This sled was made in 1909 by Fernand Martin and get the name “Conquete du pole Nord” (Discovery of the North Pole).
Martin number 217

This toy was made by Martin in honor of the conquest of the North Pole by US Navy engineer Robert Peary.
The sled is connected to the pole by means of a string, after winding the toy, the sled with the dogs rides around the Norh Pole.

At the end of the 19th century, the North Pole was seen as the last undiscovered place in the Northern Hemisphere, so many sought out adventure, often heading to the North Pole without proper preparation.
The tours were extremely arduous and often underestimated, it is estimated that about 760 people died on these tours.
The search for the pool became an international competition for the honor of being the first with teams from the United States, the United Kingdom and Norway.
Robert Peary claimed to have reached the Pole on April 6, 1909, which today is seen by many as unlikely.

The sled with the dogs is about 21 cm ( 8,30 inch) long, the pole has a diameter of about 14 cm ( 5,50 inch)

I found this French book from 1922 with a very heavy title. “Manuel du Fabricant de Jouets” (“Manual of the Toy Manufacturer”) The description is very general and not deeply technical. If you read it, you will have a very quick general idea of how toys are put together in parts. So it is a guideline to produce various kinds of toys. In particular I found the directions for making tinplate toys and special to make a “Le Petit Livreur”, whether it is de description for the model of Martin, Flersheim, Victor Bonnet or another manufacturer, I don’t know, but as the first lines already say it is a general description and therefore also for other tin toys.

Translation from the book: “Manuel du Fabricant de Jouets” the writer is A. Broquelet in 1922

The little delivery boy.

As for any of the other articles, it is first necessary to establish a general drawing of the object and then an analytical drawing of each of the individual parts that make up it, paying attention to the location of the tabs and indicate holes needed to connect all the parts, this drawing is essential to identify the templates that will be used to make the dies for cutting.

This cutting is done by means of balancing presses; it is enough to put on the matrix, which is placed under the handle, a strip of tinplate suitable for the size of the model, then with the right hand with the crank move it forward to obtain the desired part .

This first operation produces flat parts, to give them the desired relief, proceed to their stamping which is carried out, as we have already indicated using a mold either in cast iron or in steel, and a counterpart.

That happens with all the parts that will constitute the automaton.

The worker assembles them and then takes them to a machine that compresses them and, as the case may be, using a small pair of pliers to flatten the wire, folds or bends the tabs so that they cannot be detached from the holes on which it is locked.

The various movements of the automaton are then obtained by means of cams, connecting rods and eccentrics; this is how the leg is controlled by connecting rods and eccentrics mounted on the wheels, which in turn are controlled by gears which constitute real clockwork movements, while a connecting rod controls a leg, a another connecting rod makes the knee joint maneuver, and the front wheel gives direction.

The cutting of the gears which enter the mechanism is done in the same way as that of the other parts.

When the toy is assembled, it only remains to paint it and to adjust it to ensure its proper functioning.

On the front of a very old French newspaper I found an image of a street vendor, selling the Pousse Pousse Annamite by Fernand Martin.

This original old newspaper is dated from December 22, 1889
The World Exhibition of 1889 took place in Paris from May 6 to October 31, 1889.

Fernand Martin released this Pousse Pousse Annamite during the world exhibition and this toy was sold by street vendors on the corner of the streets or in one of the many sales stalls on the grand boulevards of Paris.
On the front page of this newspaper you can see the typical busy Parisian street life where various street vendors and also sales stalls try to sell their wares/toys to tourists and parents just before Christmas.

A circus act as a toy.

Georges Flersheim purchased the Fernand Martin factory in 1912 and he acquired with the company all Martin’s patents.
George Flersheim patented this toy in 1912.

This performance of a circus act was produced in 1912 and it get the product number 228.
The original patent with number 444652 was applied on 05 June 1912, granted on 13 August 1912 and published on 23 October 1912 under the name “Nouveau jouet monocycle” , it became the trade name: Le Motocycliste Enragé

This very rare toy auctioned on November 12, 2016 at the French auction house Galerie De Chartres together with the super rare box.

The motorcycle starts to move after winding and therefore he wants to drive up in the ring but due to the weight of the motor the ring moves forward.
The movement is clearly visible on the patent drawing number: Fig.5.
The motorcycle itself was also used by George Flersheim not much later in 1912 with the name “Le Motocycliste” and thisone gets the number 231.
Victor Bonnet produced the same “Le Motocycliste” from 1919 with the same number 231.
The Victor Bonnet version has a few differences; closed wheels, a closed back and a mechanism with the well-known Victor Bonnet key.

For the collectors who own the book “Fernand Martin toymaker in Paris 1878-1912” I have a number of additions here.
These are the photos that were not known at the time of writing the book.

Page 45: Martin number 16
Le Jeu de Massacre from 1885

Page 121: Martin number 183
La Sentinelle Royal Guard from 1901

On page 151: Martin number 206
Jeu de Pêche a la Grenouille Sauteuse from 1906

See my preview blog : https://fernandmartintoys.nl/is-this-a-new-fernand-martin-toy/

After page 221: Martin number 266
Le Costaud from 1932

And I know there are more unknown MARTINS.
Now we just have to wait for photos and data.

Continued in Part 2

This article is published in the June 2020 issue of the ATW Antique Toy World magazine. https://antiquetoyworld.com/about-atw/

We know from the famous Fernand Martin book by Lourens Bas and Arthur Verdoorn: Fernand Martin Toymaker in Paris 1878-1912. that two rare original catalogs are known.

