 017 but there are many more other beautiful pieces in this auction
We are pleased to present you this catalog in German and English language.

For the complete overview, Auction terms & Info, Shipping & Payment look at this site:
https://www.spielzeugauktion.de/?&lang=en

Le Pompier L’Echelle – (the fireman) – Martin number 197bis. This model was made by Victor Bonnet from 1919.

The price is in Euro € and without Buyer’s Premium and subject to errors.
Always check the auction site for the results.

Regarding the objects described in this article, I do not make a statement about authenticity, condition or value.
I advise interested collectors always do to research yourself, to view the object or to contact the seller / auction

Victor Bonnet produced various tin pistols in the period from 1919 to 1933.
The number we know now is 8 pieces but maybe we will discover more.
the list of the pistols known so far is:

The Victor Bonnet list with pistol models with article numbers
Le Pan-Pan 247
Flac 256
Bombarde 257
Le Pétard 258
Tape_Fort 262
Le Sans-Balle 264
Le Costaud 266
Le Corsaire ??

Here we present :

Name: Le Sans-Balle
Number: 264
Year of first production: 1929
Dimensions: 9,5 cm x 7 cm / 3,75 inch x 2,8 inch

In the next Ladenburger Toyauction there is one Martin toy with Lot number 017 but there are many more other beautiful pieces in this auction
We are pleased to present you this catalog in German and English language.

For the complete overview, Auction terms & Info, Shipping & Payment look at this site:
https://www.spielzeugauktion.de/?&lang=en

Le Pompier L’Echelle – (the fireman) – Martin number 197bis. This model was made by Victor Bonnet from 1919.

After the auction, I will publish the realized price for this Martin.

Regarding the objects described in this article, I do not make a statement about authenticity, condition or value.
I advise interested collectors always do to research yourself, to view the object or to contact the seller / auction

We all know the chestnut vendor “Chauds les Marrons” , it was produced by Georges Flersheim but Fernand Martin bought the rights during the annual “Concours Lepine” in 1911.

Here an article from I found in the magazine “La Nature” from 1911 of the “original” toy.

A free translation:

TOYS

The chestnut vendor.
Here comes winter.
The chestnut merchant sets up his itinerant shop under a doorway or on a street corner and offers passers-by a bargain.
The one shown in our drawing is very natural.
With one hand he stirs the contents of the pan, with the other hand he keeps the circle and the movement of his head towards the oranges and chestnuts, kept warm under a cloth, very clearly indicating that he offers his goods to passers-by.
How does it all work?
The circular movement of the right arm, the one that stirs the chestnuts, is done by means of a rod A, driven by the spring mechanism placed in B, and crossing the pan to direct the hand using a pin C.
The head is driven by a rod D taken eccentrically and hidden in the body of the man from the “Auvergne” (province in France)
The inventor is mr. Raoul Maurin, 24 rue de Belfort, Paris.

I will soon make another blog with more details and things worth knowing about this toy.

The early period of the pavements in Paris around 1900

With the increase in traffic on the streets of Paris in the late 1800s and early 1900s, it was necessary to cover the ground with a homogeneous material that was easy to drive on and walk on.
At that time, there were 5 options: large cobblestones, small pitted cobblestones, wooden cobblestones, asphalt or macadam.
These five different types of pavement were successively used in the city, each with their advantages and disadvantages.
The method of paving with wooden cobblestones received a lot of enthusiasm at the time and was the first option developed.
Made of pine, these wooden pavers were laid perpendicular to the road and then sealed with bitumen.
The wooden pavers were finally abandoned completely after 1930 in favor of stone pavers.

So around the turn of the 20e century and long afterwards you could see the asphalt workers in the streets.
A wagon with boiling hot asphalt was pulled by a horse.
The asphalt was poured into buckets and distributed over the existing wooden cobblestones in the streets and on the sidewalks.
A tough and hot job.

Fernand Martin made a toy as a result of these diligent workers and put it on the market in 1903
The toy is about 26 cm / 10,2 inch long and was powered by a clockwork.
The man at the back is also driven by this clockwork, which makes it seem as if he rotates a rod, you can also see the same rod on the images of the real asphalt wagons.

Fernand Martin number 194

This article is published in the June 2023 issue of ANTIQUE TOY WORLD monthly magazine. After publication in the ATW, this article has been slightly modified in a few places

These boxes contain very different toys than we know from Fernand Martin.
At the end of 1900, many toy manufacturers made little figures, mostly from tin/lead, wood, tinplate or a mixture of wood flour and glue, in Germany called “Masse” (such as Elastolin, Lineol etc.).

The smallest Martin figures like the chickens, ducks, goose etc. are made of tin/lead and massive.
The bigger Martin figures like the cows, dogs, sheep, building, fences, persons etc. are made of two kinds of metal, I tested them all with a magnet, the bottom plate is magnetic so tinplate and the figures, animals, etc. are not magnetic.
I think they are made of pewter (a ductile metal alloy of tin and other metals ) and soldered / welded to the bottom plate.
They are not massive but hollow on the inside, which makes them very light and all painted by hand.
These boxes have the Martin number 165 and were produced from 1898.

Number 165:

On this original catalog image are various numbers and texts.
The numbers are clear, what is striking is that number 5 is missing.
The first three numbers are about a village,
From number 4 and 6 till 9 you see behind each number 4 names
The translation of these names in English are : menangerie— farm —hunting scene and shepherd.
So there must be a total of 23 different boxes
These boxes are very rare, but I have received two pictures from Frédéric Marchand of a box with a hunting scene.

On the box is also the text “No” but the number is not visible anymore and probably written earlier in pencil and almost completely disappeared in the last more than 120 years.
I tried to “edit” the image and I could very badly discover that there might have been a 7.

In my collection I have a nice group of a shepherd with his sheep and a group of a farmer with animals, both without the box.

This shepherd with his sheep was purchased from a large French toy dealer and he told me that these were determined by Frédéric Marchand as Martins, (Bergerie) but which box number is unknown.
The figures themselves do not have an FM logo or the like and I don’t know if it is complete.
The shepherd is about 7 cm high (2.76 inch) and the farmer is about 5,5 cm high ( 2,17 inch).

Number 166:

Boxes with wooden and hand painted decorations with number 166.
These boxes with background decorations were sold complete with figures and animals, on the catalog pages is mentioned the text: “Animaux modelés d’après nature”, and that’s translated: “Animals modeled after nature“
I count a total of 12 different boxes on the catalog page, but the numbers 20-21-22 and 50-51-52 are still a mystery to me!

But I found a little more.
One of the old original Fermand Martin catalogs contains an image of other boxes with animals and figures.
This box is not numbered in the catalog but is depicted immediately after the box number 165 “Jouets en Boites“.
This box contains figures and animals.
The French text is: Animaux & sujets en vrac. assortis à la grosse and that means: Animals & subjects in bulk. Assorted by the dozen. So they are extension boxes for the boxes with number 165 and 166 “.
According to the picture there are 3 different boxes with each a different assortment.

In this image of the Extension box: assortment number 2, you can also clearly see from the box of the Shepherd (Bergerie) and the box of the Farm (Ferme), the both type of sheep, cow, goat, donkey, dog, farmer and some of the animals from the box Hunting (Chasse) the wild boar, deer, fence and the two dogs.

The catalog image “Extension box: assortment number 2” is not depicted in the book “Fernand Martin Toymaker in Paris 1878-1912”.
The toys that belonged to the numbers 163 to 166 were not clear to both authors at the time the book was made. ( see their comments on page 101 in this book )

On an original poster by Fernand Martin from 1902 with a lot of toys from that time, there is an image with 12 pigs, with this image it is stated: Animaux sur cartes (Animals On Card). The card is marked FM in a circle and the well-known triangle with 138. So I assume that there were several different replenishment cards to supplement the boxes, whether these cards were given a separate number is unknown to me until now.

What also appears is that these same figures were probably also used in the articles with the numbers 131 to 143 from 1894.

Conclusion:

In the book “Fernand Martin Toymaker in Paris 1878-1912” p. 101-102 the toys that belonged to the numbers 163 to 166 were not clear to both authors at the time the book was made. ( see their comments on page 101 in this book ) This article has brought some clarity, but there is still a lot is unclear.
In this article I present the articles numbered 165 and 166.
In the list of Martin articles in the period 1897 – 1898, there are two numbers left (numbers 163 and 164) of which we do not know for which article these are.
There is a possibility that these two numbers are for the “expansion boxes” and/or for the “animals on card”, but I have no proof of that yet.
Furthermore, the numbering on the original catalog page with article number 166 with the wooden boxes is still unclear.
It appears that many different boxes were sold with many different figures in each box, an enumeration of these is almost impossible.

Perhaps there are more figurines and boxes to be found among collectors.
If you have something like that, please let me know so that the “Martin” puzzle becomes a little more complete.

According to the Martin book: Fernand Martin Toymaker in Paris. page 110 there are two versions of the L’ homme de corvée, Martin number 173, in the text on this page it is not clear why they differ. They both have different clothes and a different cap

This toy is mentioned in a French newspaper from 1900 and in the text in this newspaper it is mentioned that there are a French soldier and an English sailor.

Part of the text from the article: LES JOUETS DE L’ANNÉE in the French newspaper: Le Patriote de la Vendée 1900, Journal de Politique, Agricole et Commercial, Organe d’union Républicaine.

Translation: Then it is the “L’ homme de corvée”, a small French soldier or English sailor, depending on the country of destination, who operates a broom

I found another article in the magazine: La Charente December 18, 1900 indicating that the English sailor toy was produced especially for the English market.
a part of the text of that article:
Les Jouets Du Nouvel An
–Then there is – the “L’ homme de corvée” – a small English sailor or an French soldier, who operates a broom, the name depending on the country of destination.–

A catalog page /box label is known. It is also not known if two different boxes were released or if they were both sold in the same box, I presume in the same box as the instructions for use are written on this label are in French, English and Spanish.

Photos courtesy Bertoia Auctions, Catalog label and postcard are from my own collection. French newspaper article source gallica.bnf.fr: Le Patriote de la Vendée 1900, Journal de Politique, Agricole et Commercial, Organe d’union Républicaine

In a few previous blogs I showed postcards depicting Martin toys.

fernand-martin-and-postcards

personal-postcard-from-fernand-martin

postcards-with-martin-toys

I have now been able to add a new postcard to my collection depicting a Martin toy and a few other French toys, on this card you can see the Le Petit Livreur

On the front of this postcard is the text : Jouets d’enfants mécaniques et á traction. On the back Grands magasins parisiens and the date 1920
This postcard is made in France 1995

Victor Bonnet produced various tin pistols in the period from 1919 to 1933.
The number we know now is 8 pieces but maybe we will discover more.
the list of the pistols known so far is:

The Victor Bonnet list with pistol models with article numbers
Le Pan-Pan 247
Flac 256
Bombarde 257
Le Pétard 258
Tape_Fort 262
Le Sans-Balle 264
Le Costaud 266
Le Corsaire ??

Here we present :

Name: Tape_Fort
Number: 262
Year of first production: 1929
Dimensions: 11,5 cm x 9 cm / 4,5 inch x 3,5 inch

This toy and old games magazine was the magazine of the Society of lovers of old toys and games, called Amateurs de jouets et jeux anciens.
Founded in 1905 by Henry René d’Allemagne, Léo Claretie and Arthur Maury
It counted, among other illustrious members, Sarah Bernhardt, the prefect of Police Lépine, Fernand Martin, Maugin, Rollet, the Baroness of Rothschild, the Duchess of Uzès and many more.

The Society had its headquarters at 215 Faubourg Saint-Honoré in Paris
I don’t know how many editions there have been but my copy is number 26 5th volume July – August 1909.

The first issue has the name Les Jouets et Jeux Anciens, this name has been changed in January 1907 in a new name: L’art & L’enfant.
The company will disappear with the First World War, probably the last number was number 55 from July-August 1914.

These illustrated bulletins are very rare because they were not sold but provided only to the members of the society.

The first volume published was in June 1905. The issue’s are abundantly illustrated with figures and plates, sometimes in color. This first issue contains a list of members with a total of 82 names.

In the toy book of Mary Hiller Automata & Machanical Toys from 1976 on page 165 you can read: A report from one such meeting in 1906 told of a cinematograph show witch not only pictured work going on at the factory of Fernand Martin but ended with little dramatic scenes wher the actors were actually the Martin “bonshommes”. Fernand Martin attended this meeting and was held at the Conservatoire des Arts et Métiers on April 1 -1906

I received a copy of this report, which included the following text:

Translation:
Then the whole series of well-known mechanical toys was paraded before us that are manufactured in the factory of Mr. Fernand Martin. Cinematographic films presented the workshops and the tools of this manufacture; hands showed the toys being made, turning them, turning them over, while the lecturer gave the explanation (very curious effect).
Then, finally, the cinematograph projected amusing and dramatic scenes, the actors of which were Mr. Martin’s’s mechanical little bonshommes.

Now we have to find this movie(s) , does this movie(s) still exist??? or is this movie(s) somewhere in an archive, maybe we’ll never know?

Special thanks to Mr. Claude Lamboley for providing the necessary information and images

Victor Bonnet produced various tin pistols in the period from 1919 to 1933.
The number we know now is 8 pieces but maybe we will discover more.
the list of the pistols known so far is:

The Victor Bonnet list with pistol models with article numbers
Le Pan-Pan 247
Flac 256
Bombarde 257
Le Pétard 258
Tape_Fort 262
Le Sans-Balle 264
Le Costaud 266
Le Corsaire 269 ??

Here we present :

Name: Le Pétard
Number: 258
Year of first production: 1927
Dimensions: 11 cm x 8,5 cm / 4,5 inch x 3,35 inch

Here is a link to a catalog by Victor Bonnet from about 1929.
I found this catalog on the site of ATCA (Antique Toy Collectors of America) I only saw that they have a wrong date 1902, the Victor Bonnet period started in 1919 till 1933

Here the link to the ATCA: https://atca-club.org

The ATCA is a group of collectors who delight in the history and preservation of toys, who exchange information about toys, and willingly share their knowledge with other members and the public. We are all passionate in our collecting and seeking and encourage others who relive childhood dreams through the joy of collecting antique toys.
I have been given permission to post a link to this catalog in my blog.
Have fun browsing.

Victor Bonnet & Cie – Les Jouets Mecaniques de Fernand Martin – 1929

first production date : 1899
production number: 169
height: 20 cm / 7,87 inch produced by Fernand Martin

After winding up, this goose walks forward step by step, in a very natural way, moving its neck from left to right in the tempo of its walk.

This goose was found with several different Martin keys and is marked on the bottom right with the round FM logo

The accompanying text to this figure is:
Finally we find a goose gently shaking its neck, swinging from side to side, following the favorite movement of these birds, advancing little by little: “with majestic slowness”.
These small automatons are manufactured by Mr. Fernand Martin manufacturer of iron automatic and mechanical toys 88 Boulevard Menilmontant in Paris

In an earlier article I also wrote about this goose, it was then that the image of this goose was used on an edition of a piece of music composed by AD. Gauwin.

This very rare and original stereo glass plate is in the private possession of Bruno Cirla and Christophe Feraud from Massilia Toys in Marseille
The photo was taken at the World Exhibition in Liège, Belgium in 1905 by Jules Richard.

Jules Richard was a French photographer, businessman and instrument maker. He was the inventor and manufacturer of the Verascope stereographic cameras.

If you look closely at the photo you can clearly see that on the table are a whole group of Fernand Martin toys.

On the left you see a part of een statue ( in white the base and in black a part of the table ) this colossal statue was a personifying the Toy Fairy distributing toys.

On the side of: www.worldfairs.info there is an report of this World exhibition in Liège in 1905. you can read that there were toys in the section “BIMBELOTERIE” , in the names you can recognize that they must be Fernand Martin toys.

The French text: …les petits automates: la portière, la boulangère, la marchande d’oranges, le pompier, l’avocat gesticulant au bout de ses grandes et larges manches, le pianiste véhément, le cuisinier et combien d’autres encore.

Translation: …the little automatons: the portress, the baker, the orange seller, the fireman, the lawyer gesticulating at the end of his big and wide sleeves, the vehement pianist, the cook and how many others besides.

An overview of the contents of the new Antique Toy World Magazine July 2023 :

Antique Toy World is the leading publication for toy collectors worldwide.

Published since 1970.
Antique Toy World is a monthly magazine published in the USA by Dale Kelley, the magazine’s founder, editor and publisher.

To subscribe go to https://antiquetoyworld.com/about-atw/
Email: ads@antiquetoyworld.com

This article is published in the August 2020 issue of the ATW Antique Toy World magazine. https://antiquetoyworld.com/about-atw/

Updated version with new facts:

S.I.J.I.M.
This toy maker from Paris made very nice toys.
This manufacturer is named S.I.J.I.M. and the director was Prosper Lévi.
He started his factory in 1909 but the firm ceased to exist in 1913 or 1914.
S.I.J.I.M. means: Société Industrielle de jouets et d’inventions mécaniques.

Prosper Lévi had his trademarks protected in France on July 23, 1909 and internationally on September 20, 1909.

REGISTRATIONS MADE AT THE INTERNATIONAL OFFICE.
The INTERNATIONAL REGISTRATION of obove trademarks is done through the intermediary of the administration of the country of origin of the trademark. It currently provides trademarks with legal protection in Austria, Belgium, Brazil, Cuba, Spain, France, Hungary, Italy, Mexico, The Netherlands, Portugal, Switzerland and in Tunisië

We know very little about this company, maybe we will find out more in the future and maybe we will find unknown catalogs.
He has not made many different pieces but what he made was beautiful.

Between the S.I.J.I.M. factory and the Fernand Martin factory was in 1912 a lawsuit, this lawsuit was about the Le Rapide Livreur from S.I.J.I.M. and the Petit Livreur from Fernand Martin.
Prosper Lévy from (S.I.J.I.M.) accused Fernand Martin having committed plagiarism.

If you look closely at Lévi’s patent you will see in the header a text in squared brackets.
translation: [ Guarantee certificate delivered to M. Jules Boucheron (of whom Mr. Lévi is assignee) on the occasion of the 10th Lépine Contest of toys and articles de Paris opend in Paris the August 12, 1910]

It just means that Jules Boucheron assigned his invention to Mr. Lévi at the occasion of the 10th Lépine Contest.
This means that Mr Lévi was not the inventor of this toy but that was Jules Boucheron.
Jules Boucheron was a small inventor probably without production opportunities and infrastructure.
Many toy manufacturers including Martin bought the rights from small inventors at the “Concours Lépine”.

In July 1914 Fernand Martin give a statement on the alleged allegations of plagiarism and the resulting lawsuit as mentioned above:
COMMUNICATES
We receive from our colleague, Mr. Fernand Martin, the following note with a request to insert: We are pleased to take that the infringement action brought by Mr. Levi against Mr. F. Martin, for a toy called “The Delivery Person” will not be followed up, Mr. Levi having recognized that it is wrongly and without right gull has assigned Mr. Martin in infringement. For his part, Mr. Martin, in the presence of this declaration, waived his claim for damages. The case is therefore closed.

Martin kept his “Petit Livreur” in production and it was equally produced till in the 1930’s by Victor Bonnet and probably even into the 1950s bye his sons.

The best selling and known toy was the organ grinder: le joueur d’orgue, even till nowadays this is often referred to as a Martin. But you can see on the box and on the catalog page that it is clearly a S.I.J.I.M. toy.

But S.I.J.I.M. has also made less well-known pieces.
See these two pages of a catalog of S.I.J.I.M.

These two pages contain the following toys.
Number 32 La Poussette. (The Stroller)
Number 33 Le Joueur d’orgue. (The Organ Player)
Number 34 Les Chevaux Hygieniques (Hygienic Horses)
Number 35 L’apprenti Cavalier. (The Rider Apprentice)
Number 36 Le Rapide Livreur (The Fast Delivery Man)
I don’t know if more toys are made because it is weird to start with number 32.
There is 1 piece which is probably also made by S.I.J.I.M., it is the Le Saute Mouton. (The leap frog)
This, Le Saute Mouton. (The leap frog), toy was depicted in a magazine from the Choumara Paris store in 1912 together with other S.I.J.I.M. , Martin and other toys.

From 1897 many toy manufacturers place the famous triangle with the text “Article Francais” and around it the text “Marque Deposee” , under the triangle a number, this sign was exclusively granted by the Chambre Syndicale des Fabricants de Jouets to French toymakers who requested it. The number just reflects the order of the request in the sequence of the requests.
So this number was different per manufacturer.
Take a good look at the catalog page, you will also see this triangle by S.I.J.I.M. has been given number 248.
Martin had the number 138, here you can see how important this number could be to find out which manufacturer has produced a toy.

Mr Lévi made his own toys and many toys are in the “style” of the Fernand Martin and Flersheim toys.
And not without success because his models are very beautiful.
Like many toy manufacturers, a lot of ideas was copied from competitors.
As an example, compare the boy in the chair of Martin ( Le jeune ecuyer ) and the one of Lévi (L’apprenti Cavalier) same “idea” but with a different chair position and a different moving action. Who borrowed from whom ??

The mechanisms of these S.I.J.I.M. toys are different from those of Martin, often more sophisticated and of a better quality and therefore more expensive to produce.
However, this did not result in a higher selling price than Fernand Martin/ Flersheim’s toys, but lack of profitability seems to be the reason for the cessation of activity in 1913 or 1914 just before the start of the First World War.
Now most of these S.I.J.I.M. toys are rarer than Martin, Flersheim and Victor Bonnet toys and are traded at very good prices.

A thank you to Frederic Marchand for the permission to use the two catalog pages and the additional information.

All toys with without reference are from my collection

cor@vanschaijk.com

Blog: www.fernandmartintoys.nl

Victor Bonnet produced various tin pistols in the period from 1919 to 1933.
The number we know now is 8 pieces but maybe we will discover more.
the list of the pistols known so far is:

The Victor Bonnet list with pistol models with article numbers
Le Pan-Pan 247
Flac 256
Bombarde 257
Le Pétard 258
Tape_Fort 262
Le Sans-Balle 264
Le Costaud 266
Le Corsaire 269 ??

Here we present :

Name: Bombarde
Number: 257
Year of first production: 1925
Dimensions: 11,5 cm x 8,5 cm / 4,5 inch x 3,35 inch

Patent number is FR 617259_A d.d. October 10-1925

See the catalog of the 97th Toy Auction online!

This auction features more than 2200 items of tin toys, trains, figures and model cars and this time with two Fernand Martin / Victor Bonnet toys.

This is a room bidding but you can also take part in the online bidding live via telephone, register your written predids or using the auction platforms lot-tissimo, the-saleroom and liveauctioneers and Sixbid you are able to to bid online. So you can submit your bids in real time during the auction. Therefor it is necessary to register on the platform of your choice not later than 24 hours before the auction starts.

The easiest way to participate in our auctions is to use our online catalogue. Here you can view all the items and directly place written pre-bids. See the catalog in the link below. You can also read the catalog in English

Catalog : https://auktionen.anticomondo.de/en/objekte?aid=50&Lstatus=0

We hope you enjoy reading and browsing through the new catalog!

The result prices are in Euro € and without Buyer’s Premium and subject to errors.
Always check the auction site for the results.

Regarding the objects described in this article, I do not make a statement about condition or value.
I advise interested collectors always do to research yourself, to view the object or to contact the seller / auction

A fairly unknown toy from 1889.
A man standing on a platform and beats the drum and the cymbals of the rubber band mechanism.

This toy has been given product number 111

We also know that Martin got his ideas from everywhere.
I saw in an old catalog: La nouvelle revue parisienne from 1894 an advertisement for a shooting game consisting of a rifle and a target, but on top of the target is a figure.
If you hit the target the figure hits the bass drum and the cymbals.

Martin probably noticed this too and 5 years later he made a toy out of it and put it on the market, now with a rubber band mechanism, after winding up, the man hits the bass drum and the cymbals.

If you ever want to visit Amsterdam, be sure to visit this antique center, it is definitely worth it for toy collectors.

The Antiques Centre Amsterdam is a paradise for the connoisseur of unique objects from all different periods and styles. At a floor space of over 1700 m2 you will find not only a wide and surprising range of 17th, 18th and 19th century antiques and Art Deco, but also art, bric-à-brac, stylish vintage and designs of the fifties, sixties and seventies.

The Antiques Centre Amsterdam is the largest indoor antique market of the Netherlands. We have an enormous selection, provided by 55 specialized antique dealers, who offer a constantly changing and very impressive collection of antique jewellery, splendid lighting, crystal chandeliers, silver, special miniatures, objects the vertu, tableware, military objects, toys, rare ceramics, delicate porcelain, Murano glass, impressive bronze statues, Delft Blue, paintings, wall decorations and even small furniture. And besides all this there are also different display cases with unique and special collector’s items for sale.

Whatever you are looking for, you will find it at the Antiques Centre Amsterdam. Whether it is to decorate your house, a utensil, an original gift, an acquisition for your collection or a striking prop for a photoshoot.

The Antiques Centre Amsterdam is located in the centre of Amsterdam, at the Elandsgracht 109. The Elandsgracht is the gateway to the popular shopping area The Nine Streets.

From the different display cases with unique and special collector’s items are display cases with antique toys. Toys from the well-known toys from manufacturers known to us, including of course Fernand Martin.
The stock changes constantly because the various traders replenish their sold items.

Antiekcentrum Amsterdam
Elandsgracht 109
1016 TT Amsterdam

Tel: +31 (0)20 624 90 38
info@antiekcentrumamsterdam.nl

Open:
Monday: 11:00 – 18:00
Tuesday: closed
Wednesday: 11:00 – 18:00
Thursday: 11:00 – 18:00
Friday: 11:00 – 18:00
Saturday: 11:00 – 17:00
Sunday: 11:00 – 17:00

Pictures courtesy :
Barry and Leo van der Waal
Arnaud ter Haak of the Antique Center Amsterdam

updated version:

In a previous blog from 13 April, I show you a drawing of the Rabbit from Martin, this drawing was made by Louis Poyet.

Louis Poyet (born in Saint-Etienne, 1846 – died in Paris, 1913) was a draftsman, etcher and French illustrator known for his work that he made together with scientists, industrialists and engineers.

Louis Poyet moved to Paris and in 1877 he opened his own print studio.

His workshop had around 40 craftsmen
He started working for Gaston Tissandier as an Illustrator / writer for the La Nature magazine, for which he continued to work until his death.
He signed with “Poyet” and sometimes “L. Poyet”.

He has made many beautiful etchings for Martin that have been published in, among others, the magazine: La Nature

He also worked on several books and magazines so as:

-The book of Charles Masson, published in 1884 entitled: The scientific recreation for education and play.

-The magazine: Le Chercheur from Arthur Good

-Poyet was also one of the industrial illustrators of images for the book series Les Grandes Usines published by Michel Levy from 1876 till 1881.

-In 1889 he worked for Tom Tit (pseudonym of Arthur Good engineer) with which he worked on:
The Recreational Science section in the L’Illustration magazine
The Fun Science a booklet with 100 Experiments, with 115 Drawings in 1890.
This first booklet was again published in 1893 and then followed by two completely new editions.

The success factor of this series was enormous
Translations were sold in 1891 in Spain, England, the United States, Scandinavia, Russia.
There are around 130 different editions of these three volumes, released until the 1920s.

To complete the circle, one of Martin’s toys, the Le “Tom Tit” Martin number 157 (See in the 2014 book: Fernand Martin toymaker in Paris on page 95 ) was based on one of the experiments from Arthur Good; La rotation de la Terre

Below you see on the left the drawing from the book “La Science Amusant” of Tom Tit, this drawing was made by Louis Poyet, on the right an image from a page of a catalog by Fernand Martin

After the death of Louis Poyet in 1913 his studio was taken over by his sons Roger in Raphael, under the name “Poyet Brothers”.

Victor Bonnet produced various tin pistols in the period from 1919 to 1933.
The number we know now is 8 pieces but maybe we will discover more.
The list of the pistols known so far is:

The Victor Bonnet list with pistol models with article numbers
Le Pan-Pan 247
Flac 256
Bombarde 257
Le Pétard 258
Tape_Fort 262
Le Sans-Balle 264
Le Costaud 266
Le Corsaire 269 ??

Here we present :

Name: Le Pan pan
Number: 247
Year of first production: 1919
Dimensions: 11,5 cm x 9 cm / 4,5 inch x 3,5 inch

This toy is a platform employee of a train station and dated from 1894.
In the books known to us, this toy has the Martin product number 48, but the latest discoveries show that there are two models and that they are numbered 123 and 124.

This person was responsible for transporting passengers suitcases, luggage and packages to and from the trains.

These two versions are different, there is one version with a flywheel drive and another with a mechanical wind-up drive. These two different versions are clearly distinguishable. The version with flywheel has one tin case for the cart, in this case the flywheel is hidden.

These two different versions can be clearly distinguished.
The version with a flywheel has one tin case for the cart, in this case is hidden the flywheel.

The version with the mechanical drive is relatively unknown, I only discovered one copy in the collection of the French museum Musée des arts and Métiers – Le cnam.
The version with the winding mechanism is presumably provided with two paper-wrapped packages. (see the pictures in this museum)

As the photos of the museum contain a copyright, I cannot show it here, but a digital visit to the site is worth looking at, see this link:
https://phototheque.arts-et-metiers.net/?idPageWeb=95
enter the keyword “Fernand Martin” at “rechercher“.
The photos you can find at the numbers 0000558_052 up to and including 0000558_056 and at the numbers 0001664-045 and 0000558-174

On the drawing below and on the photos of the museum you can see that a different model key has been used here, this is one of the deviations from the keys known to us that Martin normally used.

On this catalog page the drawing is of the version with mechanism and if you look closely you can see at the bottom left of the drawing:
Number 123 — avec volant . (Translated: with flywheel)
Number 124 — mechanique. (Translated: with Mechanism)

A super rare toy.

On YouTube, Mr. Jean Brun from France has made 5 beautiful videos about Fernand Martin toys and his successors.
The lyrics are in French but the video’s are still beautiful to look at.
These videos can be viewed below.

These 5 video’s together are almost 80 min, so take your time, to make them that must have been a lot of work and time.

These YouTube videos are also listed separately in my menu under: “FIND ARTICLE“, the search page for specific articles; chapter 6 – Movies, I have had these videos in my “FIND ARTICLE” menu page for several weeks now, but now I bring them to your attention so that you can see and enjoy them.

first production date : 1912
production number: 229
height: 20 cm / 7,87 inch produced by Georges Flersheim

I have never seen a box with a label myself, but in the book: Fernand Martin Toy Maker in Paris 1878-1912 by Lourens Bas and Arthur Verdoorn, a label is depicted on page 188

This street scene is of course also seen by toy manufacturers and like so many street scenes there was an ingenious inventor who designed a toy out of it.
I found an article in the magazine La Nature from 1911 with a description and picture of a “Le Petit Patineur” that looks very much like the Flersheim version.

The original inventor of this toy is Mr. Boucheron, 4, rue de l’Eglise, in Vitry-sur-Seine . Source picture : (Cnum – Digital Conservatory of Arts and Crafts – http://cnum.cnam.fr magazine La Nature 1911

Highlighted by the Phil & Joan Steel collection including Martins & Lehmanns, automatons, penny toys, lucxury autos & race cars from the Bill Gelles racing Collection, early table games, trains & airplanes, and more!

In this auction there are this time a lot of Martin, Flersheim and Bonnet toys and some are very rare but of course there are many more beautiful and interesting toys in this auction.

The Bertoia team is dedicated to offering our quality customer service, experience and support.
Do not hesitate to contact us for assistance with registration, bidding or any other questions.

For the complete overview, Auction terms & Info, Shipping & Payment look at this site: http://www.bertoiaauctions.com/

These result prices are in US $ and without Buyer’s Premium and subject to errors.
Always check the auction site for the results.

Regarding the objects described in this article, I do not make a statement about condition or value.
I advise interested collectors always do to research yourself, to view the object or to contact the seller / auction

Martin started in 1875 with his first attempts to make toys but in 1878 the first real toy was a real swimming fish with patent number 128445 from Jan-01-1879

This Fish is about 19 cm / 7,5 inc long.

In the early days Martin used a rubber band (elastic) as the drive.
By turning it on, the toy started to move.
The system consists mainly of a crank, a rubber band and a movement mechanism.
The drive mechanism was adjusted for each toy, such as up and down, right, left, spinning etc.

The first piece of Martin: the fish from 1878 Poisson Nageur and as you see Martin started with the product number 100

The crank is in the nose, inside the fish is the rubber band and the mechanism is on the tail.

In this demo model you can see clearly the mechanism in operation,
By turning the crank and hold the tail, the rubber band is tightened (twisted)
The other side of the rubber band is hooked onto the movement mechanism, the tail.
When you release the tail again, the tail swings from right to left so that the illusion of swimming is simulated.
Simple but effective.

The only drawback is that the rubber band can age and then break quickly.
If it breaks, the hook and mechanism will fall off and mostly get lost.

Martin sold the patent for a swimming fish with a rubber band engine to the Englisch company Cremer Dolls Toys Games 210 Regent street London and that was the beginning of his fortune, he started in 1880 his first factory.

Martin number: 189

First production in 1902

Dimensions: 13.5 X 15.5 cm / 5,3 inch 6,1 inch

A very nice toy with movement and music. After winding up, the pianist moves his hands from left to right over the keyboard and a piece of music sounds. Even our grandchildren can watch and listen with pleasure to this special piece of history.

This Le Petite Pianiste won a prize in 1901 during the first major Concours Lepine in Paris, during this competition Fernand Martin bought the rights from the inventor Mr. Bosquet, Martin then produced it himself and sales started in 1902. 

From the Le Petite  Pianiste are two versions that do not differ on the outside, the difference is in the melody, one for the French-speaking market and one for the English-speaking market.  

French song: J’ai du bon tabac

Englisch song: God save the King

There is also a very rare version known, the pianist is a woman, I have seen one on the internet, it was part of an collection of an American collector, and the second known was owned by a friend of mine and is currently on display in the toy museum in Germany in the city ​​of Soltau. Even if this version is not an original, it turned out very well.

We see Le petit pianiste with and without hair, it could be that in the later years the competition with the German toy import became too high and cutbacks had to be made, on many toys were cut backs like cheaper material, fewer handling in the production, fewer parts and presumably the wig disappeared from this pianist.

The cuts were not big, but you can also see that with the labels on the boxes, they became smaller, which is a very small cut, but given the very large production, it was ultimately a big cut. less storage, less paper and less glue.

Both pictures from: The English illustrated magazin dec. 1905

At the time, this pianist was already a lot more expensive than other Martin toys, this had to do with the very complex mechanism, which meant that not only the material costs, but especially the labor costs, were a lot higher. But when I see how many are left, he must have sold well.

This article was posted in 2019 but because of new facts, the article has now been edited.

In 1885, Fernand Martin made a bell ringer, Martin number 102, and calling him “Le Sonneur Endiable”, in older Fernand Martin books you see number 14 but that number is wrong and given without proof by the writers.

It is one of the first Martin toy with a lot fun.

But the Georges Flersheim factory took it more then almost 35 years later and re-released it with a few changes.

They renamed him “Je Sonne La Paix” and it got number 246
The “Je Sonne La Paix” is in English: “I ring [for] the peace“, in other words “I ring [to celebrate] the peace” referring the celebration of the end of the WW1 on November 11- 1918, in which Flersheim himself fought and died.

If you look quickly, you see almost no differences but they are indeed there.

Here the differences in detail:

-the Martin version (102) has the FM name stamped on top of the base plate in the Flersheim version (246) no text is stamped on top of this base, but there is a piece of fabric on the side with the name “Je Sonne La Paix” printed on it.

-If you look at both toys at the bottom, you see, under the male figure at the Martin (102) , an elongated piece of iron mounted as a weight and at the Flersheim (246) a solid plate is soldered and stamped the round FM logo on it.

-The Martin version (102) has a rubber band drive, that of Flersheim (246) a long spiral spring in the pole.

-At the top there is a French flag at the Flersheim (246), for this a hollow pipe has been placed in the roof for the iron flagpole with a fabric French flag.

-The bell has also been given a slightly slender shape by Georges Flersheim.

-The roof off number 102 is found with different reliefs, one just like the roof of the 246 in red with tiles and found with stipes in a yellow/gold paint.

It is currently the last piece that is still numbered in the Flersheim period.
It is certain that after the death of Georges Flersheim more, till now, unknown toys were produced, time will tell which and how much.

It is strange that the number 246 has been used twice.
Under this number by Victor Bonnet in 1919, his first produced toy is also numbered 246, it is the “Le Auto Transport” WHY???

The images / pictures used are with courtesy of Michael Bertoia, E.T. and from the own collection

IN DECEMBER 2022 I MADE A BLOG ABOUT THE VERSION OF MR BOUCERON, NOW AN EXTENSIVE INTRODUCTION TO THIS SPECIAL TOY

There are three versions of this toy made by the Fernand Martin factory.
When the key is wound, the cart will go “backward” and the boy’s legs will move as if he were pushing the cart backward himself.

Dimension: length 20 cm / 7.8 inches.
Martin production number 218

It started with the version made by Mr. Boucheron This invention was exhibited on the “Lepine Concours” in 1909 and on this show Martin bought the rights and started to make it a salable version and that resulted in this version:

Martin patented this toy in 1910

Not long after, Fernand Martin sold his factory to Georges Flersheim, who continued to produce some of the old toys, but often with some adjustments, other colors, etc.
Below the performance produced by Georges Flersheim.
The biggest difference is in the design of the closed wheels and the part with the fruit is not so well detailed anymore and of course also the Flersheim key.
Fernand Martin has released various colors of this toy and George Flersheim has also produced a number of color versions.

And then there is also a very special version with a case instead of the fruit, this version is very rare and it is not yet clear whether Martin or Flersheim produced it.
It is possible that this special version was produced on behalf of a customer, on this suitcase you can recognize a label of the large Parisian hotel “Grand Hotel”
This suitcase can also be seen on a special version of the Le Petit Livreur.

Source gallica.bnf.fr / Bibliothèque nationale de France

Fernand Martin’s toys were often sold by street vendors and vendors in market stalls on the Paris promenades at the end of the year at Christmas and New Years, but life was hard for these vendors and during the bad weather of that year, practically earned nothing. Read this newspaper article.

Magazine: La Fonde December 1901

Poor street vendors! how sadly they spent the Christmas night that had not turned out to be what they had been waiting for weeks. The long faces, the dull eyes, they watch the rain fall slowly on the asphalt of the sidewalks, driving away the few little walkers. He cries in my heart when it rains on the city, they could have repeated with “Verlaine” (a French poet). Sales were indeed not very fruitful, the day was desperately gloomy yesterday and the evening was hardly more lively. So much effort, energy, patience and ingenuity that these brave people put into this traditional sale for months.

The toy competition organized by Mr Lépine had given the small manufacturers some hope; the public seemed to be interested in these humble inventors, and there was every reason to think that Christmas Eve would be a happy one, bringing a little joy and well-being to the households of the cheap-clothed toymakers. The more than gloomy weather has spoiled all these beautiful hopes, and we must hear the grievances of these poor devils who have made great sacrifices of themselves to promote these people. Small barracks, ugly and clumsy, but part of the old Parisian traditions. “But you managed to make some profit the day before yesterday,” I said to a tall, pale woman, who cast a sad look at the gaudy colored dolls lined up on the edge of her sales bench. “No ma’am. Although the weather was beautiful, and a really big crowd on the boulevard earlier in the evening, it was not the day of shopping. – What do you mean? – I mean by this: The custom is that on Christmas Eve we buy our presents, the day before we will only look, we make our choice, we compare the prices of the toys, but then don’t buy it yet. And lady, the hour of the sale may have come, when the weather is as bad as tonight, you understand that customers are in no rush to visit our stores. “Oh shit, we always think we’re going to make some money and instead we go home with more debt.” It is very unfortunate that instead of this ugly sad rain we did not have a nice evening, cold but very dry. Everyone would have benefited from it: the rich in gaiety, the poor in large pennies. Perhaps the stalls on New Year’s Day had never been so stocked with new and varied trinkets. Several toys had been exhibited in previous toy competitions. But then most were just more or less rough-edged models, here they are fresh and finished in their beautiful bright colors. It is the Santos-Dumont that doubles the platforms of the Eiffel Tower, it is the fighting

Boer ( Le vaillant Boer Martin number 174-176 ? ) in question, who is so ingenious in its simplicity, the latest locomotive,

the automatic city police, ( Les agents Martin number 178).
It is the Englishman fighting an invisible enemy

(Le Gentleman Khaki Martin number 175)
That still others must be mentioned among the mechanical toys. The few shoppers are told what’s new, they ask about the toys seen in the competition; For example, last night an old lady insisted that a merchant tell her where “Le Singe a la marmite” the monkey in the pot, by Frémiet, was sold.