Many images of these two catalogs have been incorporated into this book.
These two catalogs were discovered in 2012 and date from 1898. and 1911.

Furthermore, an old poster from 1902 ( I suspect that this poster is from 1902 because the last picture on this poster is the Pianist and he was produced from 1902) also surfaced a few years ago.
See the blog of Lourens Bas:
https://lourensbas.wordpress.com/2018/03/04/an-unknown-folder-of-fernand-martin-from-1905/
As far as I know this poster is currently in a collection in France.

Now a third newly discovered catalog is added.

This rare new catalog is from 1908.
It consists of 82 pages with 42 images of the pictures of Fernand Martin toys from to 1895 with de Ma Portiere number 147 till 1908 with the Petit Colbuteur number 213 .
All images used are very similar to the labels used at the time, but often differ slightly in details.
On the last 4 “empty” pages, 3 extra full size original labels have been pasted manually, on a sheet, the label of the Le Boucher number 210 has disappeared.

I think these “empty” pages were added during printing so that the new Martins toys that were designed and released during printing could be added manually so that the catalog was a good “Up To Date” for a long time.
The format is almost the same as the two well-known catalogs.
The dimensions are approximate 18 x 12,5 cm ( 7,5″x 5″) .
These catalogs are all natural in black and white.
This catalog is, for his age, in exceptionally good condition.

Maybe there are more catalogs among collectors, but I only know these three and the poster so far.

Another catalog is also known from the Victor Bonnet period.
A reprint of this catalog was made in 1973 for the spring meeting of the : Antique Toy Collecters of America.
I think the original catalog dates from the late 20s.

Folders, poster, publications, advertisements, labels and catalogs are very important to properly identify the toy and also to complete the large Fernand Martin “puzzle”.
Do you have something? Please share it with me and fellow collectors.

All images used are from my own collection.

Cor van Schaijk. cor@vanschaijk.com

Blog adress: Www.fernandmartintoys.nl

A child’s play from years past with a lot of fun.
A competition to reach the finish line, while jumping in a potato bag as quickly as possible.

This toy was made in 1906 by Fernand Martin and currently very rare and therefore a very popular piece.
A toy from the second “Martin” period and it was given the Martin number 205.
At the top the potato bag is kept closed by a red thread
Height 19 cm ( 7,5 inch)

The Martin logos are depicted on both sides of the bag.

At the bottom there are two slots, after turning up two bars per slot come forward to simulate the jump, it makes a very nice almost natural movement.

The drawing below shows the inside.
This drawing is from the old French magazine La Nature from 1908

THE TOY AND THE CATALOG ARE FROM MY OWN COLLECTION.

After 15 years, in 1933, the lease of the factory at the location 88 boulevard Ménilmontant expired and Bonnet moved the production to another Bonnet factory in the Rue des Tourelles Paris 20 number 8. (This Victor BONNET’s privately held company was, producing household items from the early 1920’s.)
Until the end of the production at the location 88 boulevard Ménilmontant, Victor Bonnet still used the old Fernand Martin logo and on one of his Account overview / Payment reminder’s shows that he also advertised that he had over 200 Patents, additions and deposits in France and abroad, but that includes the patents from Fernand Martin and George Flersheim

This payment reminder is dated December 1, 1933

The first Martin of the “bonhommes” series from the second Fernand Martin period (1895 -1912) with number 147 and produced from 1895

The very first examples were produced with the famous “rubber band” mechanism.
Later they were executed with a “clockwork mechanism” they are easy to keep apart.
The model with the rubber band has the handle on top of the head to turn on, the model with the clockwork mechanism has the well-known Martin key on the back.
The difference can of course also be seen at the bottom when you look for the kind of mechanism.

The rubber band model has two different places where it can be marked, one is a tin / lead seal against the metal skirt with the FM symbol on it.
The other is marked with an embossed FM logo against a bracket underneath the skirt.
The clockwork mechanism model is not marked she only has a Fernand Martin key.

The rubber band mechanism basically consists of three separate parts, the handle, the elastic and the movement part.
If the rubber band breaks, the mechanism will fall out at the bottom and the wind-up liver at the top so they may have been lost over the years.

Two different boxes are known, with and without numbering, but on both boxes the “Ma Portiere” is equipped with a winding handle visible on the head, so the “first” version.
It is therefore not entirely clear when the boxes with or without a number were issued exactly.
Also striking is that in the catalog from 1898 the drawing was numberd left above. (see the first image at the top of this blog)

The first version is therefore with a “rubber band” drive, with this version you can clearly see the winding handle on top of the head.
The versions thereafter received the winding mechanism, but in the first copies the hole on the top of the head was sealed with a round plate.
Later versions have been given a head without a hole or plate.

Another separate component is the weight mounted on the left shoulder, meant as a counterweight for the movement of the mechanism.
The other counterweight is under the skirt at the end of the mechanism.

The mechanism moves her upper body from right to left.
If the movement to the right or left is at its end, the mechanism will be forced again by the two counterweights to move to the other side, so it looks like she is sweeping the floor. 

Very nice and realistic.