—”It’s for my grandson,” she said, “he will enjoy it very much.”  

— In vain, the shopkeeper offered her the most recent creations of articulated toys. The grandmother persisted. – No, no, it’s “the monkey in the pot” I want, I promised to bring it… “But I tell you I don’t have it,” replied the merchant angrily. Do you know that in order to produce this toy well it would have to be sold very dearly and then not for 2 fr. 95 which we could ask for like for all these dolls. And then, I don’t really want to say it, but this famous monkey is not that beautiful and to amuse children, there is still nothing like these old dolls… I had to smile at this naive joke which failed to convince the grandmother, for I saw her resume her pilgrimage in the rain past the little huts, dimly lit by the dim lights and quivering from the smoky oil lamps. I imitate her and continue my traditional visit to these varied displays, some of which are arranged with taste. Among the toys I find old acquaintances:

the goose that wobbles when he nods his head, ( L’oie Martin number 169)

the laundress who puts her arms in her bathtub,(La Blanchisseuse Martin number 171)

the mower that rhythmically shakes its small scythe (le Faucheur Martin number 170)

Street vendors who can’t afford to “stand on the boardwalk” send swarms of articulate beasts running down the muddy sidewalks: ladybugs, lizards, frogs, cockchafers, seals, it’s as if someone just knocked over Noah’s ark. There’s something for everyone, for all budgets, from the modest two-cent piece to the two-franc piece. Huddled under the porches or shrunk behind the canopies of the shops, the poor devils make a terrible noise to attract the attention of buyers, while looking out for the city police, the “police” as they call them in their own picturesque language. — Ask for the Christmas Angel — The latest novelty of the year. “What doesn’t this Christmas present have?” It’s deafening. And the raging wind violently shakes the huts and blows an icy rain in the faces of the few passers-by. Soon the boulevards are deserted and gloomy. The cafe terraces are empty and it is raining. It’s New Year’s Eve. Groups of night owls trying to be merry still roam as they sing choruses of café music, and as the gusts double their violence, a few revelers are still eating their dinner on New Year’s Eve. – We’re not eating now, I had to say to an old lady yesterday, we were bickering. “Oh! I should be ashamed, she moaned, if, despite my age, I had a stomach as weak as the one my daughter’s friends complain about. And in this connection I remembered the funny song “New Year’s Eve in two parts”, from Charles Monselet, – ( a French journalist, novelist, poet and playwright, nicknamed “the king of the gastronomes”) – But it doesn’t matter, it took hard vices to sustain this earthly lavishness.

MARIE-LOUISE NÉRON.

Vrolijk Kerstfeest en een Gelukkig Nieuwjaar
Merry Christmas and a Happy New Year
Fröhliche Weihnachten und ein glückliches Neues Jahr
Joyeux Noël et Bonne Année
Feliz Navidad y Próspero Año Nuevo
Buon Natale e Felice Anno Nuovo
Boas Festas e um feliz Ano Novo
Kala Christougenna Ki’eftihismenos O Kenourios Chronos
God Jul och Gott Nytt År
Glædelig Jul og godt nytår
Geseende Kerfees en ’n gelukkige nuwe jaar
Hyvää joulua ja onnellista uutta vuotta

We all know that Martin was not the inventor of all his toys himself.
Many of his toys were invented by small toy makers who took their inventions to the annual “Concours de Lépine” a competition in Paris to present and hopefully sell their inventions.
One of these inventors was Mr Boucheron from whom Martin has bought several inventions.
One of these inventions was the L’Autopatte.
On the box and the catalogue page of this Martin toy you can see that it won a “Grand Prix” price on the “Concours Lépine”.
In the magazine “La Nature” from 1909 page 204 a small article of this invention was described the L’auto-pattes

The translated description is as follows:

A production by M. Boucheron that solves wishes.
The L’ Autopatte is a motor vehicle a african boy sits in front of the person falling to the ground that is propelled in circular long durations.
The mechanism is simple.
A lever that performs the functions of the femur is placed in the extended mechanism where it is received in an arc.
A cam enhances this lever to move up and down.
Finally, each leg carries a lever.
The knee joints are more than primary.
The legs hang at the end of the knees.
But when the toy is walking, the controlled bars go up one by one, and the legs take the vertical position by their own weight, and when they are lowered, the legs touch the ground.
As the toy rolls, these feet stay on the ground for a short time and lengthen to return vertically to the next move.
Because this steering is alternate, the feet land on the ground one by one and the africa boy feels in fact he is actually responsible for the propulsion of the vehicle with his feet in reverse. –

Mr. Boucheron lived on the rue Rachel, in Vitry-sur-Seine.

In January 2023 a blog with more about this nice toy

Three “different” versions of the “Le Cab” were made in the period between 1889 and 1919.

These vehicles were the means of transport in the city in the late 1800s and early 1900s, they were actually the first taxis

THE FIRST VERSION OF THE LE CAB FROM 1889 with number 110:

Fernand Martin launched his first version of the Le Cab in 1889, the differences with the later version from 1903 and 1912 can be recognized by the following points.

The 1889 version compared to the 1903 and 1912 models:
-The carriage had no passenger section. (it’s closed on the front)
-The wheels have 8 spokes, (the 1903 and 1912 versions have 10 spokes)
-Closed-side windows. (Only painted windows in red)
-Driven by a flywheel mechanism.
-This edition has 35 metal separate parts, (that is what you can count on the drawing), to build and complete the hole toy.
That did not include the rein so actually 36 parts in total.

This first version of the Le Cab is very very rare and hard to find, so far I only know a few copies :
–1 in the collection of the Parisian museum: Musée des arts et Métiers this one was part of the gift from Fernand Martin to the museum in 1908, that one has a brown horse.
–1 sold a few years ago at the French dealer l’Orangerie – François Binetruy, this one also came with an original box and a brown horse.
–1 in the Spielmuseum Soltau in Germany with a white horse.
–1 in the collection of a friend of mine with a white horse.
–1 in my own collection with a white horse.
But there will probably still be some other copies in museums or collections over the world.

Below you see an original box label and an image from the original catalog.
If you look very closely you will see differences between the box label and the catalog image.
1- The four corners of the box label are not richly decorated.
2- Below the triangle with number 138 are on the box label data of various gold medals that Martin has won.
3- the “instructions” are different in width and the number of lines is different, on the box label the lines are wider then on the catalog image.
4- Below the legs of the horse the text “Made In France” appears on the catalog image and not on the box label.
5- On the right and left of the FM logo are small decorations on the box label.

As already mentioned there is one known copy complete with box, so very rare and that one has a brown horse.

On the inside of the passenger seat there is the imprint of the Fernand Martin factory

SECOND VERSION WITH THE NUMBER 192 FROM 1903 :

In 1903 Martin released this same toy again in a slightly modified version, now with a passenger section and also open side windows, a clockwork drive and a complete new box label.
It got number 192.

The coach of this 1903 version came in the black / red color combination.
The drive was now a wind-up mechanism and with the recognizable Martin key.
This toy was marked on the inside of the passenger section and on the backsite above the key .

THE FLERSHEIM VERSION WITH THE NUMBER 192 FROM 1912

In the Flersheim period from 1912, the Le Cab was re-released, the version was almost the same as the Martin version from 1903 and the Martin number remained the same with 192.
This version is only marked on the roof with the well nown triangel marker. This version also had a wind-up mechanism but now with a Martin or Flersheim key.
It was sold in multiple colors.

I have come across this Flersheim version with the coach, so far, in the following colors
Lower part of the sides – Upper part of the sides – the top of the roof.
-Brown – brown – brown.
-Blue – black – black.
-Green – green – green.
-Blue – blue – black.

What is also striking in this version and recognizable as Flersheim is that with all Flersheim models I have seen, the fixing tabs for fixing the back, are facing backwards.
With the Martin version, these tabs are always facing inwards.

Yet another deviation is that for the toys of which the carriage is completely colored, (the green and light brown version) the colors appear to be “sprayed”, but that they were only sprayed after the carriage was already partially assembled.
If you look closely at the carriage, you will find color residues on the drive section, the rods to the horse, but only on the inside at the location of the wind-up mechanism, the key and also on the inside of the rear lower protruding ornament parts.

The same horse was used many years by Martin, Flersheim and Victor Bonnet for divers toys: from 1890 the Don Quichotte, the horse with a cover
number 110 Le Cab version with fly wheel made by Fernand Martin in 1889
number 122 Le Courrier Parisien made by Fernand Martin in 1892
number 192 Le Cab version with a wind-up mechanism made by Fernand Martin in 1903
number 192 Le Cab version with a wind-up mechanism made by George Flersheim in 1912
number 194 de La Voiture A Bitume made by Fernand Martin in 1906
number 203 de Le Laboureur made by Fernand Martin in 1906
number 255 La Charrette Paysanne made by Victor Bonnet in 1927

In the Martin books known to us, a few figures are included with, as it turns out, the wrong number.
Here are the adjustments, after these adjustments, there are still a few toys without a number.

This blog is made with help of Bruno Cirla and Christophe Feraud from Massilia Toys in Marseille, my big thanks for this

ADJUSTMENTS:

Number 174 and 176
The numbers 174 and 176 have probably been swapped because evidence has been found that the Le Balayeur has number 174:
174 old number Le Vaillant Boer must be new Le Balayeur
176 old number Le Balayeur must be new Le Vailant Boer

In the Martin literature and books number 180 is given to The Policemen but it turns out number 180 is for the toy: “Present arms” God save the king.

number 180 “Present arms”, God save the King is an sentinel (probably only for the English market including the, in that time, colony of Canada, on the catalog picture there is extra text that has a link to Londen, see below on the picture the text: C&E LONDON

We see that number 180 was been given to The Policemen, (Bobby) made for the Englisch market, but The Policemen must have number 181.

But in the Martin literature and the books number 181 has been given to the Garçon de cafè, what number the Garçon de cafè should now have is not yet clear.

In the Martin books number 182 is given to the postman: Le télégraphiste but it turns out that number 182 is for The Sentinel, what number the postman will get is not yet known.

number 182 The Sentinel (probably only for the English market including the, in that time, colony of Canada) see the picture of the figure with the bear hat below.

number 183 La Sentinelle (a series of presumably 3 soldier figures: French – Russian – and Italian) These 3 Sentinelles are mentioned in Martin’s gift to the Musée des arts et métiers Paris in 1908.

OVERVIEUW NEW NUMBERS

Changes in the book: FERNAND MARTIN toymaker in Paris 1878-1912

174 Le Balayeur.
176 Le Vaillant Boer.
180 “Present arms” God save the king.
181 The Policemen (Englisch market)
The waiter: Le Garçon de cafe NO NUMBER UNTIL NOW.
182 The Sentinel (Englisch market)
The Postman: Le télégraphiste NO NUMBER UNTIL NOW.
183 La Sentinelle 3 soldiers French- Russian and Italian

My question to the readers:

Now I am looking for other missing numbers
If there is someone who can give me one or more of these missing or the correct numbers, I would be very happy, and if you can help me, mail me: cor@vanschaijk.com .
It’s about:
The right number for the Soldat French – English – Belgian – Russian – Portuguese, These numbers are available: 235-236-239-242-243-244-245

The postman: Le télégraphiste, WHAT IS HIS NUMBER??

The waiter, Le Garçon de cafè, WHAT IS HIS NUMBER??

A few weeks ago I was able to add another rare Martin to my collection.
It is a Martin from the first period and is from the year 1889
Martin started in 1878 so this is a fairly early copy
He later released this model again in 1903 in a modified version and later after 1912 Flersheim also put this model on the market again.
This first 1889 version is the Le Cap with product number 110

So far I know the existence of 5 of these rare versions from 1889

In the book Fernand Martin Toymakers in Paris 1878-1912 by Lourens Bas he is depicted on pages 52 and 53 with the number 25 assigned by the authors, later research shows that the correct number must be 110.
Martin started with product number 100 see my blog : https://fernandmartintoys.nl/the-numbering-of-the-fernand-martin-first-period-who-can-help-me/
The aforementioned book contains two photographs from the collection of the Parisian museum: Musée des arts et Métiers.
One of these photos is an exploded version of the second version from 1903 and the photo on page 53 is the old version from 1889.

Soon I will publish an extensive blog about the various Le Cap versions with all their differences.

Don’t miss the November 2022 issue of the Antique Toy World Magazine

An overview of the contents of the new Antique Toy World Magazine November 2022 :

Antique Toy World is the leading publication for toy collectors worldwide.

Published since 1970.
Antique Toy World is a monthly magazine published in the USA by Dale Kelley, the magazine’s founder, editor and publisher.

To subscribe go to https://antiquetoyworld.com/about-atw/
Email: ads@antiquetoyworld.com

I also published this article in the: Antique Toy World issue September 2022

As a successor of Fernand Martin and George Flersheim, Victor Bonnet Factory started the production in 1919 in the old Fernand Martin factory, in 1933 they stopped the production and moved to another building in Paris.

In these 14 years Victor Bonnet has made a series of 5 beautiful trucks and tractors.  

246 Le Déverseur
248 Tracteur + 250 Le Remorque (sold together)
249 Camion : Le Roulant
254 Le Train Tortillard
261 Camion : Gros Camionnage

He named this family of vehicles: Les-Auto-Transports

At Victor Bonnet someone came up with a family of products with standard building blocks that could be reused within the “Les Auto-Transports” family, which can already be clearly seen on the fronts of the five various trucks and tractors.

All models had a plaque on the hood with the name: Les auto-transports
This plaque has undergone some changes over the years as can be seen in the collage.

These models are somewhat undervalued, they are all vehicles with a genius mechanism and these mechanisms are all basically the same. 

At the front of all five models is a handle with which you can drive the car in a straight line or in circles.

The first of the model Le Déverseur with number 246 produced from 1919 had the most extensive mechanism with lot of functions: start-stop, drive, standstill and a side-tilt function. The models after this one were a bit simpler.  

^{246 Le Déverseur}

Victor Bonnet was the first successor to Fernand Martin who started producing cars
He released a series of trucks and started with number 246
It was a “tip up truck”, the truck has an automatic tipping and driving mechanism.

This model was released in various colors, I have seen models in Yellow, green, gray, black and brown
The length is about 20 cm (7.9 Inches)

These models have a very advanced and ingenious engine, the start-stop part sits like a handle next to the driver’s steering wheel.
After winding, you can put the car on the ground and push the handle back a bit, then it will drive, after a short time, the car will stop and the bucket will slowly move to the side to drop its load, then the bucket will go back to the old position and the car starts moving again and everything repeats itself.

In the production years, the box has been changed a few times.
The first boxes only contain the production number No 246
Boxes are known to have a sticker added with the text Déverseur No 246
Later the label came with the text Déverseur No 246 printed as fixed on the label
And I found boxes with the text Le Déverseur No 246

The next two boxes has the same picture of the catalog site on the front, these catalog pictures usually had less information than the original box labels, are they original??
I’ve come across some of those boxes before.

On the inside on the bottom of the box an extra text sheet could have been applied to indicate the operation, this is found in two languages; in French and in English.
The text on the outside of the box is only found in French, also on the boxes with an English text sheet inside.

There are boxes contained with no text sheet inside but a separate manual with the (freely translated) text:
AUTO-LE DÉVERSEUR
OPERATION :
Reassembly… Put the Engine to Stop and turn; with the key to the right, making it make 10 half-turns.
Starting… Push forward the Crank which is to the left of the driver.
Stop… Bring the Crank to the rear which is to the left of the driver.
Direction … Bring, by pressure from top to bottom, the Joystick located at the front of the Hood, in one of the 3 notches. The walk in a circle is obtained by using the 2 notches on the left.

There are models without a text, models with a text on the side or back and models with a text in the inside of the loadig area, and when they have a text it was in French or in English
The various texts I found till now are:

The body has also been available in two variants, with an angular body and with a rounder body, the truck with the rounder body (I found them in de colors gray, black/gray and yellow), and has no texts on the body, only the brass plate on the bonnet.

From this version with the rounder body, I found another one with a different nose/bonnet in the color: red body with a bleu loading area. That one has the nose/bonnet from trucks from the production after 1933 and on top of this nose/bonnet there is no longer the well-known brass nameplate.

So you can see that over the years this truck has had many different varieties.
Many Fernand Martin, George Flersheim and Victor Bonnet toys have sometimes been produced for many many years and have received many small adjustments or other colors over the years.

248 Tracteur and 250 Le Remorque

These two Victor Bonnet creations of a tractor and a trailer, were sold together in one box, I have not found any proof anywhere that they were sold separately.

I have come across the tractor/truck in two colors so far, in green and in red, (green and red in various color gradations from dark to light, but presumably the influence of sunlight has also had an influence on the color), and there are two different rear wheel placement options, one in a short base and one in a long base.

What has been noticed is that there are two versions of the tractor, with and without a roof.
Presumably it was marketed in two versions with and without a roof, which is apparent from the fact that the tractor can be found with and without mounting holes for the roof, (see the photos).

Look at the two different trailers, sometimes the trailer has a bronze plate on the back with the text: Charge maximum 5000Kos and the back and front of the trailer has different plating, version with a 6 and with a 4 rectangular layout

249 Le Roulant

This model is very very rare.
I’ve only come across a few of them.

The colors I have found so far are green, orange/brown, yellow all with red wheels and a dark blue one with bleu wheels, the length is about 25 cm (10 Inches)

It is listed in the Victor Bonnet catalog with the name Camion 249 but in the truck you can see that the name is : Le Roulant

The characteristic of this model is that there is a print on the bottom of the cargo area with the name and product number.

A similar model was later released with number 261 with the same name Camion to, but on that truck you can see the name Gros Camionnage written on the fabric tarpaulin.
This Camion is an adapted form of the here presented “Le Roulant” number 249, the later model number 261 has a fabric tarpaulin, no longer had a print on the bottom of the transport section and no text plate on the back of the cabin.
This model 261 will be found even more.

The model 261 Gros Camionnage without the fabric tarpaulin is sometimes be sold as a: Le Roulant, but can therefore be easily recognized by a print on the bottom of the cargo area and on the back of the cabin a brass text plate with the text: Charge maximum load 5000 Kos of the original Le Roulant, so pay attention.

254 Le Train Tortillard

This tractor with four trailers has a total length of approximately 69 cm / 27,2 “.
On the accompanying photos you can see the differences between the four trailers.
The first trailer has a different, tin plate attachment than the other cars, which all have a bent iron wire as attachment.

I found till now the tractor in two colors in red and green, the trailers I found in the colors blue, green, brown/orange, gray and dark-gray. I have come across it quite often and sometimes even “mint” in the box but what strikes me is that very often the carts are not all the same color, maybe the carts have gotten mixed up over the years or they are just new delivered in the box with different color carts.

261 Camion: Gros Camionnage

The “Camion” (no. 261), it was the last truck from the series Les-Auto-Transports.  

It is an open truck with a fabric tarpaulin and the length is about 25 cm (10 Inches)

A text was printed on both sides of the fabric tarpaulin, the text is original: “Gros Camionnage” that you can find on the box, there are models with another name.

I have come across this truck in the colors BLEU, RED and YELLOW, the fabric hood in the colors GREEN, BLEU, BROWN and GREY

This truck was a modified version of truck number 249 with the same name Camion, (see “Le Roulant”).
In the base the “Le Roulant” with number 249 was given a fabric tarpaulin with text, the “brand” stamp on the bottom of the cargo area has disappeared, the text plate on the back of the cabin disappeared and it get a text on the fabric tarpaulin “Gros Camionnage”.

Versions of this truck are known with various advertising texts.