See also my previous blog: The Ma Portiere as a piece of art? https://fernandmartintoys.nl/the-ma-portiere-as-a-piece-of-art/

This article is published in the May 2020 issue of the ATW Antique Toy World magazine. https://antiquetoyworld.com/about-atw/

The translation of a French article about the manufacture of mechanical tin toys from Fernand Martin in the late 1800s and early 1900s, written by Paul Peltier and published in 1902 in the magazine “La Vie Illustree”

ABOUT THE 1902 TOY COMPETITION OF M LÉPINE

There are many toys about the upcoming October 10th (1902) Exhibition, organized by the small manufacturers of these tiny and delicious things, whose appearance on the family table will provoke the joyful laugh of enthusiastic toddlers.
This exhibition, moreover, is the reedition or, if we wind, the extension of the competition organized by M. Lepine, prefect of police, last year.
The moment, therefore, seems to have come to introduce our readers to the mysteries of the manufacture of the mechanical toy, and to reveal to them the secrets of those curious arcana from which articulate blacksmiths and little merchants pushing their cars on the sidewalks conscientiously.
The mechanical toy, as a very popular toy, very wide spread, very loved, is a very modern invention.
The difficulty & indeed, It’s much less a matter of moving a character than of being able to make this articulate and animated personage very cheaply.

It is certain that, in a pinch, the automaton of Vaucanson can be considered like a toy, but certainly the hawkers of the time could not have sold it for some grounds at the time of the New Year’s Day.
Thanks to the kindness of Mr. Fernand Martin, who has attached his name to the cheap mechanical toy industry in France.
We will introduce the reader in this world of the toddlers where articulated “Eves” and automatic “Adams” wait for the moment to leave their paradise quickly.
Like medicine and literature, the toy industry has its specialists.

The main specialties are:
1 Mechanical toys, in a general way.
2 The dolls, these cute little creatures with eternally pink cheeks, eternally constant heart, which not only delight the girls, but still know how to inspire, if need be, the novelists- Cosette’s dolls: Miserables, doll dresses from Dickens- like the musicians – the Nuremberg Doll, • the Infant’s Dolls, and, a few years ago, the Doll.
3 The lead soldiers; here we fall in the operetta, with the lead soldier of Mire Nitouche
4 Railways, racing games, etc., etc.

But it is the mechanical toys that are most interesting.
The first toys of this kind were created around 1879.
Their little “soul”, which no Paul Bourget will ever try to analyze, was essentially composed of an inert motor pelit composed of twisted rubber wire with escape wheel.
One of the worst “hurts”, none of which will ever be analyzed, was essentially a small engine, composed of a twisted rubber wire with an escape wheel.
It was obviously not very complicated, but as for the egg of Christopher Columbus, it was all about thinking about it !!
It was first the le Poisson Nageur, then the Les Forgerins Infatigables, Les Scieurs, Le Suiveur Endiablé, who delighted the Boulevards. Another invention, very curious and amusing, made its appearance around 1883.
It was – said without wanting to do the least course of mechanics! – a steering wheel whose shaft operated on two wheels.
This engine, very simple as we see, was first applied to the loco-motive road that – I call the fathers! – made a sensation.
There was much talk about it at the Tuileries ( formal gardens next to the Louvre in Paris, the gardens are all that remain of the Tuileries Palace, a royal residence begun in 1564 and burned down in 1871 during the Commune of Paris.) the old five-year-olds discussed it with interest in Luxembourg, and the little world of Parc Monceau was very satisfied.

Then came the Les Valseurs, Les Pompiers, Les Duellistes. In 1888, the Deliveryman and the Pousse-Pousse had a big success, which reached its peak during the Exhibition of 1889.
Then we see the L’Autruche, Le Cab, Le Perroquet, Le Pêcheur á la Linge, etc., etc.
Around 1894, a new series of little automatons appeared: “Ma Portière”, Le Petit Décrotteur, the Violoniste, La Blanchisseuse.

Finally, in 1900, we have the Le Pochard and the Le Bamboula.
The mechanical toy industry is also inspired by the news, as an in-depth review of the end of the year, so that among the recent creations we have seen: the L’Agent with the white baton, the Le Vieux Marcheur, a delicate allusiun to the success of the Varieties, Le Chinois, finally the Le Boer and the L’Anglais.

We will consider, in the photographs attached, (photo above) a bloody meeting between the L’Anglais and the Le Boer, and (photo below) a suggestive group of agents, policemen and gendarmes: a true International Police Congress!

Finally, as the latest creations, the Le Clown Marchant, walking on the hands, and the Le Petit Pianiste whose fingers agile and tiny.
He performs fantastic scales on a diminutive piano, and one can judge the marvels of skill and ingenuity which must be displayed in order to obtain a similar toy for a few pence, all the more so, oh joy! really what’s going to be saying Reyer? …
Needless to say, the division of work reigns supreme in mechanical toy factories.
First of all, it is the forge, where workers do all that one could call the “big work”, because everything is relative.

Then comes the welding, where the little automaton will begin to feel the clever stroking of feminine fingers.
From there, we move to the manufacture of “skeletons”.
This macabre expression refers to the assembly of all the parts of wire and metal that make up the body of the character.
Then it’s dressing up, and really this part of Mr. Martin’s factory is quite reminiscent of the workshop of a great couturier, whatever Doucet for dolls! consists, for the fingers, always feminins, to illuminate quickly and well the hands of the Le Bamboula or the trowel of the Vieux Marcheur.
Finally, the filling: this is where we put the last hand to the little toy, where, for example, we stick the piece of music in front of the eyes and the pianist is incredibly enthusiastic.

And when our babies, already ferocious, tear the tunic or the bodice to see “what’s inside”, they will certainly suspect the amount of work and pain that will have cost their toy a few French cents !
In fact, it is thought that to make toys like the ones we are talking about and sell them cheaply, we need personnel and tools of extraordinary complexity, and our readers have realized this.
The equipment is so multiple, and the meeting of raw materials relatively so long, that the French manufacturer has time to cast a good part of his invention, before the German manufacturer finds the opportunity to counterfeit and sell himself.
It is, indeed, in Germany, the classic country of the Nuremberg doll, that the French mechanical toy is pillaged with the greatest cynicism.
There are, it seems, in Germany only two manufacturers of mechanical toys who do not copy our objects ! …

We were talking about the tools and personnel of a big toy factory mechanical. Some typical details will serve to fix the ideas.
Do we know how much the house we have visited employs dressers, who, as their name implies, are exclusively employed in re-covering the skeletons of iron wire, hidden in the small chest of tin plate? It are thirty dressers!
These thirty dressers, some of whom work in the workshop, the others at home, can dress up to three thousand figs a day.
In addition to the dressers, the toy houses still use machine-made stitches.
To dress ten thousand little “ bonhommes”, it takes six hundred meters of a cloth having 80 cm wide.

Another detail borrowed, no longer from the mechanical toy industry, but from that of small rifles.
The tiny arms, which sell for about fifteen cent, are provided with a shoulder strap, attached to a small staple nailed to the edge of the butt.
To obtain these staples, we use a machine that can drill in a minute a zinc plate a meter long: well! the cuts, the small trimmings that fall by the thousands, are precisely the staples.
This detail shows how frighteningly rapid it is to satisfy consumption.

In Paris there are in 1902, about 25,000 toy workers employed by 500 employers.
Not included in this number, of course, watchmakers, molders, seamstresses, etc., who are used, but who are not dedicated to the toy.
Men can earn 5 francs the piece, about 50 francs per day; women 3 francs.
The work is done either by the pieces, or by the day.
We see that the toy – at least the mechanical toy – is not what a vain people thinks.
It’s not just “the joy of children and the tranquility of parents”.
It is also one of the objects on which our national industry has made its mark, and from this point of view the public can not be too interested in it.

All workshop images are insights from the Fernand Martin factory in 1902

At the end of 1800 and early 1900, Fernand Martin was a highly regarded businessman in Paris.
His toy factory flourished and his toys were hugely popular and well-known
This of course also attracted people who wanted to get a piece of his popularity and now I mean it in the good sense of the word.
One of those people was an artist who made bronze sculptures.
At that time, bronze statues were enormously popular and in many living rooms these statues were to be admired.
The name of this artist was Jose (Josep) Cardona Furro, he was born in Barcelona Spain and lived from 1878-1922.
He left for Paris at a young age.
Martin often made his toys about what he saw in daily street life and that was the same thing Jose Cardona did.
His bronze statues were mostly statues of people and often of children he saw busy in the street.

One of his images is of a street vendor with clearly recognizable Fernand Martin’s the Ma Portiere. on his back a sack full of boxes of toys, in his hand he is busy turning up a Ma Portiere and there is also a clearly recognizable Ma Portiere at his feet.
The Ma Portiere was made by Martin from 1895, so this image will also be designed and made by Jose Cardona in 1895 or a little later, so at the age of 17.
The sculpture is very detailed and approximately 36 cm high and weighs more than 5 kg. ( 11 pound )
There are versions known with a marble base and versions without this base.

In one of the following blogs I will cover this “Ma Portiere” extensively,

Exactly 1 year ago I started this blog.
In the course of this year I have written about 80 articles.
The number of readers watched has also increased considerably, from about 30 a month to currently an average of over 120 a month.
The number of hits on articles has also increased, there are days with only 3 hits but also days with more than 40 hits, the total number of hits is currently more than 2200 and that is an average of 29,5 hits per article.
Also, from the number of positive responses, many readers are satisfied with this blog.
So for me again the challenge to work hard on new articles.

I thank everyone for the good words and especially the auctioneers, traders, museums, private collectors, etc. who have given permission to use images in this blog.

And if you have any questions or material that I can process please send it to me and I will make sure that I find it right and if it is interesting for the readers, I will put it in a blog.
Thanks again everyone.

(All photos in this article are of my dear and early deceased friend Arthur Verdoorn.)

In the year 1900 the 13th universal World Exhibition was in Paris.
Fernand Martin participated in this exhibition and was also a jury member of the “Hors Concours Médaille D’or ” as can be read on the box and on the catalog picture of the Bamboula no 179.

This World exhibition lasted from April 15 to November 12, 1900.

During this exhibition many products were sold to the public by business exhibitors, but street vendors in the streets of Paris also sold more than normal during that period.

I have found three boxes of the Le Pochard number 172 produced from the year 1899 with a additional reference to this exhibition.

This “Le Pochard” is familiar to all Martin collectors and it has also been produced for a long time and is one of the most renowned Martin’s .

This additional reference is a loose sticker that is stuck on the boxes
The sticker on the first box is difficult to read but the other two boxes are much clearer to read.
The sticker on box three is not on the front but on the top of the box

We can assume that these pieces were sold during this world exhibition in 1900, but it is also possible that the stickers were placed as advertisements well before the world exhibition to draw attention to this exhibition.
These boxes with toys are therefore very easy to date.
You also see that both drunks are dressed the same.

I do not know if boxes of other Martin toys were also provided with this sticker, but perhaps one of the readers of this blog has an answer, please let me know.

This rabbit is produced from 1890 and quite rare
In the 2014 book: Fernand Martin Toymaker in Paris, the Le Lapin Vivant is listed on page 59 with the number 32 but the new number is 114
I know some color varieties such as white, light brown and dark brown.