This truck was sold with text on the fabric tarpaulin on both sides.

The text is original: “Gros Camionnage” that you can find on the box labels and in the catalog

I found some models with a different text.

In 2021 I found in an auction in France of Maître Philippe CASAL another “Camion” model in a rare color scheme, and also with a different text “Chocolat Casino” on the fabric tarpaulin.

In February 2018 I found on Ebay another model, the nice thing about this Camion was not only the beautiful condition, but also the print on the fabric tarpaulin: “Goulet-Turpin”.
The Internet teaches us that this is the name of the Goulet-Turpin couple who founded a distribution company under this name in their wedding year 1874.

In the collection of the German “Spielmuseum Soltau” is another one to find with the text “Nouvelles Galeries”.

“Les Nouvelles Galeries” is the name of a chain of department stores created in 1897, the stores have changed to become Galeries Lafayette.

In total, I have now found four “Camions”with different prints, including the original.  

With one different overprint I can imagine that someone has done this privately, for whatever reason, but with several new different overprints I can imagine that this was originally produced by the Victor Bonnet factory and I have already found more “Camions” with these above shown texts, so they are not isolated objects.

The companies that orders these “Camions” may have sold these models or given them away to there big customers or suppliers.

Image references:
The various pictures are with permission from Bertoina Auctions, Antico Mondo Auctions, Spielmuseum Soltau Germany, Maître Philippe CASAL, my own collection and private collectors.
The pictures from Renault trucks are from the © Archives privées Renault (with permission of Laurent Dingli. http://louisrenault.com/ )
Picture: Les Camions Renault 1928 is from Wikimedia Commons and is in the public domain ( https://en.wikipedia.org/wiki/public_domain )

Blog: WWW.FERNANDMARTINTOYS.NL
Mail: cor@vanschaijk.com

(update of an article from 2019)

This sled with horse is a special and very wanted toy.
It is a Fernand Martin from the first period, mentioned in the well-known books under number 40, according to the new discoveries it must be number 116 (see the catalog immage below) , produced from 1892
This toy is 20cm (7.87 inch) long and 10cm (3.94 inch) high
The sled contains a clockwork drive with a different key as we are used to, this is one of the “deviations” of the keys that we know.

It is probably made especially for the Russian market because the currently known boxes and the image in an original old catalog are provided with a Russian text.

The text on the box is partly in Russian, thanks to a Russian reader
I get the translation from this Russian text and that is: “The Russian Sledges. New Mechanical Automatic Toy”

In the first drawing you see the parts that are needed to make the sled, there are 44 pictured but I have to mention that in total only 33 parts are needed because the drawing contains various parts in the unprocessed and processed state.
As an example, part number 3 is the same as part 5, number 11 is the same as number 13 and there are a few more examples.
The only part that is not show is the reins.

On the second drawing you see the compleet toy and a section of the mechanism.

“Conquete du pole Nord“

Almost the same sled was used 17 years later in 1909 number 217 by Martin for the “Conquete du pole Nord” Discovery of the North Pole.
This toy was made by Martin in honor of the conquest of the North Pole by US Navy engineer Robert Peary, who claimed to have reached the Pole on April 6, 1909.
Martin takes another figure on the sled of the “le Traîneau Russe” and instead of the horse he used four dogs and added a pole.
The sled is connected to the pole by means of a string and, after winding, drive around the pole

A tin toy made in 1908 with the Fernand Martin product number 211 and the French name is: Le Petit Écureuil Vivant

Dimensions: 22 x 15 cm ( 8,66 inches x 5,91 inches )

Mr Léonin Noguier from Paris was the designer in 1906 of this toy and had the patent.
In an article about the “Concours de Lépine” in the newspaper La Liberté from September 21, 1906, this toy was already recommended.
Martin, presumably during this “Concours de Lépine in 1906”, bought the rights to this patent from Mr. Noguier to make this toy a success.
These toys are regularly offered at various fairs and auctions.

On the side is a winding key, after winding the blue part with the bars starts to rotate around and it looks like the squirrel is running.

In the second half of the 19th century and the beginning of the 20th century, squirrels locked in a rather small cage were very popular.
Many models have been produced and you can see where Martin got his inspiration from.
An area to rest, eat and sleep and a running wheel for the squirrel to run in.
You can still see this walking wheel in current modern hamster cages.
The old antique models are mainly made of wood and tin.

Martin and Flersheim have made a lot of military, but the most collectors often has no idea what the differences are, Martin and Flersheim used the names SENTINEL and SOLDIER.
The names SENTINEL and SOLDIER are often misused in literature, at auctions and in advertisements.
A sentinel (in French Sentinelle) is a person whose job is to stand and keep watch.
A soldier (in French Soldat) is a person who is a member of an army A provisional list of soldiers and sentinels produced by Martin and Flersheim, this list contains a number of uncertain things such as the correct numbers and names.

MARTIN:

The Gentleman in Khaki a soldier (probably only for the English market including the, in that time, colony of Canada) in the advertising described as a soldier

Le Vaillant Boer is a soldier

Present arms, God save the King is an sentinel (probably only for the English market including the, in that time, colony of Canada)

The Sentinel (probably only for the English market including the, in that time, colony of Canada) see the picture of the figure with the bear hat below.

La Sentinelle (a series of presumably 3 sentinel figures: French – Russian and Italian)

FLERSHEIM:

number 232 Soldat Bulgare
number 238 Soldat Marocain
numbers ?? Soldat French – English – Belgian – Russian – Portuguese, The next numbers are available: 235-236-239-242-243-244-245. The real numbers are not yet been found.

My question to the readers:
If there is someone who can give me one or more of the missing or the correct numbers, I would be very happy, and if you can help me, mail me: cor@vanschaijk.com .
I’m looking for the right number for the Soldat French – English – Belgian – Russian – Portuguese, These numbers are available: 235-236-239-242-24

We see that Martin toys are regularly depicted in magazines and in store catalogs, normally they look exactly like the original toy, so clearly recognizable, but it can also be different.
I particularly noticed two articles in old magazines, the toys are clearly Martins but now depicted in a cheerful free interpretation but yet clearly recognizable, the toy has come to “life”.

The first two pages below are pictured in the monthly magazine: Revue des Nouveautés from January 1910 and the last page I found it in the Catalogue Inventions Nouvelles la Maison S. Dick from 1908

Victor Bonnet has taken over the Flersheim factory in 1919, Victor Bonnet started making small tin pistols somewhere around 1919.
He started with his first model the Pan-Pan and ended ( as far as we know) with the Le Corsaire model.
After the relocation of the production of the Victor Bonnet factory in 1933, we no longer find pistols in the product range.
Probably is that the Victor Bonnet & Cie-in-liquidation, sold the patents and trademarks of guns/pistols to JEP.
In an JEP wholesalers catalog from July 1936, I found pistols with the same names as given in the production period of Victor Bonnet till 1933.

The Victor Bonnet list with pistol models with article numbers
Le Pan-Pan 247
Flac 256
Bombarde 257
Le Pétard 258
Tape_Fort 262
Le Sans-Balle 264
Le Costaud 266
Le Corsaire 269

In this enlarged part of the catalog page we see all the known Victor Bonnet pistol names except for one toy and that is number 1021 the Le Baby, that was a very small model with a length of 9.5cm.
Maybe this model also comes from Victor Bonnet but I have no certainty about that so far.

If we search in old JEP catalogs we still find many of these models back to 1961, so they have been in production at JEP for about 25 years.
If you take Victor Bonnet’s oldest model, the PanPan, it has even been in production for more than 35 years at the Victor Bonnet factory and the JEP factory together, but we see that the models have been modified and “modernized”

Recognize the differences between the Victor Bonnet and the older JEP pistols:

Both manufacturers have the name of the gun on one side and the name of the manufacturer on the other side. The image of the text may also deviate slightly, straight or curved. To make it clear, here is some examples of the “Bombarde” and the “Pan-Pan” models.

Two more blogs about the Victor Bonnet pistols:
https://fernandmartintoys.nl/discovered-another-original-bill-from-1933-by-victor-bonnet/
https://fernandmartintoys.nl/discovered-an-original-bill-from-1933-by-victor-bonnet/

A newespaper revieuw from a visit at the World Exhibition in Paris in 1900

Our colleague Le Temps did his little research on the toy of the year.

He gives the following funny details: What new species will we find? As a toy, surprisingly, we didn’t really see anything new; Already known mechanisms and genres have simply been applied to reality. First of all, here’s “Le Vaillant Boer” (Martin number 174 ),

a little man dressed in gray and beard, cartridge holder on his shoulder, felt hat over his ears, rifle at the ready. You turn the mechanics and the brave farmer starts spinning from right to left, with a rifle on his shoulder that never fires. It is completely harmless and does not injure anyone. Here’s again “The Gentleman in Khaki”, (Martin number 175)

made in Paris, but which has just been specially sent to London, where it is in great demand. Dressed in khaki, the English gentleman points the bayonet at an imaginary Boer. Then it is the “L’ Homme Corvée” (Martin number 173),

a small French soldier or English sailor, depending on the country of destination, who operates a broom.

The “Le Chinois” (Martin number 177),

Son of Heaven wielding a large saber in one hand, a formidable spear in the other with an imposing braid on the back, a long mustache and a very angry look. It will be the terror of little children who have not been good.

Finally, the typical Parisian toy, the drunkard “Le Pochard” (Martin number 172)

with his “illuminated” nose, radiant face, the good drunken shakes his bottle with one hand, his cup with the other; he walks unsteadily, he carries the glass and bottle to his mouth, he shakes his head and he wobbles, making many movements. And that for 39 cents. It will be the hit of the year.

Now let’s take a random look at the toys from around the world from all over France, Austria and Germany, which have a current character.

Inspired by the exhibition: the monumental gate, the meadow of the Swiss village, the lotto and the exhibition lottery, the patience game of the 1900 exhibition, the shepherdess of the Swiss village the Swiss waltzers, the moving sidewalk, animals from the Ferris wheel, the exhibition cube game, the exhibition shadow game and much more!

The events in China and Transvaal gave birth to the Chinese massacre, the war game, the Chinese house, the Chinese cake, the international war, Allied China’s troops, China’s war, the Chinese puppet the ‘Pass-Boer’ balls , the English Anglo-Boer skittles game a Boer village attacks the punished Boxer, the Transvaal magnetic fishing game with English and Boers, the Boer cymbal player and countless fortresses with English, Chinese or Boer soldiers

Finally, a note here and there:

More discoveries! The Parisian agent, the new Nord-Espress locomotive, the car explorer, the Nautiles submarine torpedo boat, the dazzling parachute, the Nicolas billiard table, the rack railway and… a disaster, the Franco-Russian shooting, the Paris-Montmatre funicular, the car that reproduces exactly the type of cars that drive around in Paris, and the tricycle car with characters with boots, to extremely refined music, dolls that waltz and sing, mechanical horses that jump, kick and neigh.

…But all that, ladies and gentlemen, the Parisian peddler will tell you, it makes noise, it is expensive, but it gets confused, while my merry drunkard or my rebellious Chinese, are beautiful, and it only costs 39 cents !

Text translation from the French newspaper: Le Patriote de la Vendée 1900, Journal de Politique, Agricole et Commercial, Organe d’union Républicaine

Note: The text is a free translation, I added the Martin numbers between the (…) and the pictures to the text myself

I found an article in an old French technical magazine La Nature from 1898 about a shoeshine boy made by Martin.
This piece is put in motion by a clockwork mechanism
It was first made in 1898
light approx 13,5 cm ( 5.31 inch)
Fernand Martin number 167

Free translation from the text above:

SMALL INVENTIONS ‘
The little cleaner.
This is a very fun toy that adds to many others that we have already mentioned.
it is a small cleaner, one knee on the ground, holding a boot in one hand and a brush in the other.
Let us reassemble the mechanism, and we immediately see the brush stir vigorously, go forward, come back, and scrub the boot very conscientiously at each turn.
The movements are so natural and so well executed that they capture and surprise, and in spite of yourself we contemplate the little cleaner at work.
This little toy was sold on the boulevards in Paris by hawkers, we will soon find it at the same address.

The footstool is marked on both sides.

All postcards from my own collecion

A few years ago I found this piece and I’ve asked before if anyone knows more but so far no response so I’m trying again.

It’s on the bottom plate. clearly marked with the round FM logo and the triangle with number 138.
But otherwise it is in a bad incomplete state.

The feet are also in a strange way under it, it has no visible feet but the mounting is under the base plate.
I then searched which Martin, this was a part of but until now I have not found it.
Sure it is a part of an unknown Martin: perhaps specially made for a client, an exhibition, perhaps a prototype or a product from George Flersheim because there is still a lot of ambiguity about his produced toys.
I estimate it somewhere between 1910-1917, so it could be from Flersheim, because the pants are of the same fabric and colors as the L’autopatte number 218 version Martin.

Is there perhaps someone among the readers of this blog who can help me?

I found in a 1887 issue of the French magazine “DES BREVETS D’INVENTION ONT ETE PRIS” a description of the Le Livreur patent, (Martin number in the current books is 22 The new number will probably be 108 or 109)

This is a magazine where new patents are announced and some are described.
This edition contains 4 “Martin” patents, one of which, the “Le Livreur”, is fully described and from Fernand Martin.
The other three are only mentioned and are still unknown to me.
I also do not know that these three patents are from Fernand Martin or from another toy maker named Martin, maby Elie Martin ?, so maybe we will find out in the future.

Below the translated description of a part of page 8-9 and the associated drawings on Annex Plate II .

Dated November 12, 1887 from Mr. Martin

For a system of mechanism which makes it possible to actuate the toys by giving them movements analogous to those of the members of people and walking animals.

The invention consists in a system of mechanism allowing to actuate the toys with articulated subjects by giving them movements analogous to the naturel movements of the members of people  and walking animals.

This invention consists mainly in the combination with any engine of a mechanism housed either in the body or in the limbs of the subject, and arranged so that its different parts are operated reciprocally and successively.

In the drawing, I have supposed that the mechanism (motor) is placed in the car and that the subject to be actuated is represented by a man that makes the simulacrum of drawing it, but it is identical that I reserve the right to adopt the other subject, and to apply to it any motor deemed suitable, a mechanical engine, either thrust or traction, or hand.

• Fig. 1, front view of the set of a toy built according to my invention.
• Fig. 2, longitudinal section.
• Fig. 3, front view of the subject’s leg control device.
• Fig. 4, cross section of this device.

(a), motor that gives the subject constant thrust or traction; this movement, in the example given to the drawing, is a thrust movement which is transmitted by the car (d) of the arms in which the man (b) is placed.

The extremities of the legs of the man are finished so as to produce on the ground a rather large adhesion, either to the way of a pointed heel (f) , as it is represented, or in any other manner.

In the upper part, these legs are articulated on a cranked shaft (g) and are provided with notches or guide grooves (h), shapes and arrangements varying with the nature of the subject to be actuated and the movement that the we are producing.

These grooves embrace a fixed pin (i) and it is they, in fact, who, by sliding on this stud, exactly determine the movement of members.

Here is how my mechanism works:

The motor being in motion, constantly advancing the subject (b) tending to drag it on the ground, but because of the disposition of the heels (f), the leg which is in front is stopped; the forward movement continues uncomfortably, it is nocked that the leg which poses on the ground by the heel will straighten up and act on the crank shaft (g) by turning it, which brings the other leg into a identical position to the first, after having made it run a path characterized by the very nature of the groove (h) and its position in relation to the bent shaft.

At this moment, the second leg acts to activate the first, as we have to see it for this one.

As I said above, the nature of the subjects can vary to but I specifically reserve to apply it to men or to animals.

In the case of quadruped animals, I reserve the right to connect the limbs in any manner deemed suitable, the motor mechanism of the legs or supports may, in this case, be applied to one of their parts.

The whole of this mechanism is mounted in a box (k), which will be concealed tonic manner deemed suitable, or it will be mounted between the walls of the subject to be active.

But why there is a patent number 15632 on top of the toy?

Martin applied on November 12, 1887 for a patent in France where it was given the number 186948 and about the same time Martin applied the patent in England where it was given the number 15632.
But all Martin copies and boxes found have the English patent number 15632.
I have not yet found any copies or a box with the French patent number.
On the top of the cart and on the box is written: “F.M. S.G.D.G. France & Etranger Paris Patent 15632“
(France & Etranger meens French and foreign)
I think Martin used the English patent number because it had already been approved and the application for the French patent was still being processed in France. The toy was already in production before the French patent was

So the toy was already in production with the English patent number before the French patent was approved and that English number remained on it throughout its production life.

My newest acquisition, the smallest one of the three Le Treuil games versions with the Fernand Martin product number 149

A marble game that was manufactured in three different versions and heights.
The smallest has a height of about 40 cm = 15,75 inch
The center star has a height of about 65 cm = 25,59 inch
And the largest and rarest a height of about 1.05 cm = 41,43 inch

The versions are also different but the principle remains the same
At the top you have to add marbles, and when you add the marble there is a a saucer on which the first marble falls and due to the weight of the marble, the gravity does its work and the saucer with the marble goes down.
At the bottom, the saucer hits a pin, causing the marble to fall out of the saucer and end up in a bowl.
There are curves in the bowl that the marble rolls in, these curves are numbered or collored.
There are no clear rules of this game, so children could let their imaginations run wild and determine the rules themselves.

Found in the newspaper: Le Grande Echo du Nord et du pas de Calais from August 23 1910

You can clearly see in this image, picture with the number 2, the Martin aircraft number 215 and picture with the number 4 two S.I.J.I.M. toys, such as the boy on the chair (L’Apprenti Cavalier) and the S.I.J.I.M. version of the delivery boy (Le Livreur Rapide)

Below is a free translation of the text accompanying the article.

The toy exhibition – the 10th Lépine competition – has just opened at the Grand-Palais in Paris.
We mainly see scientific toys …
A very complicated flying machine with cardboard propellers and the pilots sitting on the wings and entitled: “Airship with ultra-fast beats and cyclone effect through the combined use of an automatic starter and a patented spiral turning system.
Rather, it is a toy for a pupil of the Poly-technic school, ( this is one of the most prestigious and selective grandes écoles in France) and there may be a little too many of these toys.
Do intricate mechanics really keep kids busy?
They might be happier if they could just pour water into their father’s hat and let the goldfish swim in it.
And watch those bowler hats, they already have one for 4 fr. 95 …
But fathers never give such gifts, why?
The first Lépine competition was fun, varied, ingenious, sparkling with verve and with the Parisian spirit.

Of course we fall back on age-old routines, on patience, on unbreakable babies. (Unbreakable Babies Another well-known psychological flaw, notes a “Democracy” columnist. I ask you honestly, what’s the funny thing about a doll, if we can’t break its head any longer? ..)
And then, the Lépine competions in the past; in buildings that were too small and too crowded.
This year the competition has moved with an expansion.
It is lost in the great “Grand Palais”, immense and desolate.
The “stands” do not fill the glass hall, it is the nation of the Lilliput on the way to the giants.
Take the small planes as an example.
There are two kinds, the scientific ones, which look a lot like the real ones, and then the other ones that look nothing like that, which are cheap and simple.
In that respect, the progress is remarkable.
Take a tour of the Grand Palais: you’ll see “gliding flights” that you’ll tell me about.
Worth mentioning are the already mentioned different airplanes and the new versions of rather funny mechanical toys (like the organ player and the hairdresser, they are really much better than in life: at least we don’t hear these), and then the portraits of M. Lépine, etc., etc….
Ah! and then the sign of the times: the “Barred Street Game”, it tests your patience of course. It consists of a map of Paris with pawns.

“It is, says the message, for every player to get to a point in Paris and avoid the blocked streets. There are no ordinary children’s toys in the Grand Palais.
There are also inventors with a lot of new inventions.
Do not forget that the competition is organized by the “Association des Petits Manufacturers et Inventeurs Français”.
One can only admire the careful and ingenious goodwill of so many unknown inventors.
Whether all their inventions are practical, I cannot tell you.
Their barbaric names scared me a bit, from the apulso-aries to the “hygienic lazy mattress”.
In general, they apply to the small acts of everyday life, such as brushing clothes, buttoning your boots, or lighting a lamp.