It is a fairly small bunny with a height of 13 cm.
After winding up, he moves forward and his ears and arms move.
Immediately below the winding roll it is marked with the old known logo of Martin, the circle with the letters “F.M.” and “depose”

So far I have only seen versions with a flywheel drive.
Recognizable on the side where the wheel is to wrap the rope.

With the rubber band version I have never seen myself
I recently bought a series of 4 little etchings from 1892 with images of toys.
On one of the etchings this Le Lapin Vivant with the version with a rubber belt drive is shown.
The original etching is very small; approximately 8×10 cm
In the French technical year magazine: La Nature from 1892 on page 45 this drawing / etching is depicted on which a beautifully open worked Le Pantin Vivant can be seen.

This etching is made by mr. Louis Poyet
Mr Poyet made many etchings of toys for the technical magazin “La Nature”, he therefore regularly visited toy factories, including of course the Fernand Martin factory to make a lot of etchings of the latest new toys.

Zalig Pasen
Geseënde Paasfees
Gëzuar Pashkët
Frohe Ostern
Happy Easter
Häid lihavõttepühi
Hyvää pääsiäistä
Joyeux Pâques
Kellemes Húsvéti Ünnepeket
Buona Pasqua
Felis Pasku
Wesołych Świąt Wielkanocnych
Boa Páscoa
Veselú Veľkú Noc
Feliz Pascua
Pasg Hapus
Glad Påsk

A very special toy with an ingenious mechanism
L’homme toupie made by Victor Bonnet from Paris, the last owner of the Fernand Martin toy factory in Paris.
This clown has the product number 252
It has been produced from around 1921/1922
This toy can be winded by means of a separate key.
The height is 19 cm = 7,5 inch.

After winding, place him on top of his head / hat on a flat table and let go. (in his hat is a clearly visible screw on which the whole turns)
He then starts to turn around his axis and at some point his hands slowly move towards the table, then stops turning and then pushes his head / hat away from the table.
His legs then separate and back together.
Then his head / hat returns to the table and everything starts all over again.
The manufacturer calls it a spinning top but therefore a very special ingenious spinning top.
He is now collected by collectors of tin toys and then mainly collectors of Fernand Martin toys.
He is therefore also collected by spinning tops collectors and collectors of circus acts.
It has a tin body, head, feet and hands.
The arms and legs are made of metal wire.
The feet, hands and the head with the hat are hand painted.
Furthermore, the whole is provided with colorful fabric clothing.

To wind it up, there is a keyhole on the back
What is important at purchase this toy, look at this keyhole, there is normally a Brass ring with disc attached in the fabric clothing, the disc is clothed with fabric, but very often this ring with disc is torn out and disappeared due to frequent use.
The clown is marked on top of the hat with the text: Article Francais V.B & Cie Paris.

All photos are from my own collection

This article is published in the ATW Antique Toy World magazine of March 2020-Volume 50- No3.
Read that article here but now with a very recently found additional supplement.
This additional supplement was unfortunately too late for publication in the ATW.

The Martin period is brought together from the beginning of the first Fernand Martin toy the POISSON NAGEUR in 1878 during the move of Victor Bonnet from the original old Fernand Martin factory on the 88 Boulevard de Menilmontant Paris to another location in 1934
The last toy we now, till now, was the VOITURE NOUNOU POUPON with number 265

Until now we thought that this VOITURE NOUNOU POUPON with number 265 was the very last “Martin” produced in the factory on the 88 Boulevard de Menilmontant Paris, but that is now changing.
We can now add this extra number 266 to it.
And maybe there are more extra numbers to discover.

I have now found a new piece with number 266 on the box.
It is a pistol with the name LE COSTAUD
And luckily with the original box in a fairly good condition so we now for sure that it has number 266.

Dimensions box approximately 2,5 x 10,5 x 16,5 cm (1 x 4,5 x 6,5 inch) Dimensions pistol approximately 11,5 x15 cm (4,5 x 6 inch)
I can say that we have found another piece of the big “Martin” puzzle.

And I have an original bill from Victor Bonnet in my collection that includes this pistol.
The bill dates from June 16, 1933 and this bill also shows the old trusted location of the original old Fernand Martin factory on 88 Boulevard de Menilmontant Paris.

On this bill there are three well-known Bonnet pistols:
–the PAN PAN (number 247)
–the TAPE FORT (number 262)
–the FLAC (number 256)
And now the unknown LE COSTAUD with number 266.
But there is still another unknown part on this bill under the name: “EPERVIER” in English this means (Sperrow) Hawk.
I think this is also a pistol, because I have often seen tin toy pistols with the name Hawk but till now not from Victor Bonnet but I am not sure yet.

And now the recently found addition:

I very recently found the French patent for this pistol LE COSTAUD with number 266
The patent number is FR 730.021
The following dates can be seen on this patent:
-Announced on April 04-1931
-Submitted on May 03-1932
-Published on August 05-1932
Now we know for sure that this pistol has been produced since 1932.

The displayed bill and pistol are from my own collection

During his period as the owner of the old Fernand Martin factory, Victor Bonnet brought many beautiful new toys to the market.
The pistols/guns are very noticeable here because they don’t really look like the other toys.
But it was then and is still a hugely popular toy with mainly boys, who as a boy did not in the past, as a soldier, cowboy or police, walked around with toy guns and called “pang-pang”
Till today, 6 different guns are known.
To my surprise, I found an original bill from Victor Bonnet from 1933 with the order of various pistols on it.