Philanthropic inventors do their best to spare you an infinite number of simple and familiar gestures, so you have no doubt that they were exhausting.
If we listen and believe them, we couldn’t wash our hands without a hydraulic machine, a spring-loaded pumice stone and an electric nail brush.
It’s a somewhat complicated way to simplify life.
Yet among these too subtle inventions we see many excellent and very useful ones.
This 10th Lépine competition, is more than just an exhibition of toys or practical inventions, you know what it is? …
This is the exhibition of good people.

This is the last part of a series of five, a free translation of a part of the book LES JOUJOUX written by Mr. Pierre Calmettes in 1924.

If you haven’t read part one, two, three or four yet, click this link(s):

Part one – Les Joujoux

Part two – Les Joujoux

Part three -Les Joujoux

Part four -Les Joujoux

The result, immediate and inevitable, of the economic crisis for Martin automata toys that transformed the conditions of everyday life every day, the automata toys, which were one of the great additions to the toy trinket companies, are still praised in 1923 by many of their former customers, with as much respect or indifference as they were ten years ago, for their high-quality mechanical toys.

Our minds, adapting to so many things and accustomed to both hardship and abundance, have not yet come to the immediate appreciation of the price increase, fair or not, of certain objects.

We are thinking carefully about this depreciation of our old currency, the premise of all the gains; we even accept, not without murmurs, grunts and gnashing of teeth, the continuous increase in the purchase prices of food, bread, wine, meat, vegetables, etc.

We resign ourselves to giving 400 francs to a tailor for a 120 franc suit in the past, women were seduced by fabrics, lace, jewels, hats, the prices of which were multiplied by two, by three, by four or even by five; but we are hesitant to buy toys for 5 fr. 45 to 6 fr. 45, because we remember that his label used to have 1 fr. 95.

It is because the lady who paid a bill that she would have fled in fear other times acquits it with the ulterior motive that the prices are higher but the quality of goods is superior.

She easily imagines, quite wrongly, that the added value is motivated by the new excellence of the product, that it differs in appearance or material, does not resemble similar products manufactured in 1913.

It is not possible to have the same thought when looking at the small automata toys.

Not only is their design still that of their first inventor, but also their shapes are not new.

If new models had to be made, taking into account the current labor prices required for three months to prepare a single type of automata toys, this lapse of time would only allow the manufacturer to launch four new products annually, then these new models would come to such high amounts that the cost and sales price would have to be excessively increased.

Therefore, only ten new models have been made since the war.

The automata toys sold today in the streets or on the shelves of department stores are therefore, save for a few details, almost the same as those distributed in 1914 at the same points.

The customer does not always understand that logically he now has to pay more than 5 francs for the Ma Portiére (the lady with a broom), which he paid 1 fr. 95 nine years earlier, even though she has not changed her costume and that her broomsticks by the same mechanism.

To enable potential buyers to understand the why and how of this multiplication of centimes in francs, which appear on the labels of Fernand Martin’s animated figures.

It would be enough for them to visit the factory that makes them and show them some invoices for the raw materials and the wages they have to pay to the workers.

The ever-increasing prices of materials, the general rise in wages, were automatically reflected in the selling prices of toys, with the severity of an inevitable rise which all manufactured articles and all commodities had to undergo.

Moreover, the exaggerations in the selling prices of toys, in the present case of automata toys, are not always attributable to the toy manufacturers, it is even necessary to say, and we will take advantage of this example to do it, that it is only the resellers who cause the price increases, the increases that they decide for themselves with the sole excuse that it is for their own benefit and independent of the customers.

For example, the two most popular automata at the moment, the Le Pochard (the drunkard) and the Le Gai Violoniste (the violinist), were sold to wholesalers for 3 fr.15 and 3 fr.35 by the factory, are quoted as 5 fr. .45 and 5 fr.50 in a large popular department store, and 6 fr.50 and 6 fr.95 in the front of a toy store in the upscale neighborhoods.

We could give more examples, and all the more striking and definitive as we started to include prices in major department stores.

The dealer who wants to earn on an item, or better yet, is solely responsible for the high prices of toys.

The producers are forced to accept the exorbitant terms of the intermediaries and see the high cost of toys only as an opportunity for loss of income, since toys always sell better the cheaper they are. But the deep flaw in our commercial institutions, the obligation for manufacturers to use intermediaries who make the real profit, this illogic, accepted and applied everywhere, which gives the profit of work to those who create nothing, these mistakes that we accept and suffer through atavism, exist in all industries and in all professions.

After all, toys have not become more expensive than at present all other products that are useful to our lives or indispensable to our complicated civilization, and when we pass the department stores or stop to avoid the pictorial speeches of a street peddler, we have to forgot old sales prices of the automata toys, and not just the automata toys, but all the toys.

Let’s accept the current rates, like the inevitable consequences of a war without precedent in the annals of humanity and let’s buy toys.

They entertain the children and they support thousands of people.

And not only did the toys bring joy and cheerfulness to little children of all times and all countries, they also serve as a distraction for adults who forget their sad moods and find it a distraction to look at their children’s toys, those toys that are often almost the same. is like the toys they were entertained with themselves when they were little.

But toy productions aren’t just a fun pastime for kids of all ages, toys sometimes have more serious qualities and some give, to those who have them, a penchant for useful tasks.

Thus the automata, the preparation of which we now know, sometimes become excellent energy teachers for the youth, showing them the mechanical application of some manual work.

These toys serve as examples, and examples to be followed, when working with a feverish activity, such as the Les Courageous Scieurs de long.  (board sawmills), the Chand Tonneaux (the man with the wooden barrels), the L’artiste capillaire ( the hairdresser), the Le charcuterie (the butcher), the Le Fort De La Halle (the man who carries bags)), the Le Petit Décrotteur (the shoe shiner), the Les Agents (the cop), L’homme De Corvée ( the street sweeper).

These figures that, reassembled, do not stop working, as long as the spring they contain works on the gears, don’t they give children the idea of ​​using their hands to do useful work?

Children can easily imagine that they can imitate the gestures of adults without difficulty.

If so, but much better, they will be convinced of the possibility of replicating their toys when they see the movements of these craftsmen and come to practice the craft of the craftsmen of flesh and bone.

The education that the little toys give to the children is not the least interesting side of their history.  To work, to work without ceasing, is the first of all conditions to achieve the goal that must be our generation: to educate our industry, to clean up our trade, to raise our morale.

Toys that, even if only a small part, can contribute to the improvement of our future craftsmen, by giving them a taste of the work, these toys are never too expensive.

Even at the high prices after the war, we as teachers of our toddlers must give them the lessons that they will be invaluable if they are given the calling of profitable work and useful to all.

And it’s funny to think that children will one day become good craftsmen because they have seen toy figures evolve, propelled by a pair of wheels, through gears, hinges and a spring that is wound by a key.

This was the fifth and last article of the series “Les Joujoux”, I hope you have understood something more about the problems of the toy industry at the end of the first quarter of the last century.

A short report of the festivities surrounding the “Stiftungs- und Museumsfest” of the Spielmuseum on June 10-12 in the city of Soltau in Germany.

The festivities were spread over three museums, the main building of the toy museum, the annex of the toy museum with the Fernand Martin toys and Felto Filzwelt, the felt museum where you can see the history of felt production and processing and where a large collection of felt toys from Steiff placed in a huge Panorama display case.

On Saturday day 2 we attended a lecture especially on dollhouses by Mrs. Elisabeth Lewe, a collector and specialist in dollhouses.
For those interested in Martin toys, the Fernand Martin’s collection of this museum was especially in the spotlight on Sunday day 3.

On Sunday morning I was able to give a lecture myself especially about the Fernand Martin collection and the collecting life of Arthur Verdoorn and of course our mutual friend Lourens Bas was not forgotten. (Arthur and Lourens are the makers of the well-known Fernand Martin book )

Arthur had his own private museum next to his house and that museum was filled with several thousand pieces of antique toys.

During his life Arthur had already determined that his entire collection had to be properly housed and after a long search and with good consultation this became the Spielmuseum in Soltau.

Arthur Verdoorn’s collection consisted not only of Fernand Martin toys, but also included all kinds and makes of antique toys, mainly from Europe and America and ranging from wooden, cast iron, paper, lithographed tin, hand-lacquered tin, etcetera.

The Ernst family, founder of the museum, have gone out of their way to properly house the collection, which has also resulted that they rent an old existing building with a large retail space directly across the street from their existing main building.
The majority of Arthur’s collection is housed in this adjoining building, with a special section containing Fernand Martin’s toys.
This department has been given the name “Petit Paris”.

This collection is still being expanded with new acquisitions and is therefore probably the largest Martin collection currently housed in a public museum.
The toys are not statically arranged but playful like Arthur had it in his own museum.

Mathias and Antje Ernst have put a lot of effort into making it a beautiful whole.
Photos speak louder than words and that is why I quickly took some photos during our stay, some of which I have depicted in this report so that everyone can see what I mean, but you must of course have been there yourself to taste the atmosphere.
Also included are a few screens showing a number of Martin toys working.

Central to “Petit Paris” is an advertising column, recreated after the model of the old advertising columns as they stood in Paris around 1900, in and on this column is information, toys and secret doors hidden behind toys.
For information, opening times, etc. see: https://www.spielmuseum-soltau.de/

If you have the opportunity to visit this toy museum with its two buildings, you will never regret it, even “not” Martin collectors will enjoy, this visit can also be combined with a combination entrance ticket for a visit to the felt museum Felto, located directly in the vicinity of the toy museum.

I found an article in an old French technical magazine La Nature from 1897 about a sweeping violin player made by Martin.
This piece is put in motion by a clockwork mechanism
It was first made in 1897
light approx 20cm ( 7,87 inch)
Fernand Martin number 160

This toy is one of the most produced pieces and was even produced by Victor Bonnet until the 1930s

There are two versions, the oldest version has a long overcoat, as also mentioned in the article below, the version with a short coat was produced later, presumably a cost saving.

A free translation of the above text:

The violinist.
Here is a charming toy that has a lot of drive.
A poor fellow in a long overcoat, with a top hat not without a few strokes, walks around with a violin in his hand, and in his journey he lets out some musical tunes.
The motor mechanism, which controls both the movement of the legs and the richt arm, is a spring placed inside and that an external key is enough to set it in motion.
The violinist you can find at Mr. Fernand Martin, 88, boulvard Ménilmontant, in Paris.

PAY ATTENTION when you will buy one

There are figurines for sale that were not produced by Martin, Flersheim or Bonnet, these are counterfeit / iomitations, for the untrained collector perhaps not immediately recognizable at first but take a look at the following violinists, these are all counterfeit / imitations.

This is part four of a series of five, a free translation of a part of the book LES JOUJOUX written by Mr. Pierre Calmettes in 1924.

If you haven’t read part one, two or three yet, click this link(s):

Part one – Les Joujoux

Part two – Les Joujoux

Part three -Les Joujoux

The fabrics are cut with a small mold cutter and the

These activate the mechanism and make the man walk and move, they are solely responsible for his future life.

They may reject it as unbalanced or declare it suitable for packaging.

The room where the figures are placed in their boxes is not one of the least active in the factory.

In the middle of the selling season, during times of heavy traffic, they filled three to four thousand boxes a day.

Only a thousand are currently being prepared.

Not the cop with the white bat, taken as the subject of study on our first visit and lately followed by us from workbench to workbench, like an old acquaintance, but figures now in fashion, about two hundred models made by the factory are manufactured since its inception.

And by an irony well suited to the satirical spirit of automata, the most in-demand of all mechanical figurines is the one which, through its success, replaced the Les agents (the French agent), is the Le Pochard (the drunkard).

The Les agents was also responsible for modifying and playing with the Le gai violonist (the violinist).

This drunkard shares his current love with the Le gai violoniste, the Auto transport (the dump truck) Le jeune ecuyer (boy on the chair), de L’ours, (bear) de L’autopatte (boy on the cart with fruit) and the Le Petit Livreur (the little delivery boy).

All “new” models require three months of research to prepare the special tools required for their implementation.

The raw materials that go into their production are evaluated.

Needed in 1914:  2,000 kilos of tin and sheet metal per month, that is 24,000 kilos per year.

Before 1914:  500 yards of fabric were used per day, and by the end of the year, approximately 200,000 yards of fabric, canvas, or flannel had gone to the factory.

Right now in 1923:  20 meters per day, 7,000 meters per year is sufficient.

And this formidable difference between the two examples is partly due to the new manufacture of models entirely canned, which for their decoration only need water a few times with the airbrush or rare brushstrokes, but no longer know the costumes in different fabrics.

In addition, the sale of mechanical toys subject to customary law, which has become scarce since the war.

Mr. Martin once told me his earlier production numbers.

That was at the time of intensive labor in 1910, when he produced about 8,000 automata per day, of which for the whole year there were a total of 7 to 800,000 of these automata bonhommes figurines, supplied by the factory to the world market.

We now have to reduce these prestigious numbers to 1,000 toys completed every day, to 240,000 for the whole year.

The era of large orders coincided with cost prices so low that they could sell at very low cost, but still pay off.

We paid the fabric cutters per cut from 0 fr. 40 to I fr. 50 per thousand. (fr. is French franc)

The female workers were paid by the day, just like the male workers, the female workers received one French franc per hour for ten hours of work, the male workers received 3 francs for the same time/ presence in the workshop.

In 1923 the workers are all paid by the hour, the mechanics have 3 to 3 francs. 50, the editors, dressers, painters, etc., have 1 fr. 75, so that is an average amount of 24 to 28 francs and 14 francs per day respectively.

A worker today in 1923 earns 8 francs more for eight hours of work than they earned in 1914 for a ten-hour day.

The old salaries, which were then the usual wages, have been more distant from us then by events than by time, which today seem exceedingly modest to us, made it possible to obtain reductions in cost prices, so that retail prices were affordable.

We could then roughly supply the toys for 11 or 12 francs for the twelve pieces per dozen and deliver them each to the street vendors for 1 fr. 45. and these they resold for 1 fr. 95.

Like all goods, the toy industry suffer under the general rise in the cost of living and is not what it once was and its products have lost their old reputation as popular mechanical toys because of their subjects, their technique and their selling prices of 11 or 12 francs a dozen in 1913 are the Martin “bonhommes” now arrived in 1923 at 42 and 45 francs per dozen or a retail price of 3 francs. 50 to 3 francs. 75 each, ex works price.

At the wholesale price of 37 Fr.80 and 40 Fr.50 per dozen, or 3 Fr.15 and 3 Fr.38 each sold to street vendors.

Presented in the major department stores, the same “bonhommes” are labeled at 5 fr.50.

In the New Year’s Eve catalogs of 1922, the prices for the “Le Petit Livreur” stood at 5 fr. 95; La Petit Marchande D’oranges at 6 fr. 45 and the Le Déverseur at 9 fr. 90.

These prices, which are unlimited, make parents think, who don’t always, as they have in the past, like to take care of their toddlers at any given opportunity, depending on the age, a firefighter, an orange seller, a dancing bear, a drunkard , a violinist or any other subject.

But let’s face it, the prices have not been increased for nothing.

Raw materials and wages have doubled, tripled and quadrupled in the past decade; we have just seen the new wages to the workers; we give them here again, in addition to the comparative prices of the materials, the examination of such a table is sufficient to understand the emergence of articles made with these materials and by these workers.

SALARIS FROM 1914 TO 1923:

Salaries in 1914: Day worker 10 fr. Per day Day worker 3 fr. Per day

Salaries in 1923: Hourly workers 3 francs per hour, per eight-hour day 24-28 francs.

Hourly workers, per eight-hour day 14 francs.

THE PRICE OF RAW MATERIALS FROM 1914 TO 1923 :

Can 30 francs per 100 kilos to 260 francs per 100 kilos.

Small gears: 8 fr. 50 per thousand to 41 francs per thousand.

Fabrics: 0.35 fr. per meter to 3 fr. 75 per meter.

When you read these figures, it should come as no surprise that the factory charges 3 fr. 50 and the most expensive 8 francs for its cheapest machine.

It is not surprising that this factory, which ten years ago supplied nearly a million automatic figures a year to customers in the five parts of the world, which received thousands of orders from America and England, is still regarded today as one of our most important factories of toys and as the first for “automata” , while now in 1923, with his 80 workers, he makes no more than just 1,000 small figures a day, with a total of 240,000 figures for the twelve months of this year.

There is clearly a breakdown for these kind off toys as with all other toys.

Read next time further in the last part 5

I found an article in an old French technical magazine La Nature from 1895 about a sweeping lady made by Martin.
This nice piece is put in motion by the well-known Martin “rubber band” method, the winding is done by the winding handle at the top of the head, under het scirt is the “rubber band” that goes to the movement mechanism.
It was first made in 1895
light approx 22cm ( 8,66 inch)
Fernand Martin number 147

A free translation of the above text:

The sweeping lady.
Mr. Fernand Martin, the able director of the French manufacture of mechanical and automatic iron toys, sends us, with a specimen from the mechanical concierge, the following letter:
-I am sending you my latest novelty, as I am used to it, and, as I know you are very knowledgeable, I call your attention to the mode of propulsion of this toy that I mainly get through the pendulum which strikes to the right and to the left and by the inclination of the plush which is under the feet (no 2 in the figure) and which makes it possible to advance but not to retreat.
This houskeeper is operated, which sweeps by turning the rubber straps which form the spring of the motor.
Number 3 shows the inner mechanism of the doll.
When the winder has been turned to tighten the rubber, the toy is placed on a flat but non-slippery surface; the door starts to sweep as it walks, and it stands perfectly upright (no 1).
It is a very ingenious toy.
The manufacturer is, as we have said, Mr. Fernand Martin, 88, boulevard Ménilmontant, Paris.

You want to know more about this toy then look at the next link: https://fernandmartintoys.nl/fernand-martin-the-sweeping-lady-ma-portiere/

Operation:
With 5 keys you can operate one of the legs, arms or head per key, when you press a key a bell will sound.
The toy is made of tinplate, wood for the base and the back, paper, fabric and brass for the bells and the nameplate.
The height is about 25 cm

If you want to buy one, please note the following:
The basic color is blue, factory applied and not (hand) painted.
Around the neck is a piece of lace fabric and the clothes can be different in color, orange/blue, yellow/blue, orange/gray, they have often become very faded due to the influence of sunlight, so always place them out of the sunlight
There should be a pointed hat on the head
Also pay attention to the hand-painted face, the applied accents are applied quickly and tightly, with over-painted faces this is usually “vibrating”
The bells are made of brass
The wooden base and the back have a brown/red color
Under the keys and under the feet is a decorated paper ( in a few differend designs )

Toy makers needed new designs every time to produce.
Many of these designs came from the direct living environment of the makers.
Now I think the idea for this Victor Bonnet’s clown came from earlier toys produced because, I have found several earlyer examples from that time of toys that are very similar but produced by other toy makers.
See some examples here:

Thanks for the help from publishing house Callwey München and from the toy museum Soltau Germany

I saw this rare Martin on Ebay France recently.
He also disappeared very quickly.
Who knows where it is and could send some more pictures of it.
I want to write an article about this.

J’ai vu ce rare Martin sur Ebay France récemment.
Il a également disparu très rapidement.
Qui sait où il se trouve et pourrait envoyer d’autres photos de celui-ci.
Je veux écrire un article à ce sujet.

Mail: cor@vanschaijk.com

This is part three of a series of five, a free translation of a part of the book LES JOUJOUX written by Mr. Pierre Calmettes in 1924.

If you haven’t read part one or two yet, click this link(s):

Part one – Les Joujoux

Part two – Les Joujoux

The fabrics are cut with a small mold cutter and the sleeves of the suits are not sewn together, to simplify the work they make tubes of fabric several meters long, we make meters and meters of them, and when they costume connected they are first cut into pieces and use, they are cut in a few seconds to the size of the arms to be covered.

The mechanical figures are dressed so quickly that the eye can hardly follow them in the hands of the seamstresses; they take them naked to the left and they go to the right covered with their pants and their jacket, or their dress and their bodice.

Provided the clothes hold up, we don’t look at the size of these points.

Neat stitching would not match the relative durability of this toy.

These mechanical toys must be popular toys, it is by their final appearance that they are funny and precious, by their gestures, by their attitude and it makes little difference whether their resource has an intrinsic value or not.