This bill is dated June 16, 1933
The address of Victor Bonnet & Cie factory is still the old address where once Fernand Martin produced his great successes at 88 Boulevard de Menilmontant Paris.
The Martin period is closed on the date of the move from the Victor Bonnet factory to another building in 1934.

At the back of this bill the 6 well-known pistols are also shown.
The order included three well-known pistols and two names that we did not know yet.
Of course we recognize the PanPan, the Tape Fort and the Flac on this bill
For me there are two unknown names on this bill, the Costaud and the Epervier.
From one of these unknown pieces I have discovered what it is, this will be discussed extensively in one of my next blogs in the next month.
So we still miss 1 piece, what is it ??? I don’t know yet, but we continue to search.

And do you know what the missing piece is, send me a message and make me happy.

The displayed bill comes from my own collection

Many of us still know the time when there was no internet with e-mail and the telephone was still very rare, the postcard was then still a popular and cheap means of transferring short messages, congratulations or greetings.
Nowadays, postcards are almost no longer used due to the availability of faster, cheap media.
The postcard was introduced in the second half of the 19th century.
On a postcard there was room for writing a message and usually there was an image on the other side.
Fernand Martin’s toy has also been used a number of times as an image on a postcard.
I have examples from France, Germany but also one from the U.S.A.
The most of the postcards shown here are from my own collection.

A street vendor from Paris with a stamp from 1905

French postcard with images of Martins, date unknown

Another French street vendor from the late 1800s, with the Violinist, this image was also used on a chromo collector plate.
This card can be found in the hand-colored version or in black and white

A French postcard with the “Le Charcutier” date unknown

A German postcard of the circus Barnum & Bailey who toured in Europe around 1900.
The “La Boule Mystérieuse” is shown on this postcard

Another postcard now of the circus Strassburger from around 1914
The “La Boule Mystérieuse” is shown on this postcard

A street vendor from New York with a stamp from 1906

A postcard from 1994 with the Number 233 La casseuse d’assiettes from 1912

It is nice to collect this postcards next to the Martin toys.

And I have another very special postcard in my collection, a handwritten card by Fernand Martin personally. See my blog: https://fernandmartintoys.nl/personal-postcard-from-martin/

Besides the violinist and the drunkard, the le Petit Livreur is one of the most produced and well-known Martin toy.
Of all the different “models” mentioned here, there are many different color versions.

Model 1:
Fernand Martin made the first model with the spoke wheels and a head with “look a like” real hair in 1911

Model 2:
The second known model is from George Flersheim and features the Flersheim key, another label, painted hair and the closed wheels.
This model was made from 1912

Model 3:
The third model was made by Victor Bonnet, this model was similar to the Flersheim model but has a different “Bonnet” key.
What was also changed was the operation of the small “steering wheel” under the cart.
With the Martin and the Flersheim the handle is on the left or right side and with the Bonnet usually on the front but there are still some Le Petit Livreurs with a Bonnet key and the handle also on the side.
The Bonnet version also has a brass nameplate on the cart
This model was produced by Bonnet from 1919
After the relocation of the factory in 1933, the brass nameplate and the paper on the case disappeared, replacing it with the new VEBE logo on the case

Model 4:
The fourth and rarest model.
In 1911/12 a separate “MARTIN” model appeared on the market, this model had a higher suitcase/trunk with advertising on it instead of the low suitcase.
This case was also lithographed and could be opened
Whether the labels on the suitcase can be recognized as the round logo of the “Grand Hotel” in Paris.
The boy of this Petit Livreur also got a bunch of hair and a flat cap.
It was suspected that this Petit Livreur was made on special order for the Gand Hotel and was sold as a tourist item to guests / visitors to the hotel.
There would have been sweets in the suitcase, so it was a kind of candy container.
There is still another Martin toy with such a trunk, it is the L’autopatte from 1910.
These two toys are also depicted in the book: Fernand Martin Toymaker in Paris 1878-1912 from Arthur Verdoorn and Lourens Bas. on p. 223.

A collector of hotel logo’s from Portugal, told me that this “Grand Hotel Paris” logo was used at that time in 2 versions, a round and a right-angled one, by the Grand Hotel.
It was used as a seal on letters and was also stuck on tourist gift items in the “Grand Hotel” gift shop.
These logos waren used from the end of 1800 to the beginning of the 1st World War (WW1) in 1914.
With its 700+ rooms, the hotel was the largest in Paris and was used as a military hospital in the 1st World War
This hotel still exists today.

It is not exactly clear whether Fernand Martin or George Flersheim put it on the market, but I suspect Martin because it still has a typical “Martin” key, but that actually means little because Flersheim has also released toys with a Martin key, presumably using up old supplies.
All in all an exceptional piece and very sought after because it is not sold in large numbers.

There is a known photo of the stall with the “normal” and the “special” Le Petit Livreur, this photo was once sold on Ebay.
A question for those who have this photo: send me an image then I can add it to this article.

A very early toy that Martin made were two firefighters with a fire sprayer, which reflects the state of the art of firefighting at the time.

History:
A fire sprayer had already been granted a patent in 1614, but the first well-functioning model comes from the Dutchman Jan van der Heiden in 1672 with a hose fire sprayer.
This type of fire sprayers was sometimes used until the Second World War (WWII)
Large heavy pumps used to be pulled by horses and the smaller models were pulled by firefighters themselves.

The fire sprayer can be compared to a wooden, red-copper or metal tub / container in which a hand pump with a nozzle is attached.
Although this type of fire sprayer delivered a constant flow of water, it had the disadvantage that it had to be filled with buckets.
There is also a type that could itself suck water from a canal or ditch.
Because the hose could not be too long, it had to be placed close to the fire, which of course was dangerous for firefighters and equipment.