Whether these dolls represent a clown walking on hands, a firefighter climbing a ladder, a pianist beating a piano, a violinist playing his violin, or a carpenter sawing wood, they are all dressed in coarse fabrics hastily put together.

But when they indulge in their debauchery, these automata are fun and picturesque, they have everything you need to please kids, and if they were luxuriously dressed it might be much less fun for the children.

In addition, the simplification of their costumes allows for the most unexpected transformations of the same articulated carcasses.

By changing the uniform of a French police officer into an English police officer.

We turn an American shoe shiner into a Parisian shoe shiner, the soldiers dress, according to the orders, with all the allied uniforms and with the same skeleton we can also make other effects, you could turn them into for example an African singer, a soldier Annamite (a soldier from Vietnam), an Eskimo or Indian.

The clothes, the color of the skin and the hair are different, but the gears that drive them are the same.

And what also does not differ is the number of operations that have to be performed, one after the other, to convert the iron sheets taken from the rolling mills into moving toys.

One of the most complicated subjects prepared in the Martin workshops is the pianist, hairy and suitably dressed, he strikes his piano with a tempo worthy of the composers Bauer, Pugno or Paderewski.

Sixty-two parts are needed for the assembly and it goes through two hundred and twenty hands before it is finished.

The cop (les Agents) with the white bat, which was topical a few years ago, claimed the care of one hundred and twenty-seven hands, engaged in one hundred and twenty-seven consecutive operations or steps.

We followed this cop on our first walk through the factory, we saw it go into the steam cutters with the iron blades at the entrance and we saw it come out of the shop, locked in beautiful cardboard boxes, colored in blue and red, the colors of the city of Paris.

The cop is out of fashion, but figures are still being made in the factory that resemble it anatomically. They are simply dressed in different costumes and given newer names.

To us, the amiable director of the workshops was kind enough to let us follow through the sequence of operations of this good cop who has occasionally become a faithful guardian of our Parisian streets.

The torsos and heads are punched into two parts after cutting, which will meet during assembly.

These pieces are cut from pieces of black iron for the torsos and copper for the heads.

After stamping, a special machine evens out the burrs, drills the holes for mounting the body on the legs, the mechanism in the body and the head above the mechanism.

This consists of springs, gears, a regulating exhaust and two “cranks”. These “crutches” are one of the inventor’s finds.

They make the cop move according to the immutable rules of military marching, that is, by jerky gestures.

It is these “crutches” that, lifted in turn by the engine and leaning on the ground, push the body forward, the body is in balance.

Assembled, the little cop has a good set up.

The gears are carefully oiled and then checked successively by the clockwork makers and experts. These allow only the toys with perfect movement and balance to the go dyeing.

Accepted by the review committee, the agents are brought in trays of fifty for the workers who paint two hundred a day.

An cop uniform consists of: trousers, a tunic, a cape and a cap.

We dress the figures in batches of fifty.

Regular clothing requires the use of a foot of fabric, cut into three parts, which fit together with wide seams.

The three buttons and the decorations on the jacket, cut from silver paper, are attached to the jacket by the glue machines.

It is also they who put the black paper belt and add the gold paper buckle.

The cap, stamped at the same time as the head, in the same piece of metal, is colored black, red and white.

To complete the uniform, all you need to do is glue a cardboard hand to the bottom of the left sleeve that floats, without a metal arm. to be completed in one hour. When fully clothed, the cops are sent back to the controlling keywind clockwork makers.

Read next time further in part 4

Looking through Martin’s old catalogs I found that Martin numbered two different toys identically.
They are the “Le Pochard” and the “Le Balayeur”
Both got the same number 172, (see the box label and the catalog image) .
In the book by Frédéric Marchand they are also mentioned on pages 58 and 102 with number 172 but in the book by Lourens Bas with numbers 172 and 176.

Here an overview of the numbers between 172 and 179
The list of toy numbers from the Le Pochard to the Bamboula that have been confirmed so far by box labels and or catalog images:
Le Pochard 172
Le Balayeur 172
L’Homme de corvée 173
……. 174
Le Gentleman Khaki 175
……. 176
Le Chinois 177
L’Agent de Police 178
Bamboula 179
So there are two numbers that are unknown and there is 1 toy de: Le Vaillant Boer who does not yet have a definitive number and must fit in the previous number series, so number 174 or 176 are available, one of these two is for the Le Vaillant Boer but which toy is the remaining number ????

The French auction house: Galerie de Chartres has this time a few nice Fernand Martin/Victor Bonnet toys in the “LIVE” auction on April 23 -2022.
Furthermore, there are many more other beautiful toys in this auction that we can look for.

GALERIE DE CHARTRES

Here the link for the entire collection to be auctioned: https://www.interencheres.com/meubles-objets-art/jouets-de-collection-302016/

FOR MORE INFORMATIONS E-MAIL TO : chartres@galeriedechartres.com

After the auction, I will publish the realized prices for these Martin’s

Regarding the objects described in this article, I do not make a statement about condition or value.
I advise interested collectors always do to research yourself, to view the object or to contact the seller / auction . 

I found an article in an old French technical magazine La Nature from 1892 about a tin fisherman made by Martin.
This nice piece is put in motion by the well-known Martin “rubber band” method, the winding is done by the winding handle at the front of the boat, under the boat is the “rubber band” that goes to the movement mechanism.
It was first made in 1892
length approx 22cm ( 8,66 inch)
Fernand Martin number 120

The free translation of the above text :

Le jouet de pécheur à la ligne
Dressed in white canvas and wearing, as it should be, the classic wide-brimmed straw hat, he is standing at the front of his boat, the little fisherman on the line; he holds in one hand his net which is beginning to be well filled; on the other, he maneuvers his line, at the end of which, when he withdraws it, we see a brightly colored fish wriggling.
The fishing is good, it works every time!
This toy is due to Mr. F. Martin, the well-known Parisian manufacturer of which we have already presented several creations to the readers of La Nature.
We find there the cachet of originality which already distinguished Ies other toys of this inventor.
Here again, it is the twisted rubber band which gives movement to the two drive wheels placed at the front of the boat.
One of them actuates, by means of a connecting rod, a horizontal cross member to which it gives an oscillating movement which is transmitted to the fisherman, the other carries on its outer face a metal blade contoured in a spiral and playing the role of cam.
This very simple set is enough to give the character the movement of a true fisherman in the exercise of his functions.
The one of the legs is welded to a vertical socket which oscillates and allows the fisherman to turn back and forth to follow with his eye his line which descends the stream, then, once straightened, to bring back strongly the line in front.
The socket is crossed by a vertical rod which rests at the bottom on the cam and hooks at the top to the back of the bust of the character articulated at the top of the legs, and which is straightened by the effect of the counterweight in the form of a net with fish he is holding in his hand when the cam stops acting on the vertical rod.
A longer explanation of the mechanism would be tedious.
It is with the help of this simple arrangement that we see our fisherman, first camped upright, turn forwards and backwards to cast his line, lean while turning back and forth to do not lose sight of it as it descends the stream, then stand up abruptly to remove the line from the water and the fish that has just taken it each of these movements is executed with a natural so perfect that it recalls a real scene of angling, seen through the big end of the telescope.
The fisherman’s toy can be found at M. Martin’s, 90, boulevard Menilmontant, in Paris.

This is part two of a series of five, a free translation of a part of the book LES JOUJOUX written by Mr. Pierre Calmettes in 1924.

If you haven’t read part one yet, click this link:

Part one – Les Joujoux

These workers are also responsible for preparing the feet, lead feet, on which are attached the iron wires, which in the automata replace the femur, tibia and fibula.

These feet are heavy enough to keep the loopers in balance.

A wire of the same diameter is used to make the arms, skeletal arms, at the end of which the hands are welded.

The two halves of the torso, chest, abdomen and shoulders are joined together by small tongues and discs.

This forms the rib cage in which the engine will be embedded.

The engine is the soul of the machine.

Whether it’s a city cop, a clown, a lady with a broom or a firefighter, they’re all the same cogs.

These gears consist of ground iron and red copper gears, fused yellow copper pinions and steel pivots.

It is a steel spring sometimes 30 centimeters long and till 10 millimeters wide, which transmits the movement to the gears.

These act on the pinions, which turn other gears, and these make the machines spin or jump. It is understandable that expert employees are responsible for assembling the motors.

These engines must be flawless.

Shouldn’t the key that locks the spring go into the most ruthless of all hands, those of children?

And it was necessary to foresee, for the creation of an automaton mechanism, that it will be handled with incompetence, bent crookedly and thrown to the ground.

In fact, it needs to be fixed with special care so that it can function more than twice between the clumsy fingers of their little owners.

But the way they are designed, they are very strong, even the most complicated ones, the ones with eight or ten gears.

With a few details, it’s the same springs, the same gears and the same pinions that drive all models, made by the factory and running, tapping, pulling, driving, pushing, playing, rolling, mowing, sweeping, pumping, sawing, etc.

Once adjusted, tested, checked, accepted by the supervisors, the engines are prepared for assembly.

Mechanics connect the heads, hands, legs, arms, feet and all the parts that make up the figure.

The fitters are equipped with a small anvil, a hammer, a punch and pliers.

With dexterity they insert the legs into the indentations, fold these legs backwards and thus connect firmly and quickly with the skeleton, the half torso and the head to the neck.

After all their pieces come together, the automata present themselves to you so strangely lanky that they present you to the aliens of HG Wells (This is a reference to the science fiction novel: “The war of the worlds” by HG Wells) remind.

Their legs and their arms of wire, attached to a torso resembling an armor, their heads and their hands, blackened by stamping, form an ugly and incomprehensible whole, whose resemblance to the monstrous machines of the English writer is complete, when the engine starts and we see the feet go up alternately, carried by gaunt legs, pushing them forward, by stiff and jerky movements, a black box surmounted by a head that turns right and left, without one’s face from the skull, beneath the layer of dirt that covers it.

Children who love to play with this toy would never appreciate seeing it during assembly.

In fact, it is likely that they would categorically refuse to take such a strange object in their hands.

In the painting and dressing room, the transformation from an ugly mechanism into a beautiful toy takes place.

The women, who only populate the painting studio, share the work.

In the past, each of them treated only one color and one part of the figure.

And this little figure traveled from one to the other.

The first had pink on the head and on the hands; a second painted the mouth with carmine, another created the visual part with blue and black, another applied black varnish to the feet, to put the old man on a nice pair of pumps.

Today the work is simplified; all uniform colors are applied to the figures with an airbrush and only the details of the heads or the costumes are still colored by hand.

The wig is made simply with a layer of glue on the skull and felt scraps as hairs on the glue.

As it stands, the mechanical toy has taken on color and hair, but his body is still a skeleton.

He must be dressed, an operation that will take place once the shades of pink, black, blue, brown, white or red it is covered with will be dried.

The costumes with which we dress the vending machines have only a very distant relationship with clothes that adorn the ordinary dolls or the luxury dolls.

Even the simplest ordinary dolls have a more beautiful toilet, we cannot compare them with those of the mechanical toys from Martin’s factory.

The making of these dresses are done by ladies or girls. If you have spent a moment in the workshop area of ​​the factory dedicated to the clothing, you will understand why the dresses of the expensive luxury dolls are better cut and put together than those of the vending machines figurines

As an economic factor, here only the speed count. the workers have to work very fast.

Without realizing it, they applied the theories of the Taylor method. (Frederick Taylor was an American mechanical engineer who contributed to the theory of workshop organization (Taylorism)

The seams are then often replaced by a brush stroke with glue.

All useless gestures are suppressed, all superfluous things left out, such as sometimes sewing with thread and needle.

It’s faster and it’s much sturdier.

>>>>END OF PART TWO OF FIVE<<<<

Martin has produced many different figures.
The toy which was a great success was produced over a long period of time and Martin’s successors; George Flersheim and Victor Bonnet have also continued to produce these successes with sometimes minor or larger adjustments and changes.
The changes resulted from improved production methods, the pressure to produce cheaper, changes in “fashion” such as clothing but also, as in this example, the helmet and the keys.

Overvieuw:

1) First released by Martin in 1904 with the number 197.
2) Flersheim reproduced the same Martin 1904 model in 1912, he only changed the type of key.
3) But later Flersheim modernized, between 1912 and 1915, the head and a different “modern” helmet model.
4) Victor Bonnet reproduced the Flersheim fireman again in 1919, he only changed the key to a Victor Bonnet model and he got a completely different ladder, this ladder was a freestanding model and consisted of 3 separate components, one component is the three parts ladder and the other two components are the separate parts for the behind standard, this standard is attached to the ladder at the top and attached to each other in the middle and to the three parts ladder with a small tube.
5) Later the victor Bonnet model got a start/stop handle on the back, these are quite rare.

You see the differences are sometimes small.  

-left- MARTIN : three-part ladder and a low back of the helmet and a clockwork with Martin key.
-right- FLERSHEIM : three-part ladder and a low back of the helmet and a clockwork with Flersheim key.

-left- FLERSHEIM : the same three-part ladder but now with a different model head and modern model helmet, the clockwork get a typical Flersheim key.  
-right- VICTOR BONNET : a different freestanding ladder and a clockwork with the Victor Bonnet model key. (see detail), the VICTOR BONNET model gets a another box.

This film you can see a part of the Jac Remise tintoys collection, this film is made in 1970 with beautiful toys. Jac Remise is Frenchman and the author of many toy articles and books

Titel of this film: 1970 Periodista Televisión Francesa Coleccionista Juguetes Jac Remise collection anciens jouets and made by RETROCLIPS

Retroclips is a channel dedicated to collecting “retro” videos to refresh our memories. If we do not look at the past as it was seen in its time, we can end up seeing it to the taste of the dominant powers in the present.

More films about old toys??

Last two months I published two other beautiful films, haven’t seen it yet? then click on these links:

Martin/Flersheim toys on film

A Dream of Toyland 1908

This is a free translation of part of the book LES JOUJOUX written by Mr. Pierre Calmettes in 1924, he was a painter and man of letters, he wrote a number of books, one of which was about toys, he was not a real toy connoisseur and in his book there are several statements that are not entirely in line with the facts as we now know them, I have tried to adjust that as much as possible in this translation.

It describes the production of the Fernand Martin toys and it follows a toy, the “Les Agents”, from the very beginning to the finished product.

He also discusses the great sales success and the how’s and whys of the later slump in toy sales. Some texts have been adapted or provided with small additions to clarify the text.

The original text in the book LES JOUJOUX is in French.

This article will be published in 5 episodes

THE PRODUCTION OF TOY MECHANICAL TOYS

Not all metal toys, like the ones we’ve researched, are simple tin bits, cut, stamped, stapled and painted.

There are other toys, the manufacture of which is more complicated and better cared for, which break less easily, and which are preserved even as amusing trinkets; those are the mechanical toys.

When we see them maneuvering and when we see their low price, it seems that these animated toys should be easy to manufacture and devoid of technical difficulties and make those other trinket productions random and narrative.

But when we set ourselves the task of studying their preparation, we find that their manufacture requires patience, research, great ingenuity, the construction of machines, the building of huge factories, and above all the assembly of great capital, In the factories dedicated to toys, we can visit the workshops reserved for ordinary metal toys, in addition, there are the workshops dedicated to toys made of wood, paper or cardboard.

On the contrary, the manufacture of metal mechanical toys is completely occupied by workshops that only deal with these automata toys.

The simplification of the work here is the essential factor for its multiplication.

The workers who work in these workshops always make the same pieces from the same toys.

Some take care of the cutting, others assembling, adjusting, painting or dressing.

The toys they make are generally current toys, toys that have to be designed and built in a few days and the construction of which has to use all known industrial resources, mechanics and manuals.

We have all seen, whether on the shelves of the shops or on a Parisian sidewalk presented by the street vendors, these small articulate figures, popular for the diversity they represent and for their selling prices.

The mechanisms that power them are remarkably ingenious, they transmit movements to these toys that imitate people’s gestures so well that we can’t watch them without laughing.

In writing this story about these toys, let’s introduce the reader to the father of these little automata, Mr. Fernand Martin. We thus give a sufficient description, so that we no longer have to worry about their anatomy, the preparation and reunification of the parts that make up the elements.

In Paris, where this toy was born, there is an imposing factory on the old boulevard de Ménilmontant.

When we visited it recently, we remembered our first meeting with the inventor of these automata, which is quite a few years ago at the time of the first Lépine competition in 1901.

This Martin factory had already been founded in 1880 and at our first met all the global success it deserved.

After his retirement and later his death in 1919, Mr. Fernand Martin left the factory and its inventions to his successors,  so as Mr. Bonnet , with the dual task of running it and expanding it further.

The visit to this factory is very exciting and for those who are interested in toys and want to know the why and the how, they will be able to study the operation of the machines in the workshops.

More sophisticated cutters, punches, mechanics of all sizes and tools of various shapes for the most numerous operations, have to be operated by the skilled hands of workers, and they are entrusted to these workers. all small actions that require the care and patience of the performers.

The workers also all have their own tasks such as welding, melting lead for certain parts and preparing the engines.

When we make a selection of the work that these workers do in the Martin factory, we discover that these automata are built on the basis of anatomical principles and very simple shapes such as the iron frame.

This frame contains the winding spring and the gears of the mechanism.

The frame is topped by a head stamped and painted in brass and placed on wire legs, the arms are also made of wire, the hands and feet are made of iron and lead.

Fabrication is sometimes even simplified by removing the arms and simply gluing a cardboard hand to the end of the floating sleeve.

But before you are interested in assembling the small vending machines, you must first attend the preparation of all the parts,

it starts from the receipt of the raw material on arrival at the factory, its distribution to the different workshops.

The raw material, or rather the raw materials used here are tinplate and black iron, lead, antimony, copper and brass, steel, nickel, silver, the felt, cardboard, paper and various paints.

One of the first operations consists of rolling the black iron, to bring them to the reduced thickness that allows them to be cut.

These are workers who feed the metal sheets under the blades of the rollers and then under the shears that cut them into pieces.

These pieces are the base, they are punched/cut according to the shapes indicated by the model.

The scissors punch/cut hundreds and hundreds of them, on which we can already see the presence of notches or iron tongues, which, by their presence, will allow the solid and rapid assembly of all fragments of ‘automatics’.

When leaving the cutting workshop, the parts go to the stamping workshop.

They all fall into machines that bend, pierce, shape the piece of iron and do in a minute the work that would take at least an hour of manual labor.

We stamp the bodies and heads in two parts, the hands with a single wave of the garland and all these pieces are thrown into baskets while waiting to be used.

The pieces of the head are taken to the welders who will put them together two by two, adding the skull to the face.

Read next time further in part 2.

You will usually find the most boxes entirely in the French-language version with an exception for the manual on the box.
On many of these boxes the manual is mentioned in 2 or 3 languages, in French, English and Spanish but there is one box with 4 languages and that is the box of the Les Valseurs from 1885, on the front there is the French text and arround the box there are tree more languages: Spanisch, Englisch and Russian.

HERE SOME MORE EXCEPTIONS:

I found a catalog label on which the name of the toy is stated in two languages, it is the box of the Le Petit Décrotteur — The Little Blackboot with number 167

There is at least 1 box on which the name of the toy is stated in three languages, it is the box of the laundress number 171

Furthermore, it is known from the Petit Colbuteur with number 213 that three different versions of the box have been issued, but two with a different label and only in French.

There is also a very different box, it is probably a box specially for the Russian market of the Le Traineau Russe from 1892
The text on the box is partly in Russian. Thanks to a Russian reader I get the translation from this Russian text and that is: “The Russian Sledges. New Mechanical Automatic Toy”

Martin has released at least one box in two different languages.
A French version and a English version and that is quite special.
It is the box of the Petit Livreur number 224

And then there is the addition of “bis” on various boxes next to the number.
If you translate the word “bis”, this means “one more time” or “repetition”
Presumably these toys were produced again in a later period, due to the enormous sales success.
The question is now; this was only done by Martin or also by Martin’s successors.
It is also surprising that most labels with the “bis” addition are also a lot smaller and the boxes are made of a cheaper material.

Of course I don’t know “all” the boxes, so if there are fellow collectors who know other special or different boxes. let me know, preferably with a photo, so that I can research them and use them in a next blog.