Now about the toy model.
Dimensions: Height 16 cm (6-1/4 inch) Length 14 cm (5-1/2 inch).
At the bottom of the storage tank, you can connect a hose.
If you look at the drawing you will see an “A” at the bottom, that’s the wind-up key.
After being wind up, you place this toy on the table.
I don’t know if you have to fill it with water or put it in a little tub with water.
Filling seems unlikely to me because the container due to the mounting tabs it would leak everywhere.
Sucking up seems more likely to me, the water can then be sucked up through the pipe at the bottom.

On the drawings in the catalog and the drawing on the box you see an extra pipe drawn, the water could be sucked through this pipe, on the actual toy you can no longer see this pipe but it can be integrated into the thick pipe where the wind-up mechanism is located.
Both figures then move up and down and thus pump the water away through the hose.

Here above an image from the original Fernand Martin catalog 1898
Compare this image with the image on the lid of the original box and you will see some differences.

If you look very closely you will see the next differences:
  1- The two corners of the catalog image are not richly decorated.
  2- On the box label there is no “triangle with number 138”
  3- On the box label there are no dates of various gold medals that Martin has won
4- On the catalog image the net and gross weights are stated below the image.
  5- On the left of the catalog image is the text “Made In France”.
  6- The catalog image is numberd with number 105, (but more about this number in one of the following blogs).

A very rare and hard-to-find toy, the box is even rarer to find.
The piece with the box on the first photo was sold at the Bertoia auction on May 9, 2019 for $ 8000 without the auction surcharge.

Note: With my approval, a part of this blog has been adapted and published by the BHIC. See the link: https://www.bhic.nl/ontdekken/verhalen/blikken-speelgoed-uit-1887-voor-8000-dollar

Fernand Martin has made two versions of these Harlequin figures
These figures were very popular with the children at the end of the 1800s
You could buy these figures from department stores, smaller toy stores, market halls and from street vendors.

These Harlekijn dolls were for sale in various materials such as fabrics, wood and by Martin in the tin plate version

The first one he made was quite early in his career.
In 1882 he made an approximately 22.5 cm (8 ¾ ”) figure, and is called “Le Pantin Mecanique” The product number is unknown (In the books known to us, this toy has the Martin product number 06, but that must is incorrecte)
It is found in two color varieties in blue and in red
The special thing about this figure is that it has two faces, one at the front and one at the back
The mechanic was by a rubber band drive
In the museum in Paris Musée des arts and Métiers – Le cnam, the red one can be found, it was in the gift from Fernand Martin to the Museum
As the photos of the museum contain a copyright, I cannot show it here, but a digital visit to the site is worth looking at, see this link:
https://phototheque.arts-et-metiers.net/?idPageWeb=95
enter the keyword “Fernand Martin” at “rechercher”.
The photo you can find at number 0001664-143

The second version was made from 1896, so in the second period of Fernand Martin.
The product number is 152 and the name is “L’assiette Au Beurre Et Le Pantin”
This is also known so far in two color varieties in Blue / red and in Red / blue
It is quite small and only around 10 cm (4”) in size, the drive is here through a pull rope
If you pull this, the arms and legs start to move, Lehmann also had a similar effect with his well-known Climbing monkey.
This figure does have a clear front and back

Both figures are extremely rare to find.

Soltau, a small town located in the north of Germany, just an hour’s drive from Hamburg.
In the center of Soltau, spread out across two buildings (Poststrasse 7 and 15), is one of the most exiting toy museums I know.

Welcome to the Toy Museum Soltau (“Spielmuseum Soltau”), a house full of treasures, dreams and ideas!
The museum houses one of the best and most varied toy collections in the world: from a huge all-original Victorian dolls house with fifteen fully furnished rooms to a great Humpty-Dumpty circus set, from William & Mary wooden dolls to mechanical tin toys and from Erzgebirge scenes to paper toys.

And it will get even better: at the end of March 2020 a special department dedicated to a large collection of Fernand Martin toys will open at the Poststrasse 15 branch of the museum.
This department will be named “Klein-Paris!” (Little Paris!): a new exhibition unit with fantastic French toys from the turn of the (1900) century is currently under construction.
The focus is on mechanical sheet metal figures by the famous Paris toy maker Fernand Martin.

All objects come from the great collection of Arthur Verdoorn and were donated to the “Stiftung Spiel” (Foundation for Play) that runs the museum.
Arthur Verdoorn was a Dutch collector and a personal friend of mine, he was one of the two authors of the fantastic book: “Fernand Martin Toy Maker In Paris 1878-1912”.

I know his collection very well and I often played together with him, in his own home museum, with these toys.

A very large collection that fortunately can be admired by everyone soon.

The Spielmuseum Soltau is not just a museum to look at: visitors of all generations are invited to explore, enjoy, try out, play and learn. So, step into history, reminisce and get inspired!
The museum is open 365 days a year from 10 am to 6 pm and the exhibitions cover a total of 900 square meters.

And have you decided to take a look and travel to Soltau?
Then don’t miss the nearby felt museum “felto – Filzwelt Soltau” and be surprised there, too – for example by more than 120 historic Steiff character dolls all made of felt.

https://www.spielmuseum-soltau.de

https://www.filzwelt-soltau.de/

In principle there are four different Martin bears, three are produced under the same number 193 in a period of more than 25 years.
They are very similar in appearance, there are two colors, white and brown.
The fourth is a completely different bear with number 216

Three bears, who carry the same number:
What do you need to know if you have one or want to purchase one or even find one.
What should you pay attention to!

The first one is the brown bear with a “hairy” head, so it looks like a head with fur.
This was given number 193 and was made by Fernand Martin in the second Martin period in 1904.
Marked under one leg with “FM” and under the other leg with the famous “triangle” and equipped with a “Martin” key

The second one is the same bear but in a white version, the head is now painted white.
He received the same production number and was made by Fernand Martin in the second period from 1909
But also produced by Victor Bonnet in the fourth period with the same number
If it is produced by Fernand Martin then one leg is marked with FM and under the other leg with the famous triangle.

If it was produced by Victor Bonnet from 1921 until the 30s, it is marked under one leg with “VB & Cie Paris” and under the other leg with “Made in France” and equipped with a “Victor Bonnet” key

The third version is a brown bear but now with a dark brown painted head, this bear was produced by George Flersheim in the third period from 1912, this bear also received production number 193.
Marked under one leg with “FM” and under the other leg with the famous “triangle” and equipped with a “Flersheim” key

And then there is a fourth bear
It is the climbing bear and was produced by Fernand Marin in 1909
The production number is 216
This is a very special bear that, after winding, climbs independently into a pole.

All toys shown in the photos are or were from my own collection

Vrolijk Kerstfeest en een Gelukkig Nieuwjaar
Merry Christmas and a Happy New Year
Fröhliche Weihnachten und ein glückliches Neues Jahr
Joyeux Noël et Bonne Année
Feliz Navidad y Próspero Año Nuevo
Buon Natale e Felice Anno Nuovo
Boas Festas e um feliz Ano Novo
Kala Christougenna Ki’eftihismenos O Kenourios Chronos
God Jul och Gott Nytt År
Glædelig Jul og godt nytår
Geseende Kerfees en ’n gelukkige nuwe jaar
Hyvää joulua ja onnellista uutta vuotta

This very ingenious toy is a reproduction of reality, it was a circus act from the late 1800s and early 1900s

A piece of history :

This act was performed by an Austrian artist Leon Rauche with his artist name La Roche or LaRoche
LaRoche started at Barnum & Bailey in 1895
The world famous circus Barnum & Bailey had this act in its program from 1895 to 1903.
In 1897, James A. Bailey, as Director of the Barnum and Bailey show, decided to organize a multi-year tour in Europe.
In October of that year, he arrived in England with his complete circus company and began his performance at the Olympia Hall in London.
He traveled throughout England to cross the mainland of Europe.
After visit many cities in Central Europe, the circus returned to America in 1903.

This poster is dated 1897 and that is because almost all images for this European tour were pre-produced in 1897 in America at: “THE STROBRIDGE LITHO CO. “In Cincinnati; Ohio.
In countries where the circus stayed for a long time, the text was adapted to the national language.
The amount of posters taken for this tour was more than 100,000 sheets.
Should a certain stock run out, then according to the American design, sheets were printed in Europe.
In exceptional cases, local designers and printers were sometimes called upon.

The show was in Paris in the period of November 1901 – March 1902
Housed in the Salle des Fêtes of the Galerie des Machines at the foot of the Eifel tower, a remnant of the 1900 exhibition in the Champ-de-Mars.
Barnum & Bailey presented its show consisting of a large number of first-class attractions.
The first show took place on November 30, 1901.
Barnum & Bailey was sold out until March 23, 1902.
The shows took place every day at 8:15 pm, with matinee at 2:00 pm, Sunday, Wednesday, Thursday and public holidays.

I think Fernand Martin also visited this show in Paris, but he didn’t come up with the La Boule Mystérieuse at that time, why?? read more…..

The invention of the act :

Leon Rauche (Laroche) has designed this act himself.
Legend has it that circus contortionist Leon LeRoche got his inspiration for ‘La Boule Mysterieuse’ from a popular gambling game that took place outside the tent of a show in Romania.
After bettors bet on one of multiple numbers, the showman rolled a ball from the top of a 1 foot high spiral, screaming as the ball rolled its way to the winning number.
LaRoche’s had a 12-foot spiral built for his own act.
While he was locked up in a metal ball of 2 ½ feet in diameter, he slowly and mysteriously rolled up and down on a spiral track without railing, and without the help anything visible or a motor.
The mystery of its progress is supposed to be explained when the man comes out, but it is more mysterious than ever, for the man has to tie himself in a knot to get into the sphere and certainly does not appear to have room to budge an inch , and the reason why the ball goes up and down slowly is just as inexplicable as ever! “.

The trick was considered “an inscrutable mystery,” a sudden genius.
Everywhere the show agents arranged performances of this wonderful man and his company.
LaRoche doubled the height of the spiral to 24 feet and by the time he started touring with Barnum and Bailey in 1896, the course was already 30 feet high.
After the circus went back to America in 1903, La Roche left Barnum & Bailey and presumably continued with his act to the “Strassburger” circus.
This circus existed from 1892 to 1963

The toy :

Fernand Martin came on the market in 1906 with his “La Boule Mystérieuse” and it was a great success.

But Fernand Martin was not the original designer/inventor of this toy.
On 6 December 1905, a French inventor Mr M Celestin Gasselin applied for a patent under patent number 360440.
It was granted on February 23, 1906, and on April 21, 1906, this patent was published.

Fernand Martin purchased this patent directly from Mr. Gasselin and put it on the market in 1906.
This toy was registered in Germany under a patent number D.R.G.M. 269277
The “Martin” number of this toy is 204