Watch and enjoy more almost 8 min. of this nice original film from 1908 with toys from Lehmann, Fernand Martin, Carette, Günthermann, Humpty Dumpty and so on.

Arthur Melbourne Cooper’s animation showing a boy’s dream of his toys coming to life uses a live action framing device for the dream sequence which uses stop motion techniques to animate a child’s toys.

and if you use a IOS device then go to this link:

A Dream of toyland 1908

More film??

Last month I published another beautiful film from 1919 with French toys, haven’t seen it yet? then click on this link: https://fernandmartintoys.nl/martin-flersheim-toys-on-film/

I found an article in an old French technical magazine La Nature from 1892 about a tin toy made by Martin.
This piece is put in motion when a string is wound around this reel, and pulling forcefully, the rotation of the the wheel is determined by an internal flywheel.
When the bicyclette is placed on the floor, it travels at high speed.
It was first made in 1892
length approx 13.6cm ( 5.35 inch)
The Martin article number is 121

The free translation of the above text :

SMALL INVENTIONS
Toy bicycle.
The fruitfulness of Parisian toy manufacturers is inexhaustible, and this little cyclist that we present to our readers, the latest avatar of the applications of the giroscope, once again highlights their astonishing ingenuity.
In this small device, the manufacturer has taken advantage of both the well-known property of the giroscope to always rotate in the same plane, and the energy storage represented by a flywheel launched at high angular speed.
The toy offers all the exterior appearance of a “rubber” bicycle of perhaps exaggerated dimensions, mounted by an exercised rider, acting directly on the rear wheel.
This whole set is made of very light tin, and the two wheels are hollow.
The rear wheel is empty, while the front wheel contains a flywheel to which a rapid rotational movement is imparted with the aid of a string wound twice on a small pulley mounted on the axis of the flywheel, as for most toys like this.
This steering wheel is therefore absolutely independent of the front wheel. inside which it rotates freely.
If, once the shuttlecock has been launched, the toy is placed on the ground on a level surface, such as a parquet floor. giving it a slight impulse to the moving master, it will continue this movement and maintain balance and advance evenly as long as the flywheel has sufficient speed.
This equilibrium is due to the action of the flywheel which tends to turn always in the same plane and maintains the mobile vertical, while its forward movement continues by virtue of the friction of the axis of the flywheel on the hollow axis of the wheel. front wheel, friction which has the effect of turning this hollow wheel in the same way as it, but with a much slower speed.
This is the truly ingenious, and, to our knowledge, new, idea of ​​the toy that we are describing.
The inventor of this toy, succeeded in reducing, in great proportions, the speed of the driving wheel without inserting any transmission between the two wheels, and was able to make a toy run in stable equilibrium at a very low speed, was for which there would be no stable equilibrium without the action of the steering wheel, as it is easy to convince oneself of this by trying to make the little cyclist roll without having first thrown the steering wheel at a sufficient speed. We would like to point out this elegant toy to mechanics teachers who will find in it an amusing pretext for explaining a large number of principles of general and applied mechanics, or an idea of ​​intergrouping with students for the explanation of the operation of the toy
Can be found at M. Mathieu-Martin’s, 42 bis, boulevard Bonne-Nouvelle, Paris.

I found an article in an old French technical magazine La Nature from 1897 about a tin toy made by Martin.
This special piece is put in motion by stretching both sides of the cord, the air cyclist goes up and down when the cord is relaxed, the cyclist descends.
It was first made in 1897
length approx 16cm (6.3 inch)
Martin article number is 156

Free translation: The aerial unicycle.
The toy in question represents a unicyclist who climbs along a string that can be seen at the upper part and at the lower part of our drawing (n. 1 Detail view). It is easy to understand the mechanism that elevates the little climber.
Inside the wheel is a pulley movable around its center and on which winds the string.
This one penetrated into the wheel passing through a small ring carried by the handlebars.
By exerting a slight traction on the rope, as shown in (n. 2 Instructions for use) of the figure, the movement of the apparatus is obtained.
The internal pulley carries an axis on which a pedal is fixed which can be seen.
The cyclist rests his feet on it, and since the legs are articulated, the toy offers the funny image of a cyclist maneuvering the pedals.
The aerial unicycle is at the same address as the spider and the fly.

Piet Gutter born in 1944 is a Dutch artist who has been fascinated by the realistic painting style for many years.
In his works he pays a lot of attention to the composition of the figures and objects he paints.
He uses many different objects including antique toys, letters, leaflets, cans with advertising, fruits, vegetables on them and many more objects and all wrapped up in a fantastic composition.
He also pays a lot of attention to details, the atmosphere, the colors used and the backgrounds used so that it becomes a fascinating composition.

When you see his still lifes you are fascinated because it evokes emotions and you unintentionally fall in love with his works, but see for yourself.
Piet Gutter is a versatile painter, many of his works can be admired on the internet and you can also see that he can compose unique works using various utensils.

Piet Gutter’s paintings are in various collections and with private and foreign private individuals.

Some of the Piet Gutter works are based on antique toys from the collection of Arthur Verdoorn (1935 – 2017).
Arthur was an avid collector and also co-writer / photographer of the book: Fernand Martin Toymaker in Paris.
His toy collection can be seen in the toy museum in Soltau in Germany. https://www.spielmuseum-soltau.de/
Here I present a number of Piet Gutter works of art, especially the paintings where the toys of Fernand Martin and Victor Bonnet are depicted “lifelike”.

Piet Gutter did not only portray Martin or Victor Bonnet toys.
He has made many more paintings with antique toys as objects.
Paintings with toys of the well-known toy maker names such as Lehmann, Bing, Günthermann, Märklin, Schuco, Vielmetter and many more.

Martin toys have often been the subject of painters of art.
Below are the links to my three previous articles about Martin toys used in art:

All images courtesy of Piet Gutter

Part 1: Martin toy used in art.

Part 2: Martin toys used in art.

Part 3: Martin toys used in art

A short but beautiful movie from about 1915 with in the first part toys from Roullet & Decamps and in the second part many Martin toys from the Flersheim period. This video was sent to me by a loyal reader of my blog from Russia.

Film from the collection and courtesy of the Eye Film museum (Amsterdam) – https://www.eyefilm.nl/en

Bits & Pieces Nr. 199

enjoy the film

After Victor Bonnet took over the toy company from Flersheim in 1919, he makes, among other toys this “Camion” (no. 261), it is the last truck from the series Les-Auto-Transports.

This series consists of the following vehicles:
246 Le Déverseur
248 Tracteur + 250 Le Remorque (sold together)
249 Camion : Le Roulant
254 Le Train Tortillard
261 Camion : Gros Camionnage
A separate blog has been made about these vehicles for each issue

This is the last article in this series.

It is an open truck with a fabric tarpaulin and the length is about 25 cm (10 Inches)

A text was printed on both sides of the fabric tarpaulin, the text is original: “Gros Camionnage” that you can find on the box, there are models with another name but more about these (different) names on the sides of the fabric tarpaulin in another blog. (See link below)

I have come across this truck in the colors BLEU, RED and YELLOW, the hood in the colors GREEN, BLEU, BROWN and GREY

This truck was a modified version of truck number 249 with the same name Camion, (see one of my previous blogs).

In the base it is the truck “Les Auto Transport” with number 249.
The differences between number 249 and 261 are:
-The “brand” stamp on the bottom of the cargo area of the 249 has disappeared.
-The 261 get a fabric tarpaulin with the name “Gros Camionnage” on it.
-It gets a new product number 261.

Versions of this truck are known with various advertising texts, I have described the advertising texts on the side about this truck in another blog, see this link:

https://fernandmartintoys.nl/advertising-on-the-side-of-the-gros-camionnage-261-victor-bonnet/

a free translation of the article from the magazin: LE PETIT JOURNAL from January 1 1914

NEW YEAR’S DAY TOYS are the cheerfulness of the boulevards and the joy of Parisian children New Year’s Day is the occasion of official receptions and family celebrations, but what, especially in Paris, characterizes the New Year’s celebrations, is the animation that does not cease to reign on the boulevards, where the adjacent small market stalls that amaze the children and therefore many parents are interested.
This year, the number of these outdoor shops has fallen slightly due to the regulation banning so-called “spinner” lotteries.
We know that the same regulation also suppressed open-air markets, known as “flea markets”, which were held in different neighborhoods, notably in Les Halles around January 1.
On the other hand, the crowds on the boulevards this year are even bigger than the previous ones.
Perhaps this rise can be attributed to the disappearance of the huts and fairground attractions in the peripheral districts and the outer avenues where the festival boulevard de Belleville continues.

From the Madeleine to the Bastille, the small industrialists offer their passers-by real wonders of ingenuity, and you could say ‘in spirit, in innovation, and the eyes never tire of admiration. It is thanks to competitions they have encountered from various quarters and official encouragement for their personal initiative that toy manufacturers have been able to make progress in their industry, allowing them to present toys to the public that are, as they say, scientific because they are step to follow modern developments.

We were able to judge ourselves by taking advantage of the beautiful dry weather yesterday and. cold, which the previous days had certainly not foreseen, to take a walk on the boulevards.
And, like children, we had a brief review of the Toy of the Year, “Parisian Items” that are universally known.
The first thing that strikes us is not the least amusing, it is a barber with a very thick coat who shampoos a brave man of Bartholomew who could rival the crime with the best polished parquet in our museums.
This toy is called, as it should be, the “Barber of Seville”.(MARTIN NUMBER 196- L’ARTISTE CAPILLAIRE) –
The grimaces of the client being rubbed are nothing compared to those of a chimpanzee who, on an elastic rope, like the monkey in the fable, dances and moves at best, then flips.
This “four-handed” is more convenient but no more graceful than a red bear, its neighbor, elegantly dancing a tango.
What still attracts attention is a boxing match in which the champions perform the most daring and perhaps the most forbidden punches in the ring. “Sports are moreover worthily represented; Billiards, where the player makes an admirable pileup at each stroke; the shooting of a Mexican hunter”
Finally, skating performed by a skating enthusiast whose roller skates are a masterpiece of precision. (MARTIN NUMBER 229 LE PETIT PATINEUR) –

The latter, reproduced in one of our photos, is a great success.
But the pinnacle of sports toys is “Looping the loop”.
This toy consists of an evolved monoplane held in place by a wire and “walk the loop” on three occasions with an ease admirably reminiscent of Adolphe Pégoud’s prowess. (Adolphe Pégoud. This 24-year-old Frenchman had given aviation a new dimension: that of aerobatics.)

Walkers talk about this toy, just as they talk about the little washing-up girl (MARTIN NUMBER 233 – LA CASSEUSE D’ASSIETTES) who takes three steps and then drops her plates with an awkwardness as funny as Baggessen’s. (Baggessen is a comedian whose hilarious jokes spontaneously make you laugh)
It would take too long to list all the new toys, let’s just mention other toppers: the jockey who brings back the Mona Lisa (MARTIN NUMBER 225 VOLEUR DE LA JOCONDE), on a mountain the duelists, the violinist (FERNAND MARTIN NUMBER 160 LE GAI VIOLONIST) and the pianist (FERNAND MARTIN NUMBER 189 LE PETIT PIANISTE), two funny little toys that we also recognized.

Finally, the “Triple Entente”, (agreement on the alliance formed in 1907 between the United Kingdom of Great Britain and Ireland, the Third French Republic and the Empire of Russia after the signing of the Treaty of Saint Petersburg.)
A patriotic toy , representing France and Russia and greeting England. In addition to these trendy toys, there are other, but less numerous, toys from yesteryear
Here and there we have encounters with externally pleasing adults, for whom these evoke memories of their childhood and certain children who do not seem to long for others. It gave us the opportunity to witness a scene that was moving in its simplicity: a girl of about six years old, who was with a relative who, on the boulevards, refused all the beautiful gifts they offered her. – No not that! neither! She said repeatedly. – What do you want?
The child did not answer.
Suddenly, she rushed to a small merchant whose sales stand was installed on a basket. – That is what I want ! she said.
This merchant sold simple little classic dolls for thirteen cents, dolls despised by certain little girls, perhaps influenced by their young brothers, but dolls with a quality that proves that these dolls still have lovers.

And there are, thank goodness! numerous enough to keep trade prosperous.
And yet, the fact is, the “doll” no longer reigns indisputably in the stalls of the small barracks of the boulevards.
A trade that has nothing to do with the entertainment of childhood, and which is already prosperous, because it conquered the right of the city among the Parisians thanks to the “prefect of the police”, is that of point protectors intended for hat pins.
One of the small stands where they are sold, decorated with a sign in large letters, is under siege by many women and girls.
A little further on we pass a saleswoman who stands by shelves full of beautiful “New Year’s Eve” books, books with scarlet covers and gilded edges.
We ask him if the sale is going well. – No, she said to us, the time has passed when as a child I even helped my dad who ran all this small booth and we struggled to satisfy the enthusiastic customers.
But today’s kids, once they leave the cradle, only dream of sports.
It is the active life, they say, the modern life that wants that. We have to bow to this.
And with regrets about the past, the trader tells us an anecdote from that past.

About fifteen years ago, a child eagerly looking at the promising display was noticed by a man who invited him to choose a book he liked and gave him this book as a present.
The donor left, but after some hesitation, the child decided to sell the book back to the stand keeper.
This woman was outraged and blamed the child for his trading instincts.
The child then bursts into tears and admits that in the midst of his joy at having a wonderful educational book, he had thought of his sick mother, bedridden in a room without a stove.
And the child – so had tried – to cash in on his gift to buy medicine for his mother. – And there you have it, the merchant concludes philosophically, this is how books not only shape the minds, but also the hearts of children!

The company Louis Vuitton has made an advertising campaign for their bags and suitcases in 1994.
In this campaign use was made of tin toys combined with a bag or suitcase.
Several different advertisements have been released
The advertisements were placed in the American Voque, but there is also a luxury box/portfolio on the market with all the different advertisements including slides
In one of these advertisements a Martin Petit Livreur was used.

Vrolijk Kerstfeest en een Gelukkig Nieuwjaar
Merry Christmas and a Happy New Year
Fröhliche Weihnachten und ein glückliches Neues Jahr
Joyeux Noël et Bonne Année
Feliz Navidad y Próspero Año Nuevo
Buon Natale e Felice Anno Nuovo
Boas Festas e um feliz Ano Novo
Kala Christougenna Ki’eftihismenos O Kenourios Chronos
God Jul och Gott Nytt År
Glædelig Jul og godt nytår
Geseende Kerfees en ’n gelukkige nuwe jaar
Hyvää joulua ja onnellista uutta vuotta

This article was published in the Antique Toy World November 2021

I’m trying to figure out the correct numbering of the first period of the Fernand Martin toys, that is de period from the first toy “Le Poisson Nageur” (the Fish) till number 146, the second period started with the number 147 the Ma Portiére.

The periods have been chosen in previously published books and articles by well-known authors, because every Martin collector knows this period classification, I will also continue with this period classification.
Martin himself never made a period classification.

In this article there will be a lot of “question marks” – “maybe” – “presumably” and “not sure” but therefore the question: WHO CAN HELP.

I have searched in old catalogs and have already found a lot of good product/article numbers, even on an old box we found a number.
What have I already found out?

Martin started with the number 100, his first produced toy the “Le Poisson Nageur” (The Fish).
The second period has started with number 147 Ma Portiére
So logically there must be 47 pieces in between.
But many more pieces are known from the first period, how is this possible?

Just an observation:
Between number 100, the first number of the first period and number 146 the last number of the first period are 47 numbers.
There are currently about 66 toys (there are a few toys of which we are not 100% sure that they are attributed to Martin)
We see that we have more toys then numbers, so some toys never had a number. Why????
From 32 toys I have found, till now, the right number.
There are 15 numbers left (101 – 104 – 112 – 113 – 122 – 126 – 128 – 138 – 140 – 141 – 142 – 143 – 144 – 145 – 146) whose toy name we havened find till now, we can attribute some of these 15 numbers with some certainty, but we are not 100% sure about that yet.

IN THE NEXT LIST ARE THE TOY NAMES WITH, IF KNOWN, THE CORRECT NUMBERS ALREADY FOUND.

Why some toys, especially in its early years, are NOT numbered is a mystery and we will probably never find the reason.

100 Le poisson nageur

La balançoire mécanique
Le bateau godilleur
la grenouille
Le Pantin mecanique
Les forgerons infantigables
Le moulin mécanique a tic tac
La locomotive routiere
Le cheval a bascule
Le jeu de massacre
Le jeu de force
Le bouquet surprise
Le velocipede

Le trapèze
Les Valseurs (with the tall hat)
Les valseurs (with a cap)
102 Le sonneur endiable
103 Les courageux scieurs de long
104 (no proof yet) L’incomparable danseuse de corde

105 Les pompiers
106 Les joyeux danseurs
107 Les fameux duellistes
108 Le livreur
109 L’autruche

110 Le cab
111 La grosse caisse (automatique)
La grosse caisse annamite (walking) model: World Fair in 1889 Paris
Pousse pousse annamite model: World Fair in 1889 Paris
Le fauteuil roulant model: World Fair in 1889 Paris
L’écrevisse
Don quichotte
La sateuse de corde
114 Le lapin vivant

115 Les boxeurs
116 Le traîneau russe
117 Le diable en boite
118 Le cherif
119 La charrette anglaise
120 Le pêcheur â la linge
121 La bicyclette martin

122 (no proof yet) Le courrier parisien
123 Le facteur de chemin de fer (with flywheel )
124 Le facteur de chemin de fer ( with mechanisme )
125 La chaloupe a vapeur
126 (no proof yet) Le perroquet (on a stand)
127 La perruche
128 (no proof yet) Le piocheur
129 Course de taureau
130 Attelage flamend

Sujets Sur Socles avec Mécaniques en boites par pièce (sold per piece):
131 Mènagerie
132 Bergerie
133 Chasse
134 Gardeuse d’oies
135 Laitière
136 Porcher
137 Laboureur

Sujets Sur Socles sans Mécaniques (same articles as 131 till 136 but without mechanism and sold in boxes by a half dozen)
I suspect that the numbering is as follows, assuming the same order as numbers 131 to 137, but I am not 100% sure about this yet, only number 139 is certain.
138 (no proof yet) Ménagerie
139 Bergerie
140 (no proof yet) Chasse
141 (no proof yet) Gardeuse d’oies
142 (no proof yet) Laitiére
143 (no proof yet) Porcher

All the above-mentioned toys are known by images in catalogs, on boxes and / or by the presence of the toy in the museum: Musée des arts et métiers, Le CNAM in Paris. Fernand Martin made a donation in 1908 to this museum, of this donation, a handwritten list made by Martin is known including all names of the toys in that donation, this list is in the possession of the museum Musée des arts et métiers, Le CNAM in Paris

We can assume with a certain degree of certainty for which toys the numbers are 104 – 122 – 126 -128 – 138 – 140 – 141 – 142 and 143, but we are still looking for the 100% proof for these numbers.
So we are also looking for the following 6 missing numbers: 101 – 112 – 113 – 144 – 145 – 146.

Who can help me ????
Please contact me if you can help cor@vanschaijk.com

I found an article in an old French technical magazine La Nature from 1897 about a tin toy made by Martin.
This special piece is put in motion when the fly is hanging on a hook on the wall and then by stretching the cord, the spider is crawling to the fly.
It was first made in 1896
length approx 11cm (4,33 inch)
Martin article number is 151

A free translation of the above text.
SMALL INVENTIONS
The Spider and the Fly.
The spider has a habit of stretching webs and rushing for flies or other insects that fall in its nets.
The toy that we describe is intended to recall these mores of the spider.
We see in no 1 of the figure a fly that is fixed by a hook against the wall.
Below is a spider.
It suffices to pull a string, and one immediately sees it climbing slowly, alternately moving its two long, very characteristic legs.
Apart from the interest that this toy has.
He is curious from a mechanical point of view.
We see in no 2 the underside of the beast with the internal mechanism.
A cord is fixed at the top right on the spider and then comes to be routed on a small pulley placed inside the fly.
This cord is then wound on another pulley attached to the lower part of the spider.
By pulling on the cord, the spider is thus given a movement, the fly being fixed against the wall.
The pulley in the spider has a metal rod fixed on the periphery, as shown in our drawing. This metal rod is also movebel around a fixed point and can move successively to the right and to the left according to the movements of the pulley.
It carries at its other end the horizontal rod which maintains the legs of the spider and it thus transmits to them the movement of which we spoke above.
This toy is found at M. P. Bertrand, 19, rue Mute-ville, in Paris.

Here is part 4 of the Victor Bonnet Les Auto Transports series consisting of the :
246 Le Deverseur
248 Tracteur + 250 Le Remorque (sold together)
249 Truck : Le Roulant
254 Le Train Tortillard
261 Camion : Gros Camionnage

This tractor with four trailers has a total length of approximately 69 cm / 27,2 “.
On the accompanying photos you can see the differences between the four trailers.
The first trailer has a different, tin plate attachment than the other cars, which all have a bent iron wire as attachment.

The operating options are:
Winding up mechanism… with the key to the right.
Starting… Push forward the Crank which is to the left of the driver.
Stop… Bring the Crank to the rear which is to the left of the driver.
Direction … With the Joystick located at the front of the Hood, choose one of the 3 notches for driving straight ahead or the other two positions for driving in a large or smaller circle.

I found till now the tractor in two colors in red and green, the trailers I found in the colors blue, green, brown/orange, gray and dark-gray.

I have come across it quite often and sometimes even “mint” in the box but what strikes me is that very often the carts are not all the same color, maybe the carts have gotten mixed up over the years or they are just new delivered in the box with different color carts.

In my Blog articles, I sometimes refer to the book: Fernand Martin Toymaker in Paris.

As a result of my Blog, I now receive questions by mail from collectors who do not yet know the new book about Martin and ask if it is still for sale.
The book is printed in a limited edition but still for sale.
It is published in two versions, one in English and one in French.
For a clear description including an animation, go to the site:
https://www.fernandmartintoys.com/
On this site you will find also an order form.

In my opinion, every collector, tintoy enthusiast, tintoy dealer, auctioneer and museum must have a copy.
This work is a standard work and certainly new discoveries will come in the future that may reflect the current knowledge

I can personally highly recommend this book.
I was fortunate to be able to participate in this book and I have been able to know both writers / collectors / photographers Lourens Bas and Arthur Verdoorn as fine and enormous lovers of the Martin toys in the broadest sense.
The book is quite substantial and very well executed with clear pictures.
It is subdivided into 4 blocks / periods.
The first period is from 1878 to 1894.
Second period goes from 1895 until the acquisition by George Flersheim in 1912.
The third period is therefore the Flersheim period from 1912 to 1919, after which the last period comes from the new owner Victor Bonnet from 1919 until the move of the factory in 1934 to the Rue des Tourelles in Paris.

The majority of the toys, as was known until the printing of this book, are depicted.
In the meantime, some new discoveries and insights have been found that cannot be found in the book.
But that makes sense, not everything is now known because a lot has been lost, documents have been destroyed or have been forgotten somewhere in the attic or in a forgotten archive, these may one day give new insights and belong to a new edition.
Until that time; this is the best book and given the execution, for a very low price, it is a bargain!

But in this blog I keep everyone informed as best as possible about new discoveries, things worth knowing, discussions etc. so that nobody has to miss anything, it is therefore important to visit my blog regularly, so you stay informed.

This model is very very rare.
I’ve only come across a few of them.

The colors I have found so far are green, orange, yellow all with red wheels and a dark blue one with bleu wheels, the length is about 25 cm (10 Inches)

It is listed in the Victor Bonnet catalog with the name Camion 249 but in the truck you can see that the name is : Le Roulant

The characteristic of this model is that there is a print on the bottom of the cargo area with the name and product number.

A similar model was later released with number 261 with the same name Camion to, but on that truck you can see the name Gros Camionnage written on the fabric tarpaulin.
This Camion is an adapted form of the here presented: Le Roulant, that later model got a fabric tarpaulin, no longer had a print on the bottom of the luggage compartment, and no text plate on the back of the cabin.
This model 261 will be found even more, but more about this truck in another blog.

A model 261 Gros Camionnage without the fabric tarpaulin is sometimes be sold as a: Le Roulant, but can therefore be easily recognized by a print on the bottom of the cargo area and on the back of the cabin a brass text plate with the text: Charge maximum load 5000 Kos of the original Le Roulant, so pay attention.

I found an article in an old French technical magazine La Nature from 1895 about a tin toy made by Martin.
This piece is put in motion when a string is wound around this reel, and pulling forcefully, the rotation of the axle and the wheel is determined.
When the car is placed on the floor, it travels at high speed, and the dog’s legs.
It was first made in 1894
length approx 18 cm (7.1 inch)
The Martin article number is 130

The free translation of the text from the article from the magazine La Nature 1895 :
SMALL INVENTIONS
The dog car. –
We have often described the small mechanized toys that the street vendors sell in the streets of Paris, and, in Les Petites Inventions of n ° 1117 of last October 27, we gave the Combat de taureaux.
Today it is the dog car that we will introduce.
Represented below, it gives the appearance of an Antwerp (Belgium) milkmaid with a cart.
A metal axle crosses the little tin car, and ends on the outside with a coil protruding from the wheel with the surface of which it is in contact; a string is wound around this reel, and pulling forcefully, the rotation of the axle and the wheel is determined.
The car is placed on the floor, it travels at high speed, and the dog’s legs, set in motion by a simple mechanism, perform the galloping movement admirably.
There is a lot of ingenuity in his little Parisian mechanical toys.
The dog car is built by Mr. Fernand Martin, 88, Menilmontant Boulevard in Paris

In the late 1800’s and early 1900’s these milkmaids with their dog carts were frequently seen, they were in the version with one, two and even three dogs.

All postcards are from my own collection

These two Victor Bonnet creations of a tractor and a trailer, were sold together in one box, I have not found any proof anywhere that they were sold separately.

I have come across the tractor in two colors so far, in green and in red, (green and red in various color gradations from dark to light, but presumably the influence of sunlight has also had an influence on the color), I am the trailer only encountered in a brown/yellow color with a green fabric tarpaulin.

What has been noticed is that there are two versions of the tractor, with and without a roof.
Presumably it was marketed in two versions with and without a roof, which is apparent from the fact that the tractor can be found with and without mounting holes for the roof, (see the photos).

Look at the two different trailers, sometimes the trailer has a bronze plate on the back with the text: Charge maximum 5000Kos and the back and front of the trailer has different plating, version with a 6 and with a 4 rectangular layout

Produced from 1890
Product number unknown (In the books known to us, this toy has the Martin product number 31 which is not correct, but the correct number has not yet been found)
Hand lacquered
Mechanism: Flywheel
Height approx. 15 cm / 5,9 inches

It is a very ingenious mechanism to create the illusion that she is a Rope-jumping girl.

Here the translation from the French tekst on page 223 from the magazine La Nature 1890 :

SCIENTIFIC TOY the ROPE JUMPER
Here is a toy that we think we will have to present to our readers because of the special skill of the inventors in overcoming the difficulties presented by the problems they had posed.
This toy is a jumper rope whose figure is almost enough to understand the mechanism.
As in most toys of this kind, the amount of work required to operate the toy is borrowed from the vivid power of a steering wheel concealed in the young person’s body, flying at which a high angular velocity is imparted. rolling two turns of string on the button shown at the bottom of the skirt in the figure on the left, and pulling strongly on this string which one lets slip the other end between a finger and the body of the toy, to ensure a tension initial requirement for driving the steering wheel.
The flywheel thus launched friction control two pairs of wheels that come to lean on its axis.
The first pair of wheels, the pair of wheels, infers the toy, whose equilibrium forwards and backwards is ensured by a pair of small gatets.
One of these pebbles can be seen, the one before, in the figure on the right.
The second pair of wheels, placed at the top, has the effect of printing a rotational movement about a horizontal axis to a small tree at the ends of which are fixed the ends of the rope.
This rope, very flexible and very thin, flattens each time it passes in front of the driving wheels that roll over it without their movement being the least bit entangled.
This was the great practical difficulty cleverly solved by Mr. Martin, the inventor and constructor of this interesting and ingenious little apparatus.

This toy is not very big, it has a total height of approximately 15cm / 6 inch
It is hand painted, like the most toys in that period.

During my collection years, I only came across this toy in five different color versions.

• dress in yellow with the details in red
• dress in blue with the details in red
• dress in green with the details in red
• dress in red with the details in blue
• dress in light blue with the details in gold-colored

This light blue with the details in gold-colored was included in the gift that was donated through Fernand Martin in 1908 to the Musée des arts and Métiers in Paris (see my earlier blog :Two Fernand Martin variants of the Pousse-Pousse Annamite )

It is marked on the bottom, see photo above.
I think this is one of the nicest pieces from the first period of Fernand Martin.
Nice action and a very ingenious design.
It is only rarely offered so very rare.

Which collector does not know it, a toy with a defect, damage, missing parts or other shortcomings.
Here’s a newsletter from a restorer from Ireland who specializes in tin toys but also dolls.
The intention is that this newsletter will be published once every two months.
Interested ?? contact him.

It’s a overvieuw from the 5 pages so the links don’t work. Would you like to receive this newsletter yourself? contact him on +353 (0) 876774202 or email him at bob.heaton@pentdata.ie.

Victor Bonnet was the first successor to Fernand Martin who started producing cars
He released a series of trucks named: Les Auto Transports that started with number 246
It was a “tip up truck”, the truck has an automatic tipping and driving mechanism.

This model was released in various colors, I have seen models in Yellow, green, gray, black and brown
The length is about 20 cm (7.9 Inches)

These models have a very advanced and ingenious engine, the start-stop part sits like a handle next to the driver’s steering wheel.
After winding, you can put the car on the ground and twist the lever, then it will drive, after a short time, the car will stop and the bucket will slowly move to the side to drop its load, and then the bucket will go back to the old position and the car starts moving again and everything repeats itself.

In the production years, the box has been changed a few times.
The first boxes only contain the production number No 246
Boxes are known to have a sticker added with the text Déverseur No 246
Later the label came with the text Déverseur No 246 printed as fixed on the label
And I found boxes with the text Le Déverseur No 246

The next two boxes has the same picture of the catalog site on the front, these catalog pictures usually had less information than the original box labels, are they original??
I’ve come across some of those boxes before.

On the inside on the bottom of the box an extra text sheet could have been applied to indicate the operation, this is found in two languages; in French and in English.
The text on the outside of the box is only found in French, also on the boxes with an English text sheet inside.

There are boxes contained with no text sheet inside but a separate manual with the (freely translated) text:
AUTO-LE DÉVERSEUR
OPERATION :
Reassembly… Put the Engine to Stop and turn; with the key to the right, making 10 half-turns.
Starting… Push forward the Crank which is to the left of the driver.
Stop… Bring the Crank to the rear which is to the left of the driver.
Direction … Bring, by pressure from top to bottom, the Joystick located at the front of the Hood, in one of the 3 notches. The walk in a circle is obtained by using the 2 notches on the left.

There are models without a text, models with a text on the side or back and models with a text in the inside of the loadig area, and when they have a text it was in French or in English
The various texts I found till now are:

The body has also been available in two variants, with an angular body and with a rounder body, the truck with the rounder body (I found them in de colors gray, black/gray and yellow), and has no texts on the body, only the brass plate on the bonnet.

From this version with the rounder body, I found one with a different nose/bonnet in the color: red body with a bleu loading area. This one has the nose/bonnet from trucks from the production after 1933 and on top of this nose/bonnet there is no longer the well-known brass nameplate.

So you can see that over the years this truck has had many different varieties.
Many Fernand Martin, George Flersheim and Victor Bonnet toys have sometimes been produced for many many years and have received many small adjustments or other colors over the years.

As a successor of Fernand Martin and George Flersheim, Victor Bonnet Factory started the production in 1919 in the old Fernand Martin factory, in 1933 they stopped the production and moved to another building in Paris.

In these 14 years Victor Bonnet has made a series of 5 beautiful trucks and tractors.  

246 Le Déverseur
248 Tracteur + 250 Le Remorque (sold together)
249 Camion : Le Roulant
254 Le Train Tortillard
261 Camion : Gros Camionnage

He named this series of vehicles: Les-Auto-Transports and the first toy he produced in 1919 was the truck: Le Déverseur with number 246

All models had a plaque on the hood with the name: Les auto-transports
This plaque has undergone some changes over the years as can be seen in the collage.

These models are somewhat undervalued, they are all vehicles with a genius mechanism and these mechanisms are all basically the same. 

The first of the model Le Déverseur with number 246 produced from 1919 had the most extensive mechanism with lot of functions: start-stop, drive, standstill and a side-tilt function. The models after this one were a bit simpler.  

In the coming weeks I will be introducing this series of vehicles one by one in 5 separate blogs.

I already published this before in 2019, but I find a new one and new information.

Martin has produced two tops in his very early years.
The French name is Les Valseurs and first made in 1885.

Product number unknown (In the books known to us, this toy has the Martin product number 15 which is not correct, this trapeze artist has probably not been given a product number.)

Patent:

Martin has applied for a French patent for the dancing couple with the man with the cap under number 169754. (see patent sheet above)
But for these two different models are different patent number found on each box, the one with the top hat has patent number 56947.
I can’t put it in the French, English and American patent number ranges at that time, but it is probably a German patent from about 1890/91.
In Germany the patent ranges between 56000 and 57000 were active around 1890/91. (see in the German DPMAregister ) Maybe Martin did not get this patent number approved because this number is not listed as “granted”.
For pictures of the two boxes, see the book Fernand Martin Toymaker in Paris on page 45.
The English company Britain also launched the same type of top around the same time and applied for a patent with number 13671 in England in 1884. ( I found the patent number and year in a official paper of a trail beween Britain versus Hirsch in March 1888. A part of the text : “ In 1884 a patent No. 13,671 of 1884, was granted to William Britain for an automatic dancing figure.”) source: www.academic.oup.com page 226 REPORTS OF PATENT, DESIGN, May 05 1888.
These tops have been made more often, it could be without justifying the patents, or by paying the patent holder or even by plagiarizing
Furthermore, you had to apply for a patent in every country before 1900, but that was not done because the costs were sometimes quite high.
The entire patent event at the end of the 19th century was not as well regulated as it is today.

There are more of this kind of tops:

I’ve discovered, till now, nine different of these waltzing spinning tops so far, but maybe there are more, here an overview of the tops that I found till today:

• –Fernand Martin, two pieces marked on the bar between the legs with FM Paris, the one with the cap is from 1885 the other one with the high hat is probably from 1890 and is extra marked on the other side off the bar with the patent (Breveté) number: SGDG 56947.
  -One unknown and unmarked maker of made with partial tinplate, this one is probably from Germany.
  -The United States company Ives made one exemple, this one looks a lot like one of the Martins but is unmarked.
  -Two pieces by G. Heyde ( provenance the book of Lourens Bas: The Lost Art of Spinning Tops) from Dresden Germany, presumably around 1885 one ( with the red skirt and the both figures with a hat ) is marked on the bar between the legs with G.H. (George Heyde), the other one with the orange skirt I don’t know if that one is marked.
  -The English Britains one piece from about 1885, not marked and made in different colors.
  -And another unknown and unmarked maker which is made from cast iron so presumably from the United States.
  -And another new find that was made in the USA, of hoop skirt embossed lettering “C.H. Husted,” sold in the Bertoia auction on September 11-2021 (photo courtesy Bertoia Auctions)

Breveté S.G.D.G.

Breveté S.G.D.G. is the name of a patent as it was in France until 1968.
The term stands for “Breveté Sans Guarantee of Government” and means: “Patent without government guarantee”.
Many countries adhered to a system of registration for a simple formal exam over many years.
One believed himself free from any liability.
In France, the Law of 1844 provides that the patents shall be issued “without prior examination, at the risk and risk of claimants and without guarantee of function, novelty and merit of the invention, also with regard to precision or accuracy of description”.

Working:

The principle is the same for all spinning tops.

In the middle of the female, just above the skirt, is a small rod, you put a loop of a string around it and then turn the skirt around by hand so that the string wraps around the waist.
The female stand not completely upright but that is the intention.
The female stands on a kind of pin under the feet, this is loose and therefore it can turn completely.

By placing the dance couple on the floor and then pulling the string tightly, the skirt starts turning quickly,
Because of the center-flying power, the female stands up and the male turns around the female.
These toy tops are around 130/140 years old and very rare to find, but they are so beautiful.
These tops are not only wanted and sought after by “Martin” collectors but also by spinning top collectors.

I found an article in an old French technical magazine La Nature from 1895 about a tin toy made by Martin.
This piece is put in motion with the well-known Martin “rubber band” method, when the rubber band is woud up the bull and the toreador, describing a circle of which the support rod is the center, the bull jumps a small stub in the air 8 times each round.
It was first made in 1894
length approx 22,8 cm (9 inch)
The Martin article number is 129

A free translation of the text above
The bullfighting game.
It is one of the new tin toys sold on the boulevards of Paris.
It is very timely and offers to the eyes of the passer-by a toreador waving a scarf in front of an angry bull.
The toreador runs away, and the bull follows him, throwing his horns.
Here is the explanation of the toy: the man and the bull are connected to a metal rod; the two rods thus serving as support are fixed to a vertical axis placed in the center of a hollow metal piece which imitates a rock.
Inside this rock is the “rubber band” twist motor generally employed for these kinds of animated figure toys.
The bull and the toreador, when the spring is stretched, turn describing a circle of which the support rod is the center.
This toy is built by Mr. Fernand Martin, 88, Menilmontant Boulevard, in Paris.

A small inventor/toymaker Foucault, presented a toy at Le Concours LEPINE in 1901 a toy called “Mr. Chopinard”.

As you can see is this toy the adaptation of Fernand Martin’s “Le Pochard” mounted on a barrel.
Which shows that the recycling of existing toys was easily doable even by outsiders of the company…
If one would find now an model of this Chopinard toy, would it be called a Foucault or a Martin toy?
Most certainly Martin…

Le Pochard on a wine barrel, the picture above is part of a larger image with more toys and technical attributes and found in an old French magazine La Nature from 1902 page 13 with the name: Monsieur Chopinard (a comic French gentleman who appears in a chanson from that time.) This article was about the Concours de Jouets 1901.

Martin probably sold parts and also (almost) complete models to small toy makers / inventors who then made “new” models and produced it in small numbers or offered the production rights for sale at the Lepine competition to the major manufacturers because they themselves had no or little production capacity and no money to produce these toys on a large scale, these were hard times for the little toy makers / inventors.

An extra function has been added to print or save articles.
Two options to print or save an article:
1) You can click on the titel of that article.
2) If you click on an article in the column: Most recent messages, you will see the word (Print) on the right of the text in your chosen article, click on this (Print) button and you have the choice of printing or download as PDF.

Note: If you don’t see the column Most recent messages, then turn your device into landscape.

This is an update of the article that was posted on February 8, 2021

After Victor Bonnet took over the toy company from Flersheim in 1919, he makes, among other toys this “Camion” (no. 261).  

This is an open truck from the “Les Auto-Transports” series.

This truck was sold with text on the fabric tarpaulin on both sides.

The text is original: “Gros Camionnage” that you can find on the box.

In the past time I found so now and then a model with different text.

In 2021 I found in an “Interencheres” auction in France of Maître Philippe CASAL another “Camion” model in a rare color scheme, and also with a different text “Chocolat Casino” on the fabric tarpaulin.

In February 2018 I found on Ebay another model, the nice thing about this Camion was not only the beautiful condition, but also the print on the hood: “Goulet-Turpin”.  
The Internet teaches us that this is the name of the Goulet-Turpin couple who founded a distribution company under this name in their wedding year 1874.

In the collection of the German “Spielmuseum Soltau” is another one to find with the text “Nouvelles Galeries”.

On Wikipedia you can find: “Les Nouvelles Galeries” is the name of a chain of department stores created in 1897, the stores have changed to become Galeries Lafayette.

In total, I have now found four “Camions”with different prints, including the original.  

With one different overprint I can imagine that someone has done this privately, for whatever reason, but with several new different overprints I can imagine that this was originally produced by the Victor Bonnet factory and I have already found more “Camions” with these above shown texts, so they are not isolated objects.

The companies that orders these “Camions” may have sold these models or given them away to there customers.

Maybe we can find more examples.